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E Dominant 7th

Dominant 7th · E – G♯ – B – D · intervals P1-M3-P5-m7

The E Dominant 7th chord (E7) contains the notes E, G♯, B, and D. Its interval formula is R-M3-P5-m7. A major triad plus the flat 7th — tension that resolves to the I, the engine of blues and jazz.

At the keyboard

E · G# · B · D
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E7

The E Dominant 7th chord is a four-note chord made up of E, G♯, B, and D. It is built from a root, major third, perfect fifth, and minor seventh.

Construction

E Dominant 7th = Root + Major 3rd + Perfect 5th + Minor 7th = E · G♯ · B · D
NoteIntervalDegree
ERoot1
G♯Major 3rd3
BPerfect 5th5
DMinor 7th♭7

E Dominant 7th Inversions

E Dominant 7th piano chord, 1st inversion — G♯, B, D, E
The E Dominant 7th chord, 1st inversion, on a piano keyboard.
E Dominant 7th piano chord, 2nd inversion — B, D, E, G♯
The E Dominant 7th chord, 2nd inversion, on a piano keyboard.
E Dominant 7th piano chord, 3rd inversion — D, E, G♯, B
The E Dominant 7th chord, 3rd inversion, on a piano keyboard.
PositionNotes
Root PositionE – G♯ – B – D
1st InversionG♯ – B – D – E
2nd InversionB – D – E – G♯
3rd InversionD – E – G♯ – B

Key Signature

A dominant chord points home to the key a fifth below its root: the E Dominant 7th is the V (dominant) of A Major, so the relevant key signature is that key’s — 3 sharps (F♯, C♯, G♯). Spelled as a scale, these notes are E Mixolydian.

F♯C♯G♯

Order of sharps

Sharps are added to a key signature in a fixed order. Each new sharp key adds the next sharp on the list.

FCGDAEB

Mnemonic: Father Charles Goes Down And Ends Battle

Chords in the Key of A Major

These are the triads built on each degree of the A major scale:

C1C2C3C4AC5EC6C7C8C♯
IA Major (major)
DegreeNumeralChordQuality
1IA MajorMajor
2iiB MinorMinor
3iiiC♯ MinorMinor
4IVD MajorMajor
5VE MajorMajor
6viF♯ MinorMinor
7vii°G♯ DiminishedDiminished

How E Dominant 7th functions in a key

The same chord takes on a different harmonic role depending on the key it appears in. Here is where E Dominant 7th sits diatonically across the common keys:

  • In A major, E Dominant 7th is the V chordthe dominant.
  • In F♯ minor, E Dominant 7th is the ♭VII chorda mediant / color chord.

E Dominant 7th — Frequently Asked Questions

What is the E Dominant 7th chord on piano?
The E Dominant 7th chord contains the notes E – G♯ – B – D. On piano, play these notes together to sound the chord.
What notes are in the E Dominant 7th chord?
The E Dominant 7th chord (E7) contains four notes: E (root), G# (major third), B (perfect fifth), and D (minor seventh). The major triad with a minor seventh creates the bluesy, driving tension that defines the dominant 7th sound.
How does E Dominant 7th differ from E Major?
E Major contains three notes: E, G#, B. E Dominant 7th adds a D (minor seventh) on top. That single added note transforms a resolved chord into one with strong forward motion — it wants to resolve down a fifth to A Major.
What does 'dominant' mean in music theory?
'Dominant' refers to the fifth scale degree. The dominant 7th chord is built on the fifth note of a key and contains a tritone that creates strong pull toward resolution. E7 is the dominant chord in the key of A Major — one of the most common keys in rock and blues guitar music.
How is E Dominant 7th used in music?
E7 most commonly resolves to A Major in a V7–I cadence. It is one of the most important chords in blues and rock — E7 is the I chord in a blues in E, and the V7 in A Major. It appears in virtually every blues and classic rock song.
What songs use dominant 7th chords?
Dominant 7th chords are the backbone of blues and early rock: every chord in a standard 12-bar blues is a dominant 7th. Hit the Road Jack (Ray Charles), Ain't Misbehavin' (Fats Waller), and countless jazz standards rely on dominant 7th movement for their harmonic drive.
What is the tritone in E Dominant 7th?
The tritone in E7 is the interval between G# (the third) and D (the seventh) — exactly 6 semitones apart. This is the most unstable interval in Western music and gives E7 its strong pull toward A. The G# resolves up to A and the D resolves down to C#.

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References & Further Reading

The note names, intervals, fingering, and harmony on this chord page are grounded in the following sources. Public domain treatises and scores are linked to their full text; primary data is piano.org's own interval-derived reference dataset — continuously maintained and human-verified, with no fixed publication date.

  1. 1

    George Grove (ed.)(1900)

    A Dictionary of Music and Musicians

    Public domain treatise
  2. 2

    Jadassohn, Salomon(1883)

    A Manual of Harmony

    Public domain treatise
  3. 3

    Prout, Ebenezer(1889)

    Harmony: Its Theory and Practice

    Public domain treatise
  4. 4

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