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D Dominant 7th

Dominant 7th · D – F♯ – A – C · intervals P1-M3-P5-m7

The D Dominant 7th chord (D7) contains the notes D, F♯, A, and C. Its interval formula is R-M3-P5-m7. A major triad plus the flat 7th — tension that resolves to the I, the engine of blues and jazz.

At the keyboard

D · F# · A · C
Flashcards · Chord
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D7

The D Dominant 7th chord is a four-note chord made up of D, F♯, A, and C. It is built from a root, major third, perfect fifth, and minor seventh.

Construction

D Dominant 7th = Root + Major 3rd + Perfect 5th + Minor 7th = D · F♯ · A · C
NoteIntervalDegree
DRoot1
F♯Major 3rd3
APerfect 5th5
CMinor 7th♭7

D Dominant 7th Inversions

D Dominant 7th piano chord, 1st inversion — F♯, A, C, D
The D Dominant 7th chord, 1st inversion, on a piano keyboard.
D Dominant 7th piano chord, 2nd inversion — A, C, D, F♯
The D Dominant 7th chord, 2nd inversion, on a piano keyboard.
D Dominant 7th piano chord, 3rd inversion — C, D, F♯, A
The D Dominant 7th chord, 3rd inversion, on a piano keyboard.
PositionNotes
Root PositionD – F♯ – A – C
1st InversionF♯ – A – C – D
2nd InversionA – C – D – F♯
3rd InversionC – D – F♯ – A

Key Signature

A dominant chord points home to the key a fifth below its root: the D Dominant 7th is the V (dominant) of G Major, so the relevant key signature is that key’s — 1 sharp (F♯). Spelled as a scale, these notes are D Mixolydian.

F♯

Order of sharps

Sharps are added to a key signature in a fixed order. Each new sharp key adds the next sharp on the list.

FCGDAEB

Mnemonic: Father Charles Goes Down And Ends Battle

Chords in the Key of G Major

These are the triads built on each degree of the G major scale:

C1C2C3C4GBC5DC6C7C8
IG Major (major)
DegreeNumeralChordQuality
1IG MajorMajor
2iiA MinorMinor
3iiiB MinorMinor
4IVC MajorMajor
5VD MajorMajor
6viE MinorMinor
7vii°F♯ DiminishedDiminished

How D Dominant 7th functions in a key

The same chord takes on a different harmonic role depending on the key it appears in. Here is where D Dominant 7th sits diatonically across the common keys:

  • In G major, D Dominant 7th is the V chordthe dominant.
  • In E minor, D Dominant 7th is the ♭VII chorda mediant / color chord.

D Dominant 7th — Frequently Asked Questions

What is the D Dominant 7th chord on piano?
The D Dominant 7th chord contains the notes D – F♯ – A – C. On piano, play these notes together to sound the chord.
What notes are in the D Dominant 7th chord?
The D Dominant 7th chord (D7) contains four notes: D (root), F# (major third), A (perfect fifth), and C (minor seventh). The combination of a major triad with a minor seventh creates the dominant 7th's signature bluesy tension.
How does D Dominant 7th differ from D Major?
D Major contains three notes: D, F#, A. D Dominant 7th adds a C (minor seventh) on top. That single added note transforms a stable, resolved chord into one that urgently wants to resolve — typically down a fifth to G Major.
What does 'dominant' mean in music theory?
'Dominant' refers to the fifth scale degree. The dominant 7th chord is built on the fifth note of a key and contains a tritone that creates strong pull toward resolution. D7 is the dominant chord in the key of G Major — one of the most common keys in popular music.
How is D Dominant 7th used in music?
D7 most commonly resolves to G Major in a V7–I cadence. It is one of the most frequently used dominant 7th chords in folk, country, blues, and rock because G Major is such a common key. D7 also appears as the V7 in G minor contexts.
What songs use dominant 7th chords?
Dominant 7th chords are the backbone of blues and early rock: every chord in a standard 12-bar blues is a dominant 7th. Hit the Road Jack (Ray Charles), Ain't Misbehavin' (Fats Waller), and countless jazz standards rely on dominant 7th movement for their harmonic drive.
What is the tritone in D Dominant 7th?
The tritone in D7 is the interval between F# (the third) and C (the seventh) — exactly 6 semitones apart. This is the most unstable interval in Western music and gives D7 its strong pull toward G. The F# resolves up to G and the C resolves down to B.

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References & Further Reading

The note names, intervals, fingering, and harmony on this chord page are grounded in the following sources. Public domain treatises and scores are linked to their full text; primary data is piano.org's own interval-derived reference dataset — continuously maintained and human-verified, with no fixed publication date.

  1. 1

    Prout, Ebenezer(1889)

    Harmony: Its Theory and Practice

    Public domain treatise
  2. 2

    Goetschius, Percy(1889)

    The Material Used in Musical Composition

    Public domain treatise
  3. 3

    Chopin, Frédéric(1839)

    Prelude in D major, Op. 28 No. 5

    Public domain score
  4. 4

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