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A♭ Diminished 7th

Notes: A♭ - C♭ - E♭♭ - G♭♭ | Degrees: 1 - ♭3 - ♭5 - ♭♭7 | Written: A♭dim7, A♭°7

Construction: Root, Minor 3rd, Diminished 5th, Diminished 7th

It is built by stacking three minor thirds, creating a fully symmetrical 4-note chord, giving it a extremely tense and dramatic character, fully symmetrical and harmonically versatile

Fingering: RH 2-3-4-5, LH 5-4-3-2

Inversions: Root A♭dim7 - 1st A♭dim7/C♭ - 2nd A♭dim7/E♭♭ - 3rd A♭dim7/G♭♭

G♯ Diminished 7th
This is the same chord as G♯ Diminished 7th: the same keys on the keyboard, spelled with sharps.
Related boards
A♭dim79 st, 124.0 mmRoot position, figured bass 7

A♭3, C♭3, E♭♭4, G♭♭4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightA♭, C♭, E♭♭, G♭♭2-3-4-5
LeftA♭, C♭, E♭♭, G♭♭5-4-3-2

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

A♭ Diminished 7th: notes and degrees

A♭dim7 contains A♭, C♭, E♭♭ and G♭♭. Three stacked minor thirds.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1A♭Perfect unison0
♭3C♭Minor third3
♭5E♭♭Tritone6
♭♭7G♭♭Major sixth9

A♭ is a black key; C♭, E♭♭ and G♭♭ are white.

Construction

A♭ Diminished 7th = Root + Minor 3rd + Diminished 5th + Major 6th = A♭, C♭, E♭♭, G♭♭
NoteIntervalDegree
A♭Root1
C♭Minor 3rd♭3
E♭♭Diminished 5th♭5
G♭♭Major 6th6

Fingering

NoteKey colorRight handLeft hand
A♭blackindex finger (2)little finger (5)
C♭whitemiddle finger (3)ring finger (4)
E♭♭whitering finger (4)middle finger (3)
G♭♭whitelittle finger (5)index finger (2)

Right hand: index finger (2) on A♭, middle finger (3) on C♭, ring finger (4) on E♭♭, little finger (5) on G♭♭.

Left hand: little finger (5) on A♭, ring finger (4) on C♭, middle finger (3) on E♭♭, index finger (2) on G♭♭.

A♭ Diminished 7th Inversions

  • Root position
    A♭ – C♭ – E♭♭ – G♭♭
  • 1st inversion (A♭dim7/C♭)
    C♭ – E♭♭ – G♭♭ – A♭
  • 2nd inversion (A♭dim7/E♭♭)
    E♭♭ – G♭♭ – A♭ – C♭
  • 3rd inversion (A♭dim7/G♭♭)
    G♭♭ – A♭ – C♭ – E♭♭

Key Signature

A Diminished 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of A♭ Major

These are the triads built on each degree of A♭ Major:

C1C2C3C4CC6C7C8A♭E♭
IA♭ Major (major)
DegreeNumeralChordQuality
1IA♭ MajorMajor
2iiB♭ MinorMinor
3iiiC MinorMinor
4IVD♭ MajorMajor
5VE♭ MajorMajor
6viF MinorMinor
7vii°G DiminishedDiminished

Same Notes, Other Names

The notes A♭ – C♭ – E♭♭ – G♭♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

A♭ Diminished 7th : Frequently Asked Questions

What notes are in A♭dim7?
A♭dim7 contains A♭, C♭, E♭♭ and G♭♭. The formula is 1, ♭3, ♭5, ♭♭7.
How do you play A♭dim7 on piano?
Play A♭, C♭, E♭♭ and G♭♭ together. Right hand fingers 2, 3, 4, 5; left hand 5, 4, 3, 2. A♭ is a black key; C♭, E♭♭ and G♭♭ are white.
What are the inversions of A♭dim7?
4 positions: root position A♭ C♭ E♭♭ G♭♭, A♭dim7/C♭, A♭dim7/E♭♭, A♭dim7/G♭♭.
What is the difference between A♭dim7 and A♭dim?
Drops G♭♭. 3 of the notes are shared.
What is an easy A♭dim7 for small hands?
The guide tones, ♭3 and ♭♭7 voicing, C♭3 G♭♭4, spans 6 semitones or about 83 mm.
What are the frequencies of A♭dim7?
From A♭3 at A440 in 12-TET: 207.65, 246.94, 293.66, 349.23 Hz.
What is the set class of A♭dim7?
Prime form (0369), Forte 4-28, interval vector <004002>.
How do I transpose A♭dim7 to another key?
Keep the 1, ♭3, ♭5, ♭♭7 formula on the new root. C♯dim7 is C♯, E, G, B♭; Ddim7 is D, F, A♭, C♭.
Is G♯dim7 the same as A♭dim7?
Enharmonically yes: the same piano keys and the same sound, spelled differently.

A♭ Diminished 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionA♭3 C♭3 E♭♭4 G♭♭49124 mmnoneidentical
Close, first inversionC♭3 E♭♭4 G♭♭4 A♭49124 mmnoneidentical
Close, second inversionE♭♭4 G♭♭4 A♭4 C♭49124 mmnoneidentical
Close, third inversionG♭♭4 A♭4 C♭4 E♭♭59124 mmnoneidentical
Drop 2E♭♭3 A♭3 C♭3 G♭♭415206 mmnoneidentical
Drop 3C♭2 A♭3 E♭♭4 G♭♭418248 mmnoneidentical
Drop 2 and 4A♭2 E♭♭3 C♭3 G♭♭421289 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭♭7 ♭3A♭2 G♭♭3 C♭315206 mmomits E♭♭subset
Guide tones, ♭3 and ♭♭7C♭3 G♭♭4683 mmomits A♭ and E♭♭subset
Rootless closeC♭3 E♭♭4 G♭♭4683 mmomits A♭subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
A♭dimdrops G♭♭1 ♭3 ♭53
A♭m7♭5G♭♭ becomes G♭1 ♭3 ♭5 ♭73
A♭m6E♭♭ becomes E♭1 ♭3 5 63
A♭mE♭♭, G♭♭ becomes E♭1 ♭3 52
A♭m7E♭♭, G♭♭ becomes E♭, G♭1 ♭3 5 ♭72
A♭mMaj7E♭♭, G♭♭ becomes E♭, G1 ♭3 5 72
A♭6C♭, E♭♭ becomes C, E♭1 3 5 62

Frequencies

NoteMIDIFrequency
A♭356207.65 Hz
C♭359246.94 Hz
E♭♭462293.66 Hz
G♭♭465349.23 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{8, 11, 2, 5}
Normal order
[2, 5, 8, 11]
Prime form
(0369)
Forte number
4-28
Interval vector
<004002>
PairIntervalSemitonesInterval class
A♭ to C♭Minor third33
A♭ to E♭♭Tritone66
A♭ to G♭♭Major sixth93
C♭ to E♭♭Minor third33
C♭ to G♭♭Tritone66
E♭♭ to G♭♭Minor third33

Where these facts come from

Every value on this page is derived from the note formula for a diminished 7th applied to the root A♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. Salomon Jadassohn (1883)

    A Manual of Harmony

    Public domain treatise
  2. 2. Percy Goetschius (1889)

    The Material Used in Musical Composition

    Public domain treatise
  3. 3. Ebenezer Prout (1889)

    Harmony: Its Theory and Practice

    Public domain treatise
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data