Piano Scales
A scale is a set of notes ordered by pitch, defined by its interval pattern — the whole and half steps between each scale degree. That pattern is what makes a major scale sound bright and a natural minor sound dark.
Pick a root key — every card opens in C, and the mini keyboards shift to match.
Major & Diatonic
3Learn more →Minor Scales
3Learn more →Pentatonic & Blues
6Modal & Jazz
7Learn more →Lydian Dominant
Whole Tone
Half-Whole Diminished
Whole-Half Diminished
Locrian #2
Phrygian Dominant
Altered
Bebop & Exotic
5Browse by feel — bright → dark
All 24 scales — bright → dark
Lydian Dominant
Whole Tone
Major
Major Pentatonic
Major Bebop
Dominant Bebop
Harmonic Major
Chromatic
Major Blues
Major b6 Pentatonic
Half-Whole Diminished
Minor 6 Pentatonic
Melodic Minor
Minor Bebop
Minor Pentatonic
Minor Blues
Minor
Phrygian Dominant
Harmonic Minor
Whole-Half Diminished
Hungarian Minor
Locrian #2
Double Harmonic
Altered
What is a scale?
A scale is a sequence of notes that share a tonal center. Different intervals between the notes produce different moods — the bright optimism of a major scale, the introspection of a natural minor, the floating uncertainty of whole tone, or the flamenco intensity of phrygian dominant.
Every scale on this page can be played starting on any of 12 root notes. The detail pages include keyboard diagrams, audio, fingering, key signatures, and the chords that belong to each key.
Scale formula reference (all 24)
| Scale | Notes | Formula | Family |
|---|---|---|---|
| Major | 7 | 1 – 2 – 3 – 4 – 5 – 6 – 7 | major |
| Harmonic Major | 7 | 1 – 2 – 3 – 4 – 5 – ♭6 – 7 | major |
| Chromatic | 12 | 1 – ♭2 – 2 – ♭3 – 3 – 4 – ♭5 – 5 – ♭6 – 6 – ♭7 – 7 | chromatic |
| Minor | 7 | 1 – 2 – ♭3 – 4 – 5 – ♭6 – ♭7 | minor |
| Harmonic Minor | 7 | 1 – 2 – ♭3 – 4 – 5 – ♭6 – 7 | minor |
| Melodic Minor | 7 | 1 – 2 – ♭3 – 4 – 5 – 6 – 7 | minor |
| Major Pentatonic | 5 | 1 – 2 – 3 – 5 – 6 | pentatonic |
| Minor Pentatonic | 5 | 1 – ♭3 – 4 – 5 – ♭7 | pentatonic |
| Major b6 Pentatonic | 5 | 1 – 2 – 3 – 5 – ♭6 | pentatonic |
| Minor 6 Pentatonic | 5 | 1 – ♭3 – 4 – 5 – 6 | pentatonic |
| Major Blues | 6 | 1 – 2 – ♭3 – 3 – 5 – 6 | blues |
| Minor Blues | 6 | 1 – ♭3 – 4 – ♭5 – 5 – ♭7 | blues |
| Lydian Dominant | 7 | 1 – 2 – 3 – ♯4 – 5 – 6 – ♭7 | modal |
| Whole Tone | 6 | 1 – 2 – 3 – ♯4 – ♯5 – ♭7 | whole tone |
| Half-Whole Diminished | 8 | 1 – ♭2 – ♭3 – 3 – ♯4 – 5 – 6 – ♭7 | diminished |
| Whole-Half Diminished | 8 | 1 – 2 – ♭3 – 4 – ♭5 – ♭6 – 6 – 7 | diminished |
| Locrian #2 | 7 | 1 – 2 – ♭3 – 4 – ♭5 – ♭6 – ♭7 | modal |
| Phrygian Dominant | 7 | 1 – ♭2 – 3 – 4 – 5 – ♭6 – ♭7 | modal |
| Altered | 7 | 1 – ♭2 – ♭3 – ♭4 – ♭5 – ♭6 – ♭7 | modal |
| Major Bebop | 8 | 1 – 2 – 3 – 4 – 5 – ♯5 – 6 – 7 | bebop |
| Dominant Bebop | 8 | 1 – 2 – 3 – 4 – 5 – 6 – ♭7 – 7 | bebop |
| Minor Bebop | 8 | 1 – 2 – ♭3 – 3 – 4 – 5 – 6 – ♭7 | bebop |
| Double Harmonic | 7 | 1 – ♭2 – 3 – 4 – 5 – ♭6 – 7 | exotic |
| Hungarian Minor | 7 | 1 – 2 – ♭3 – ♯4 – 5 – ♭6 – 7 | exotic |