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G♭ Minor

Notes: G♭ - B♭♭ - D♭ | Degrees: 1 - ♭3 - 5 | Written: G♭m, G♭min, G♭-

Construction: Root, Minor 3rd, Perfect 5th

It is enharmonically equivalent to the F♯ Minor chord

Fingering: RH 2-3-5, LH 5-3-2

Inversions: Root G♭m - 1st G♭m/B♭♭ - 2nd G♭m/D♭

F♯ Minor
This is the same chord as F♯ Minor: the same keys on the keyboard, spelled with sharps.
Related boards
G♭m7 st, 96.0 mmRoot position, figured bass 5/3

G♭3, B♭♭3, D♭4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightG♭, B♭♭, D♭1-3-5
LeftG♭, B♭♭, D♭5-3-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

G♭ Minor: notes and degrees

G♭m contains G♭, B♭♭ and D♭. A minor third with a perfect fifth above the root.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1G♭Perfect unison0
♭3B♭♭Minor third3
5D♭Perfect fifth7

G♭ and D♭ are black keys; B♭♭ is white.

Construction

G♭ Minor = Root + Minor 3rd + Perfect 5th = G♭, B♭♭, D♭
NoteIntervalDegree
G♭Root1
B♭♭Minor 3rd♭3
D♭Perfect 5th5

Fingering

NoteKey colorRight handLeft hand
G♭blackthumb (1)little finger (5)
B♭♭whitemiddle finger (3)middle finger (3)
D♭blacklittle finger (5)thumb (1)

Right hand: thumb (1) on G♭, middle finger (3) on B♭♭, little finger (5) on D♭.

Left hand: little finger (5) on G♭, middle finger (3) on B♭♭, thumb (1) on D♭.

G♭ Minor Inversions

  • Root position
    G♭ – B♭♭ – D♭
  • 1st inversion (G♭m/B♭♭)
    B♭♭ – D♭ – G♭
  • 2nd inversion (G♭m/D♭)
    D♭ – G♭ – B♭♭

Key Signature

A chord has no key signature of its own, but the G♭ Minor is the tonic (i) chord of G♭ Minor, which shares the signature of its relative major, A Major: 3 sharps (F♯, C♯, G♯).

F♯C♯G♯

Order of sharps

Sharps are added to a key signature in a fixed order. Each new sharp key adds the next sharp on the list.

FCGDAEB

Mnemonic: Father Charles Goes Down And Ends Battle

Chords in the Key of G♭ Minor

These are the triads built on each degree of G♭ Minor:

C1C2C3C4B♭♭C5C6C7C8G♭D♭
iG♭ Minor (minor)
DegreeNumeralChordQuality
1iG♭ MinorMinor
2ii°A♭ DiminishedDiminished
3IIIB♭♭ MajorMajor
4ivC♭ MinorMinor
5vD♭ MinorMinor
6VIE♭♭ MajorMajor
7VIIF♭ MajorMajor

Scales That Include the G♭ Minor

G♭ Minor : Frequently Asked Questions

What notes are in G♭m?
G♭m contains G♭, B♭♭ and D♭. The formula is 1, ♭3, 5.
How do you play G♭m on piano?
Play G♭, B♭♭ and D♭ together. Right hand fingers 1, 3, 5; left hand 5, 3, 1. G♭ and D♭ are black keys; B♭♭ is white.
What are the inversions of G♭m?
3 positions: root position G♭ B♭♭ D♭, G♭m/B♭♭, G♭m/D♭.
What keys contain G♭m?
6: iv in C♯ minor, iii in D major, ii in E major, i in F♯ minor, vi in A major, v in B minor.
What is the difference between G♭m and G♭m7?
Adds F♭. 3 of the notes are shared.
What is an easy G♭m for small hands?
The root and third only voicing, G♭3 B♭♭3, spans 3 semitones or about 41 mm.
What are the frequencies of G♭m?
From G♭3 at A440 in 12-TET: 185.00, 220.00, 277.18 Hz.
What is the set class of G♭m?
Prime form (037), Forte 3-11, interval vector <001110>.
How do I transpose G♭m to another key?
Keep the 1, ♭3, 5 formula on the new root. Cm is C, E♭, G; C♯m is C♯, E, G♯.
Is F♯m the same as G♭m?
Enharmonically yes: the same piano keys and the same sound, spelled differently.

G♭ Minor in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionG♭3 B♭♭3 D♭4796 mmnoneidentical
Close, first inversionB♭♭3 D♭4 G♭49124 mmnoneidentical
Close, second inversionD♭4 G♭4 B♭♭48110 mmnoneidentical
Open, fifth on topG♭2 D♭3 B♭♭315206 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Root and third onlyG♭3 B♭♭3341 mmomits D♭subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Which keys it belongs to

KeyRoman numeralFunction
C♯ minorivSubdominant
D majoriiiTonic substitute
E majoriiPredominant
F♯ minoriTonic, home
A majorviTonic substitute
B minorvMinor dominant

Classification system: common-practice functional harmony.

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
G♭m7adds F♭1 ♭3 5 ♭73
G♭mMaj7adds F1 ♭3 5 73
G♭m6adds E♭1 ♭3 5 63
G♭B♭♭ becomes B♭1 3 52
G♭dimD♭ becomes D♭♭1 ♭3 ♭52
G♭sus2B♭♭ becomes A♭1 2 52
G♭sus4B♭♭ becomes C♭1 4 52
G♭maj7B♭♭ becomes B♭, F1 3 5 72
G♭7B♭♭ becomes B♭, F♭1 3 5 ♭72
G♭m7♭5D♭ becomes D♭♭, F♭1 ♭3 ♭5 ♭72
G♭dim7D♭ becomes D♭♭, F♭♭1 ♭3 ♭5 ♭♭72
G♭7sus4B♭♭ becomes C♭, F♭1 4 5 ♭72

Frequencies

NoteMIDIFrequency
G♭354185.00 Hz
B♭♭357220.00 Hz
D♭461277.18 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{6, 9, 1}
Normal order
[6, 9, 1]
Prime form
(037)
Forte number
3-11
Interval vector
<001110>
PairIntervalSemitonesInterval class
G♭ to B♭♭Minor third33
G♭ to D♭Perfect fifth75
B♭♭ to D♭Major third44

Where these facts come from

Every value on this page is derived from the note formula for a minor applied to the root G♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. Ferruccio Busoni (1911)

    Sketch of a New Esthetic of Music, The 113 seven-tone scales, p. 29

    Public domain treatise
  2. 2. Carl E. Gardner (1912)

    Essentials of Music Theory, Elementary volume

    Public domain treatise
  3. 3. Franz Schubert (1827)

    Impromptu in G♭ major, Op. 90 No. 3 (D. 899)

    Public domain score
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data