Construction
| Note | Interval | Degree |
|---|---|---|
| A♭ | Root | 1 |
| C♭ | Minor 3rd | ♭3 |
| E♭♭ | Diminished 5th | ♭5 |
| G♭♭ | Major 6th | 6 |
Fingering
| Note | Key color | Right hand | Left hand |
|---|---|---|---|
| A♭ | black | index finger (2) | little finger (5) |
| C♭ | white | middle finger (3) | ring finger (4) |
| E♭♭ | white | ring finger (4) | middle finger (3) |
| G♭♭ | white | little finger (5) | index finger (2) |
Right hand: index finger (2) on A♭, middle finger (3) on C♭, ring finger (4) on E♭♭, little finger (5) on G♭♭.
Left hand: little finger (5) on A♭, ring finger (4) on C♭, middle finger (3) on E♭♭, index finger (2) on G♭♭.
A♭ Diminished 7th Inversions
- Root positionA♭ – C♭ – E♭♭ – G♭♭
- 1st inversion (A♭dim7/C♭)C♭ – E♭♭ – G♭♭ – A♭
- 2nd inversion (A♭dim7/E♭♭)E♭♭ – G♭♭ – A♭ – C♭
- 3rd inversion (A♭dim7/G♭♭)G♭♭ – A♭ – C♭ – E♭♭
Key Signature
A Diminished 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.
Chords in the Key of A♭ Major
These are the triads built on each degree of A♭ Major:
Same Notes, Other Names
The notes A♭ – C♭ – E♭♭ – G♭♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:
A♭ Diminished 7th : Frequently Asked Questions
What notes are in A♭dim7?
How do you play A♭dim7 on piano?
What are the inversions of A♭dim7?
What is the difference between A♭dim7 and A♭dim?
What is an easy A♭dim7 for small hands?
What are the frequencies of A♭dim7?
What is the set class of A♭dim7?
How do I transpose A♭dim7 to another key?
Is G♯dim7 the same as A♭dim7?
A♭ Diminished 7th in detail
Exact
Every pitch class is present and nothing outside the chord is added.
| Type | Notes | Semitones | Span | Omissions and additions | Set relation | Fit |
|---|---|---|---|---|---|---|
| Close, root position | A♭3 C♭3 E♭♭4 G♭♭4 | 9 | 124 mm | none | identical | |
| Close, first inversion | C♭3 E♭♭4 G♭♭4 A♭4 | 9 | 124 mm | none | identical | |
| Close, second inversion | E♭♭4 G♭♭4 A♭4 C♭4 | 9 | 124 mm | none | identical | |
| Close, third inversion | G♭♭4 A♭4 C♭4 E♭♭5 | 9 | 124 mm | none | identical | |
| Drop 2 | E♭♭3 A♭3 C♭3 G♭♭4 | 15 | 206 mm | none | identical | |
| Drop 3 | C♭2 A♭3 E♭♭4 G♭♭4 | 18 | 248 mm | none | identical | |
| Drop 2 and 4 | A♭2 E♭♭3 C♭3 G♭♭4 | 21 | 289 mm | none | identical |
Reduced
A subset of the pitch classes: the identity is incomplete rather than altered.
| Type | Notes | Semitones | Span | Omissions and additions | Set relation | Fit |
|---|---|---|---|---|---|---|
| Shell, root ♭♭7 ♭3 | A♭2 G♭♭3 C♭3 | 15 | 206 mm | omits E♭♭ | subset | |
| Guide tones, ♭3 and ♭♭7 | C♭3 G♭♭4 | 6 | 83 mm | omits A♭ and E♭♭ | subset | |
| Rootless close | C♭3 E♭♭4 G♭♭4 | 6 | 83 mm | omits A♭ | subset |
Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).
| Position | Bass note | Notes in order | Figured bass | Semitones | Span |
|---|---|---|---|---|---|
| Root position | A♭ | A♭3, C♭3, E♭♭4, G♭♭4 | 7 | 9 | 124 mm |
| First inversion: A♭dim7/C♭ | C♭ | C♭3, E♭♭4, G♭♭4, A♭4 | 6/5 | 9 | 124 mm |
| Second inversion: A♭dim7/E♭♭ | E♭♭ | E♭♭4, G♭♭4, A♭4, C♭4 | 4/3 | 9 | 124 mm |
| Third inversion: A♭dim7/G♭♭ | G♭♭ | G♭♭4, A♭4, C♭4, E♭♭5 | 4/2 | 9 | 124 mm |
One position per chord tone in the bass. Spans are for close position: voiced inversions appear under Voicings.
| Progression | Key | Role | Sequence | Voice leading |
|---|
Root motion, common tones and voice displacement are computed from pitch class sets. Roman numerals follow common practice functional harmony.
Change one note
Chords a single note away, and what moving that note does.
| Chord | Change | Formula | Common tones |
|---|---|---|---|
| A♭dim | drops G♭♭ | 1 ♭3 ♭5 | 3 |
| A♭m7♭5 | G♭♭ becomes G♭ | 1 ♭3 ♭5 ♭7 | 3 |
| A♭m6 | E♭♭ becomes E♭ | 1 ♭3 5 6 | 3 |
| A♭m | E♭♭, G♭♭ becomes E♭ | 1 ♭3 5 | 2 |
| A♭m7 | E♭♭, G♭♭ becomes E♭, G♭ | 1 ♭3 5 ♭7 | 2 |
| A♭mMaj7 | E♭♭, G♭♭ becomes E♭, G | 1 ♭3 5 7 | 2 |
| A♭6 | C♭, E♭♭ becomes C, E♭ | 1 3 5 6 | 2 |
Frequencies
| Note | MIDI | Frequency |
|---|---|---|
| A♭3 | 56 | 207.65 Hz |
| C♭3 | 59 | 246.94 Hz |
| E♭♭4 | 62 | 293.66 Hz |
| G♭♭4 | 65 | 349.23 Hz |
Reference pitch A440, 12-TET, close root position.
Set theory: prime form, Forte number, interval vector
- Absolute pitch class set
- {8, 11, 2, 5}
- Normal order
- [2, 5, 8, 11]
- Prime form
- (0369)
- Forte number
- 4-28
- Interval vector
- <004002>
| Pair | Interval | Semitones | Interval class |
|---|---|---|---|
| A♭ to C♭ | Minor third | 3 | 3 |
| A♭ to E♭♭ | Tritone | 6 | 6 |
| A♭ to G♭♭ | Major sixth | 9 | 3 |
| C♭ to E♭♭ | Minor third | 3 | 3 |
| C♭ to G♭♭ | Tritone | 6 | 6 |
| E♭♭ to G♭♭ | Minor third | 3 | 3 |
Where these facts come from
Every value on this page is derived from the note formula for a diminished 7th applied to the root A♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.