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B Diminished 7th

Notes: B - D - F - A♭ | Degrees: 1 - ♭3 - ♭5 - ♭♭7 | Written: Bdim7, B°7

Construction: Root, Minor 3rd, Diminished 5th, Diminished 7th

It is built by stacking three minor thirds, creating a fully symmetrical 4-note chord, giving it a extremely tense and dramatic character, fully symmetrical and harmonically versatile

Fingering: RH 1-2-3-5, LH 5-3-2-1

Inversions: Root Bdim7 - 1st Bdim7/D - 2nd Bdim7/F - 3rd Bdim7/A♭

Related boards
Bdim79 st, 124.0 mmRoot position, figured bass 7

B3, D4, F4, A♭4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightB, D, F, A♭1-2-3-5
LeftB, D, F, A♭5-3-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

B Diminished 7th: notes and degrees

Bdim7 contains B, D, F and A♭. Three stacked minor thirds.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1BPerfect unison0
♭3DMinor third3
♭5FTritone6
♭♭7A♭Major sixth9

A♭ is a black key; B, D and F are white.

Construction

B Diminished 7th = Root + Minor 3rd + Diminished 5th + Major 6th = B, D, F, A♭
NoteIntervalDegree
BRoot1
DMinor 3rd♭3
FDiminished 5th♭5
A♭Major 6th6

Fingering

NoteKey colorRight handLeft hand
Bwhitethumb (1)little finger (5)
Dwhiteindex finger (2)middle finger (3)
Fwhitemiddle finger (3)index finger (2)
A♭blacklittle finger (5)thumb (1)

Right hand: thumb (1) on B, index finger (2) on D, middle finger (3) on F, little finger (5) on A♭.

Left hand: little finger (5) on B, middle finger (3) on D, index finger (2) on F, thumb (1) on A♭.

B Diminished 7th Inversions

  • Root position
    B – D – F – A♭
  • 1st inversion (Bdim7/D)
    D – F – A♭ – B
  • 2nd inversion (Bdim7/F)
    F – A♭ – B – D
  • 3rd inversion (Bdim7/A♭)
    A♭ – B – D – F

Key Signature

A Diminished 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of B Major

These are the triads built on each degree of B Major:

C1C2C3C4BC5C6C7C8D♯F♯
IB Major (major)
DegreeNumeralChordQuality
1IB MajorMajor
2iiC♯ MinorMinor
3iiiD♯ MinorMinor
4IVE MajorMajor
5VF♯ MajorMajor
6viG♯ MinorMinor
7vii°A♯ DiminishedDiminished

Same Notes, Other Names

The notes B – D – F – A♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

B Diminished 7th : Frequently Asked Questions

What notes are in Bdim7?
Bdim7 contains B, D, F and A♭. The formula is 1, ♭3, ♭5, ♭♭7.
How do you play Bdim7 on piano?
Play B, D, F and A♭ together. Right hand fingers 1, 2, 3, 5; left hand 5, 3, 2, 1. A♭ is a black key; B, D and F are white.
What are the inversions of Bdim7?
4 positions: root position B D F A♭, Bdim7/D, Bdim7/F, Bdim7/A♭.
What is the difference between Bdim7 and Bdim?
Drops A♭. 3 of the notes are shared.
What is an easy Bdim7 for small hands?
The guide tones, ♭3 and ♭♭7 voicing, D4 A♭4, spans 6 semitones or about 83 mm.
What are the frequencies of Bdim7?
From B3 at A440 in 12-TET: 246.94, 293.66, 349.23, 415.30 Hz.
What is the set class of Bdim7?
Prime form (0369), Forte 4-28, interval vector <004002>.
How do I transpose Bdim7 to another key?
Keep the 1, ♭3, ♭5, ♭♭7 formula on the new root. C♯dim7 is C♯, E, G, B♭; Ddim7 is D, F, A♭, C♭.
Is C♭dim7 the same as Bdim7?
Enharmonically yes: the same piano keys and the same sound, spelled differently.

B Diminished 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionB3 D4 F4 A♭49124 mmnoneidentical
Close, first inversionD4 F4 A♭4 B49124 mmnoneidentical
Close, second inversionF4 A♭4 B4 D59124 mmnoneidentical
Close, third inversionA♭4 B4 D5 F59124 mmnoneidentical
Drop 2F3 B3 D4 A♭415206 mmnoneidentical
Drop 3D3 B3 F4 A♭418248 mmnoneidentical
Drop 2 and 4B2 F3 D4 A♭421289 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭♭7 ♭3B2 A♭3 D415206 mmomits Fsubset
Guide tones, ♭3 and ♭♭7D4 A♭4683 mmomits B and Fsubset
Rootless closeD4 F4 A♭4683 mmomits Bsubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
Bdimdrops A♭1 ♭3 ♭53
Bm7♭5A♭ becomes A1 ♭3 ♭5 ♭73
Bm6F becomes F♯1 ♭3 5 63
BmF, A♭ becomes F♯1 ♭3 52
Bm7F, A♭ becomes F♯, A1 ♭3 5 ♭72
BmMaj7F, A♭ becomes F♯, A♯1 ♭3 5 72
B6D, F becomes D♯, F♯1 3 5 62

Frequencies

NoteMIDIFrequency
B359246.94 Hz
D462293.66 Hz
F465349.23 Hz
A♭468415.30 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{11, 2, 5, 8}
Normal order
[2, 5, 8, 11]
Prime form
(0369)
Forte number
4-28
Interval vector
<004002>
PairIntervalSemitonesInterval class
B to DMinor third33
B to FTritone66
B to A♭Major sixth93
D to FMinor third33
D to A♭Tritone66
F to A♭Minor third33

Where these facts come from

Every value on this page is derived from the note formula for a diminished 7th applied to the root B, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. Arthur Foote and Walter R. Spalding (1905)

    Modern Harmony in its Theory and Practice, Sections 170-173, chords of the eleventh and thirteenth, pp. 179-181; suspension p. 200; figured bass pp. 49, 84, 186

    Public domain treatise
  2. 2. Ferruccio Busoni (1911)

    Sketch of a New Esthetic of Music, The 113 seven-tone scales, p. 29

    Public domain treatise
  3. 3. Carl E. Gardner (1912)

    Essentials of Music Theory, Elementary volume

    Public domain treatise
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data