Skip to content
piano.org
A piano reference: chords, scales, theory. Full MIDI.

C Minor 9th

Notes: C - E♭ - G - B♭ - D | Degrees: 1 - ♭3 - 5 - ♭7 - 9 | Written: Cm9, Cmin9

Construction: Root, Minor 3rd, Perfect 5th, Minor 7th, Major 9th

It is a minor 7th chord with an added major 9th, giving it a dark yet lush character widely used in jazz, soul, and R&B progressions

Fingering: RH 1-2-3-4-5, LH 5-4-3-2-1

< C♭ Minor 9th | C♯ Minor 9th >

Related boards
Cm914 st, 193.0 mmRoot position, figured bass 9

C3, E♭3, G3, B♭3, D4

Fingerings

Root position: two hands, fingers low note to high
HandNotesFingers
RightE♭, G, B♭, D1-2-3-5
LeftC5

Wider than an octave: left hand takes the lower notes, right hand the upper structure, each fingered as a close-position shape of its own size. Thumb is 1, little finger is 5.

C Minor 9th: notes and degrees

Cm9 contains C, E♭, G, B♭ and D. A minor seventh with the ninth added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1CPerfect unison0
♭3E♭Minor third3
5GPerfect fifth7
♭7B♭Minor seventh10
9DMajor ninth14

E♭ and B♭ are black keys; C, G and D are white.

Construction

C Minor 9th = Root + Minor 3rd + Perfect 5th + Minor 7th + Major 2nd = C, E♭, G, B♭, D
NoteIntervalDegree
CRoot1
E♭Minor 3rd♭3
GPerfect 5th5
B♭Minor 7th♭7
DMajor 2nd9

Fingering

NoteKey colorRight handLeft hand
Cwhitethumb (1)little finger (5)
E♭blackindex finger (2)ring finger (4)
Gwhitemiddle finger (3)middle finger (3)
B♭blackring finger (4)index finger (2)
Dwhitelittle finger (5)thumb (1)

Right hand: thumb (1) on C, index finger (2) on E♭, middle finger (3) on G, ring finger (4) on B♭, little finger (5) on D.

Left hand: little finger (5) on C, ring finger (4) on E♭, middle finger (3) on G, index finger (2) on B♭, thumb (1) on D.

Key Signature

A chord has no key signature of its own, but the C Minor 9th is the tonic (i) chord of C Minor, which shares the signature of its relative major, E♭ Major: 3 flats (B♭, E♭, A♭).

B♭E♭A♭

Order of flats

Flats are added in a fixed order — the reverse of the sharp order. Each new flat key adds the next flat on the list.

BEADGCF

Mnemonic: Battle Ends And Down Goes Charles’ Father

Chords in the Key of C Minor

These are the triads built on each degree of C Minor:

C1C2C3CGC5C6C7C8E♭
iC Minor (minor)
DegreeNumeralChordQuality
1iC MinorMinor
2ii°D DiminishedDiminished
3IIIE♭ MajorMajor
4ivF MinorMinor
5vG MinorMinor
6VIA♭ MajorMajor
7VIIB♭ MajorMajor

Scales That Include the C Minor 9th

C Minor 9th : Frequently Asked Questions

What is the C Minor 9th chord on piano?
The C Minor 9th chord contains the notes C – E♭ – G – B♭ – D. On piano, play these notes together to sound the chord.
What notes are in the C Minor 9th chord?
The C Minor 9th chord (Cm9) contains five notes: C (root), Eb (minor third), G (perfect fifth), Bb (minor seventh), and D (major ninth). It is Cm7 with an added ninth, dark yet lush.
How does Cm9 differ from C9?
Cm9 has a minor third (Eb). C9 has a major third (E). Cm9 is dark and smooth; C9 is bright and bluesy. Both have a minor seventh and ninth, but the third defines whether it is minor or dominant.
How does Cm9 differ from Cm7?
Cm9 adds the ninth (D) to Cm7. The ninth adds openness and colour on top of the minor seventh's smooth quality. Cm9 sounds richer and more sophisticated.
How is Cm9 used in music?
Cm9 is the ii chord in Bb Major jazz harmony (Cm9–F13–Bbmaj9). It is a staple of neo-soul, lo-fi hip-hop, R&B, and jazz. Cm9 also works as a i chord in C minor for a lush, modern minor sound.
What songs use Minor 9th chords?
Minor 9th chords define neo-soul and lo-fi: D'Angelo, Erykah Badu, and Robert Glasper use m9 chords as building blocks. So What by Miles Davis features minor voicings that are essentially m9 shapes. Lo-fi hip-hop producers build entire beats on m9 loops.
Do I need to play all five notes?
No: drop the fifth: C–Eb–Bb–D is a clean four-note voicing. Or use the rootless voicing Eb–G–Bb–D (an Ebmaj7 shape over C bass).

C Minor 9th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionC3 E♭3 G3 B♭3 D414193 mmnoneidentical
Close, first inversionE♭3 G3 B♭3 C4 D411151 mmnoneidentical
Close, second inversionG3 B♭3 C4 D4 E♭48110 mmnoneidentical
Close, third inversionB♭3 C4 D4 E♭4 G49124 mmnoneidentical
Close, fourth inversionD3 E♭3 G3 B♭3 C410138 mmnoneidentical
Drop 2B♭2 C3 E♭3 G3 D416220 mmnoneidentical
Drop 3G2 C3 E♭3 B♭3 D419261 mmnoneidentical
Drop 2 and 4E♭2 B♭2 C3 G3 D423316 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root 9 ♭3C2 D3 E♭315206 mmomits Gsubset
Guide tones, ♭3 and 9E♭3 D411151 mmomits C and Gsubset
Rootless closeE♭3 G3 B♭3 D411151 mmomits Csubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
Cm7drops D1 ♭3 5 ♭74
C9E♭ becomes E1 3 5 ♭7 94
C7E♭, D becomes E1 3 5 ♭73
CmMaj7B♭, D becomes B1 ♭3 5 73
Cm7♭5G, D becomes G♭1 ♭3 ♭5 ♭73
C7sus4E♭, D becomes F1 4 5 ♭73
Cm6B♭, D becomes A1 ♭3 5 63
Cadd9E♭, B♭ becomes E1 3 5 93
Cmaj9E♭, B♭ becomes E, B1 3 5 7 93

Frequencies

NoteMIDIFrequency
C348130.81 Hz
E♭351155.56 Hz
G355196.00 Hz
B♭358233.08 Hz
D462293.66 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{0, 3, 7, 10, 2}
Normal order
[7, 10, 0, 2, 3]
Prime form
(01358)
Forte number
not claimed for this cardinality
Interval vector
<122230>
PairIntervalSemitonesInterval class
C to E♭Minor third33
C to GPerfect fifth75
C to B♭Minor seventh102
C to DMajor ninth142
E♭ to GMajor third44
E♭ to B♭Perfect fifth75
E♭ to DMajor seventh111
G to B♭Minor third33
G to DPerfect fifth75
B♭ to DMajor third44

Where these facts come from

Every value on this page is derived from the note formula for a minor 9th applied to the root C, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.