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C Minor 6th

Notes: C - E♭ - G - A | Degrees: 1 - ♭3 - 5 - 6 | Written: Cm6, Cmin6

Construction: Root, Minor 3rd, Perfect 5th, Major 6th

It is a minor triad with an added major 6th, giving it a melancholic, bittersweet character

Fingering: RH 1-2-3-5, LH 5-3-2-1

Inversions: Root Cm6 - 1st Cm6/E♭ - 2nd Cm6/G - 3rd Cm6/A

< C♭ Minor 6th | C♯ Minor 6th >

Related boards
Cm69 st, 124.0 mmRoot position, figured bass 7

C3, E♭3, G3, A3

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightC, E♭, G, A1-2-3-5
LeftC, E♭, G, A5-3-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

C Minor 6th: notes and degrees

Cm6 contains C, E♭, G and A. A minor triad with the sixth added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1CPerfect unison0
♭3E♭Minor third3
5GPerfect fifth7
6AMajor sixth9

E♭ is a black key; C, G and A are white.

Construction

C Minor 6th = Root + Minor 3rd + Perfect 5th + Major 6th = C, E♭, G, A
NoteIntervalDegree
CRoot1
E♭Minor 3rd♭3
GPerfect 5th5
AMajor 6th6

Fingering

NoteKey colorRight handLeft hand
Cwhitethumb (1)little finger (5)
E♭blackindex finger (2)middle finger (3)
Gwhitemiddle finger (3)index finger (2)
Awhitelittle finger (5)thumb (1)

Right hand: thumb (1) on C, index finger (2) on E♭, middle finger (3) on G, little finger (5) on A.

Left hand: little finger (5) on C, middle finger (3) on E♭, index finger (2) on G, thumb (1) on A.

C Minor 6th Inversions

  • Root position
    C – E♭ – G – A
  • 1st inversion (Cm6/E♭)
    E♭ – G – A – C
  • 2nd inversion (Cm6/G)
    G – A – C – E♭
  • 3rd inversion (Cm6/A)
    A – C – E♭ – G

Key Signature

A chord has no key signature of its own, but the C Minor 6th is the tonic (i) chord of C Minor, which shares the signature of its relative major, E♭ Major: 3 flats (B♭, E♭, A♭).

B♭E♭A♭

Order of flats

Flats are added in a fixed order — the reverse of the sharp order. Each new flat key adds the next flat on the list.

BEADGCF

Mnemonic: Battle Ends And Down Goes Charles’ Father

Chords in the Key of C Minor

These are the triads built on each degree of C Minor:

C1C2C3CGC5C6C7C8E♭
iC Minor (minor)
DegreeNumeralChordQuality
1iC MinorMinor
2ii°D DiminishedDiminished
3IIIE♭ MajorMajor
4ivF MinorMinor
5vG MinorMinor
6VIA♭ MajorMajor
7VIIB♭ MajorMajor

Scales That Include the C Minor 6th

Same Notes, Other Names

The notes C – E♭ – G – A aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

C Minor 6th : Frequently Asked Questions

What is the C Minor 6th chord on piano?
The C Minor 6th chord contains the notes C – E♭ – G – A. On piano, play these notes together to sound the chord.
What notes are in the C Minor 6th chord?
Cm6 contains four notes: C (root), Eb (minor third), G (perfect fifth), and A (major sixth). A minor triad with an added major sixth, creating a bittersweet, melancholic quality.
How does Cm6 differ from Cm7?
Cm6 has A (major sixth). Cm7 has Bb (minor seventh). Cm6 sounds bittersweet and nostalgic; Cm7 is smooth and dark. Cm6 is also enharmonically the same notes as Am7b5 (A–C–Eb–G).
How does Cm6 differ from C6?
Cm6 has E♭, a minor third. C6 has E, a major third. That single note is the whole difference: Cm6 is dark and bittersweet, C6 is bright and warm.
How is Cm6 used in music?
Cm6 is the final chord in the descending chromatic minor line: Cm → CmMaj7 → Cm7 → Cm6. It also appears in jazz as the tonic minor chord (Dorian sound) and in film noir.
What songs use Minor 6th chords?
My Funny Valentine uses the descending minor line ending on m6. Stairway to Heaven features Am → AmMaj7 → Am7 → Am6. Minor 6th chords appear in jazz standards and film scoring.
Is Cm6 the same as Am7b5?
Yes: they contain the same four notes (C, Eb, G, A = A, C, Eb, G). Which name to use depends on context: Cm6 when C is the bass/root, Am7b5 when A is the bass/root.

C Minor 6th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionC3 E♭3 G3 A39124 mmnoneidentical
Close, first inversionE♭3 G3 A3 C49124 mmnoneidentical
Close, second inversionG3 A3 C4 E♭48110 mmnoneidentical
Close, third inversionA3 C4 E♭4 G410138 mmnoneidentical
Drop 2G2 C3 E♭3 A314193 mmnoneidentical
Drop 3E♭2 C3 G3 A318248 mmnoneidentical
Drop 2 and 4C2 G2 E♭3 A321289 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root 6 ♭3C2 A2 E♭315206 mmomits Gsubset
Guide tones, ♭3 and 6E♭3 A3683 mmomits C and Gsubset
Rootless closeE♭3 G3 A3683 mmomits Csubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
Cmdrops A1 ♭3 53
Cm7A becomes B♭1 ♭3 5 ♭73
CmMaj7A becomes B1 ♭3 5 73
Cdim7G becomes G♭1 ♭3 ♭5 ♭♭73
C6E♭ becomes E1 3 5 63
Cm9A becomes B♭, D1 ♭3 5 ♭7 93
CE♭, A becomes E1 3 52
CdimG, A becomes G♭1 ♭3 ♭52
Csus2E♭, A becomes D1 2 52
Csus4E♭, A becomes F1 4 52
Cmaj7E♭, A becomes E, B1 3 5 72
C7E♭, A becomes E, B♭1 3 5 ♭72

Frequencies

NoteMIDIFrequency
C348130.81 Hz
E♭351155.56 Hz
G355196.00 Hz
A357220.00 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{0, 3, 7, 9}
Normal order
[7, 9, 0, 3]
Prime form
(0258)
Forte number
4-27
Interval vector
<012111>
PairIntervalSemitonesInterval class
C to E♭Minor third33
C to GPerfect fifth75
C to AMajor sixth93
E♭ to GMajor third44
E♭ to ATritone66
G to AMajor second22

Where these facts come from

Every value on this page is derived from the note formula for a minor 6th applied to the root C, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.