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Chord · Reference entry

C Diminished 7th

Diminished 7th · C – E♭ – G♭ – B♭♭ · intervals P1-m3-d5-d7

The C Diminished 7th chord (Cdim7) contains the notes C, E♭, G♭, and B♭♭. Its interval formula is R-m3-d5-d7. A symmetrical stack of minor thirds — maximally unstable, a passing chord in classical and ragtime.

At the keyboard

C · Eb · Gb · Bbb
Flashcards · Chord
Three questions on C Diminished 7th
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C°7

The C Diminished 7th chord is a four-note chord made up of C, E♭, G♭, and B♭♭. It is built from a root, minor third, diminished fifth, and diminished seventh.

Construction

C Diminished 7th = Root + Minor 3rd + Diminished 5th + Major 6th = C · E♭ · G♭ · B♭♭
NoteIntervalDegree
CRoot1
E♭Minor 3rd♭3
G♭Diminished 5th♭5
B♭♭Major 6th6

C Diminished 7th Inversions

C Diminished 7th piano chord, 1st inversion — E♭, G♭, B♭♭, C
The C Diminished 7th chord, 1st inversion, on a piano keyboard.
C Diminished 7th piano chord, 2nd inversion — G♭, B♭♭, C, E♭
The C Diminished 7th chord, 2nd inversion, on a piano keyboard.
C Diminished 7th piano chord, 3rd inversion — B♭♭, C, E♭, G♭
The C Diminished 7th chord, 3rd inversion, on a piano keyboard.
PositionNotes
Root PositionC – E♭ – G♭ – B♭♭
1st InversionE♭ – G♭ – B♭♭ – C
2nd InversionG♭ – B♭♭ – C – E♭
3rd InversionB♭♭ – C – E♭ – G♭

Key Signature

A Diminished 7th chord is built from symmetrical or ambiguous intervals, so it doesn’t belong to a single key and has no key signature of its own.

Same Notes, Other Names

The notes C – E♭ – G♭ – B♭♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

C Diminished 7th — Frequently Asked Questions

What is the C Diminished 7th chord on piano?
The C Diminished 7th chord contains the notes C – E♭ – G♭ – B♭♭. On piano, play these notes together to sound the chord.
What notes are in the C Diminished 7th chord?
The C Diminished 7th chord (Cdim7) contains four notes: C (root), Eb (minor third), Gb (diminished fifth), and A (diminished seventh, enharmonically Bbb). All four notes are spaced exactly 3 semitones apart, making this a perfectly symmetrical chord.
How does C Diminished 7th differ from C Diminished?
C Diminished is a three-note triad (C, Eb, Gb). C Diminished 7th adds a fourth note — A (diminished seventh). This extra note completes the symmetrical structure and increases the harmonic tension. Dim7 is used far more often than the bare diminished triad, especially in jazz and classical.
Why is the Diminished 7th chord symmetrical?
Every note in Cdim7 is exactly 3 semitones from the next: C–Eb (3), Eb–Gb (3), Gb–A (3), A–C (3). This means there are only three unique diminished 7th chords — Cdim7, C#dim7, and Ddim7 — and every other dim7 is an inversion of one of these three.
How is C Diminished 7th used in music?
Cdim7 most commonly functions as a passing chord between two diatonic chords a whole step apart, or as a leading-tone chord resolving up by half step. In classical music it creates dramatic tension; in jazz it enables smooth chromatic voice leading between chords.
What songs use Diminished 7th chords?
Diminished 7th chords appear in Michelle (Beatles) as a chromatic passing chord, in classical music by Chopin, Beethoven, and Bach for dramatic effect, and throughout jazz standards for chromatic approach and passing movement. Silent film scores used dim7 chords extensively for suspense.
How many unique Diminished 7th chords exist?
Only three. Because of the perfect symmetry (equal 3-semitone spacing), every dim7 chord has three other enharmonic names. Cdim7 = Ebdim7 = Gbdim7 = Adim7 — they are all the same four notes rearranged. This means all 12 roots map to just three distinct sounds.

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References & Further Reading

The note names, intervals, fingering, and harmony on this chord page are grounded in the following sources. Public domain treatises and scores are linked to their full text; primary data is piano.org's own interval-derived reference dataset — continuously maintained and human-verified, with no fixed publication date.

  1. 1

    Prout, Ebenezer(1889)

    Harmony: Its Theory and Practice

    Public domain treatise
  2. 2

    Goetschius, Percy(1889)

    The Material Used in Musical Composition

    Public domain treatise
  3. 3

    Beethoven, Ludwig van(1799)

    Piano Sonata No. 8 in C minor, Op. 13 ("Pathétique")

    Public domain score
  4. 4

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