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C Dominant 7th

Dominant 7th · C – E – G – B♭ · intervals P1-M3-P5-m7

The C Dominant 7th chord (C7) contains the notes C, E, G, and B♭. Its interval formula is R-M3-P5-m7. A major triad plus the flat 7th — tension that resolves to the I, the engine of blues and jazz.

At the keyboard

C · E · G · Bb
Flashcards · Chord
Three questions on C Dominant 7th
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C7

The C Dominant 7th chord is a four-note chord made up of C, E, G, and B♭. It is built from a root, major third, perfect fifth, and minor seventh.

Construction

C Dominant 7th = Root + Major 3rd + Perfect 5th + Minor 7th = C · E · G · B♭
NoteIntervalDegree
CRoot1
EMajor 3rd3
GPerfect 5th5
B♭Minor 7th♭7

C Dominant 7th Inversions

C Dominant 7th piano chord, 1st inversion — E, G, B♭, C
The C Dominant 7th chord, 1st inversion, on a piano keyboard.
C Dominant 7th piano chord, 2nd inversion — G, B♭, C, E
The C Dominant 7th chord, 2nd inversion, on a piano keyboard.
C Dominant 7th piano chord, 3rd inversion — B♭, C, E, G
The C Dominant 7th chord, 3rd inversion, on a piano keyboard.
PositionNotes
Root PositionC – E – G – B♭
1st InversionE – G – B♭ – C
2nd InversionG – B♭ – C – E
3rd InversionB♭ – C – E – G

Key Signature

A dominant chord points home to the key a fifth below its root: the C Dominant 7th is the V (dominant) of F Major, so the relevant key signature is that key’s — 1 flat (B♭). Spelled as a scale, these notes are C Mixolydian.

B♭

Order of flats

Flats are added in a fixed order — the reverse of the sharp order. Each new flat key adds the next flat on the list.

BEADGCF

Mnemonic: Battle Ends And Down Goes Charles’ Father

Chords in the Key of F Major

These are the triads built on each degree of the F major scale:

C1C2C3C4FACC6C7C8
IF Major (major)
DegreeNumeralChordQuality
1IF MajorMajor
2iiG MinorMinor
3iiiA MinorMinor
4IVA♯ MajorMajor
5VC MajorMajor
6viD MinorMinor
7vii°E DiminishedDiminished

How C Dominant 7th functions in a key

The same chord takes on a different harmonic role depending on the key it appears in. Here is where C Dominant 7th sits diatonically across the common keys:

  • In F major, C Dominant 7th is the V chordthe dominant.
  • In D minor, C Dominant 7th is the ♭VII chorda mediant / color chord.

C Dominant 7th — Frequently Asked Questions

What is the C Dominant 7th chord on piano?
The C Dominant 7th chord contains the notes C – E – G – B♭. On piano, play these notes together to sound the chord.
What notes are in the C Dominant 7th chord?
The C Dominant 7th chord (C7) contains four notes: C (root), E (major third), G (perfect fifth), and Bb (minor seventh). The combination of a major triad with a minor seventh creates the characteristic bluesy tension of the dominant 7th sound.
How does C Dominant 7th differ from C Major?
C Major contains just three notes: C, E, G. C Dominant 7th adds a Bb (minor seventh) on top. That single added note transforms a stable, resolved chord into one that urgently wants to move — typically resolving down a fifth to F Major.
What does 'dominant' mean in music theory?
'Dominant' refers to the fifth scale degree. The dominant 7th chord is built on the fifth note of a key and contains a tritone (the interval between the third and seventh) that creates strong pull toward resolution. C7 is the dominant chord in the key of F Major.
How is C Dominant 7th used in music?
C7 most commonly resolves to F Major in a V7–I cadence — the strongest harmonic resolution in Western music. It also appears as a standalone colour chord in blues (every chord in a 12-bar blues is typically a dominant 7th), funk, and jazz comping.
What songs use dominant 7th chords?
Dominant 7th chords are the backbone of blues and early rock: every chord in a standard 12-bar blues is a dominant 7th. Hit the Road Jack (Ray Charles), Ain't Misbehavin' (Fats Waller), and countless jazz standards rely on dominant 7th movement for their harmonic drive.
What is the tritone in C Dominant 7th?
The tritone in C7 is the interval between E (the third) and Bb (the seventh) — exactly 6 semitones apart. This is the most unstable interval in Western music and is what gives dominant 7th chords their strong pull toward resolution. The E wants to resolve up to F and the Bb wants to resolve down to A.

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References & Further Reading

The note names, intervals, fingering, and harmony on this chord page are grounded in the following sources. Public domain treatises and scores are linked to their full text; primary data is piano.org's own interval-derived reference dataset — continuously maintained and human-verified, with no fixed publication date.

  1. 1

    Riemann, Hugo(1896)

    Harmony Simplified (English translation)

    Public domain treatise
  2. 2

    George Grove (ed.)(1900)

    A Dictionary of Music and Musicians

    Public domain treatise
  3. 3

    Beethoven, Ludwig van(1799)

    Piano Sonata No. 8 in C minor, Op. 13 ("Pathétique")

    Public domain score
  4. 4

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