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E♭ Super Locrian Scale (Altered Scale)

Super Locrian Scale E♭ – F♭ – G♭ – A♭♭ – B♭♭ – C♭ – D♭ – E♭
Degrees: 1 – ♭2 – ♭3 – ♭4 – ♭5 – ♭6 – ♭7

The E♭ Super Locrian scale contains seven notes: E♭, F♭, G♭, A♭♭, B♭♭, C♭, and D♭.

E♭ Super Locrian Scale (Altered Scale): E♭, F♭, G♭, A♭♭, B♭♭, C♭, D♭

It follows the whole-step / half-step pattern H-W-H-W-W-W-W.

Also called the altered scale: 7th mode of melodic minor, used over altered dominants in jazz.

E♭ Super Locrian Scale (Altered Scale) Notes

DegreeNameNoteInterval
1TonicE♭P1
♭2SupertonicF♭m2
♭3MediantG♭m3
♭4SubdominantA♭♭d4
♭5DominantB♭♭d5
♭6SubmediantC♭m6
♭7SubtonicD♭m7
8OctaveE♭

How to Play the E♭ Super Locrian Scale (Altered Scale)

Practice the E♭ Super Locrian Scale (Altered Scale) hands separately at a slow, steady tempo before putting them together. Aim for even rhythm and a relaxed wrist. The goal is a smooth, connected line where every note sounds the same length and volume. Once both hands feel comfortable on their own, layer them at the same slow tempo and only speed up when the joined version is clean.

Right Hand (RH)

Place your right hand over the keys with the thumb on the root. Use the fingering: 4-1-2-3-1-2-3-4 (1 = thumb, 2 = index, 3 = middle, 4 = ring, 5 = pinky).

Right hand: ring (4) on Eb, then tuck the thumb (1) under to Fb, index (2) on Gb, middle (3) on Abb, then tuck the thumb (1) under to Bbb, index (2) on Cb, middle (3) on Db, ring (4) on Eb.

Step12345678
NoteEbFbGbAbbBbbCbDbEb
Finger41231234

Watch for the thumb tuck: the thumb (1) passes under your fingers at notes 2, 5 (Fb, Bbb). Keep your wrist level and quiet. Only the thumb moves under, the hand stays in place above the keys.

Left Hand (LH)

For the left hand, start with your pinky on the root. Use the fingering: 2-1-4-3-2-1-3-2

Left hand: index (2) on Eb, thumb (1) on Fb, then cross the ring (4) over to Gb, middle (3) on Abb, index (2) on Bbb, thumb (1) on Cb, then cross the middle (3) over to Db, index (2) on Eb.

Step12345678
NoteEbFbGbAbbBbbCbDbEb
Finger21432132

Watch for the crossover: a long finger (3 or 4) crosses over the thumb at notes 3, 7 (Gb, Db). Lift the long finger over cleanly without disturbing the thumb. Descending the scale, the thumb will pass under at the same spots in reverse.

Reading the E♭ spelling

Written from E♭, this spelling carries 5 flats (E♭, F♭, G♭, C♭, and D♭), double accidentals (A♭♭ and B♭♭), leaving 0 of its 7 tones on plain letter names. In this key the altered tensions land on B♭♭ and D♭.

Enharmonically this is the D♯ scale respelled. The D♯ page spells the same keys with D♯, F♯, and C♯, where this page reads E♭, F♭, and G♭ instead, which is the version flat-key charts print. Compare the D♯ Altered Scale side by side.

E♭ Super Locrian Scale (Altered Scale) : Frequently Asked Questions

What are the notes of the E♭ Super Locrian Scale (Altered Scale) on piano?
The E♭ Super Locrian Scale (Altered Scale) uses the notes E♭ – F♭ – G♭ – A♭♭ – B♭♭ – C♭ – D♭ – E♭. Play them in order from the root up to the octave, hands separately first, then together.
What notes are in the Eb Super Locrian Scale?
The Eb Super Locrian Scale contains seven notes: Eb – Fb – Gb – Abb – Bbb – Cb – Db. The notes table above shows each note with its scale degree and interval from the root.
What is the fingering for the Eb Super Locrian Scale?
Standard one-octave fingering for the Eb Super Locrian Scale: Right hand: 4-1-2-3-1-2-3-4; Left hand: 2-1-4-3-2-1-3-2. The "1" marks where your thumb tucks under (right hand ascending) or your middle/ring finger crosses over (left hand ascending). Practice hands separately at a slow, steady tempo before putting them together.
How many sharps or flats does Eb Super Locrian have?
The Eb Super Locrian Scale doesn't correspond to a single major or minor key, so it has no standard key signature. Its notes are written with accidentals as needed: E♭, F♭, G♭, A♭♭, B♭♭, C♭, D♭.
What does the Eb Super Locrian Scale sound like?
The Eb Super Locrian Scale has an unstable, dissonant character built on a diminished tonic. As a mode, it shares notes with a parent major scale but feels different because a different note acts as the tonal center.

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