Skip to content

Altered Scales on Piano

The altered scale — also called Super Locrian — is the seventh mode of the melodic minor scale and the most important scale for jazz improvisation over altered dominant chords. It contains every possible chromatic alteration of the dominant chord: ♭9, ♯9, ♯11, and ♭13. When you see a chord symbol like C7♯9♭13 or just C7alt, this is the scale to play.

Formula: H–W–H–W–W–W–W (half–whole–half–whole–whole–whole–whole)
Intervals: P1–m2–m3–d4–d5–m6–m7–P8
Scale degrees: 1–♭2–♭3–♭4–♭5–♭6–♭7
Sound: Tense, chromatic, dissonant, jazzy
Also known as: Super Locrian, diminished whole-tone scale, Locrian ♭4

The jazz musician’s shortcut: To play the altered scale on any dominant chord, think one half step up and play melodic minor. C altered = D♭ melodic minor. This trick works because the altered scale is the 7th mode of melodic minor — so C altered starts on the 7th degree of D♭ melodic minor.

Altered Scale in All 18 Keys

Select any key to see the full scale with notes, keyboard diagram, and practice tips.

Want the full theory?
Intervals, construction formulas, practice strategies, and how this scale connects to others.
Modes Guide