A piano reference: chords, scales, theory & ear training.
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Mode
Locrian Mode
The seventh mode of the major scale — the only mode with a diminished tonic chord, making it the most unstable and dissonant of all seven modes. Locrian is rare in tonal music but appears in metal, progressive jazz, and experimental composition.
Each key below opens the full reference entry — keyboard diagram, audio, fingerings, and notation.
Characteristic note: Diminished 5th (♭5) — no other mode has a flatted fifth
Sound: Unstable, dissonant, dark, unresolved
Common in: Metal, progressive jazz, experimental, film scoring
Famous example: Army of Me — Björk (B Locrian)
Why Locrian is unique It is the only mode where the tonic chord is diminished — meaning there is no stable home base. Compared to Phrygian, Locrian lowers just one additional note: the 5th. That single change destroys the perfect fifth of the tonic triad, making Locrian unable to establish a traditional tonal center. Its primary practical use in jazz is over half-diminished (m7♭5) chords.
About the Locrian Mode
Locrian mode begins on the seventh degree of the major scale and is the most unusual of all seven modes. Its tonic triad is diminished — both the third and the fifth are flatted — making it tonally unstable and rarely used as a primary key center. Locrian creates extreme tension and dissonance that rarely resolves in traditional ways.
The C Locrian mode is the seventh mode of the Db Major scale. It has a diminished quality with flatted second and fifth degrees, the most dissonant of the seven modes.
Why Locrian is unique It is the only mode where the tonic chord is diminished — meaning there is no stable home base. Compared to Phrygian, Locrian lowers just one additional note: the 5th. That single change destroys the perfect fifth of the tonic triad, making Locrian unable to establish a traditional tonal center. Its primary practical use in jazz is over half-diminished (m7♭5) chords.
Musical Characteristics
Diminished quality — flatted 2nd, 3rd, 5th, 6th, and 7th
Deeply unstable and dissonant — the tonic chord is diminished
Rarely used as a stable tonal center
Works over half-diminished (ø7) chords
Common Uses
Jazz: improvising over the ii∅7 chord in minor ii–V–i