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D Diminished 7th

Notes: D - F - A♭ - C♭ | Degrees: 1 - ♭3 - ♭5 - ♭♭7 | Written: Ddim7, D°7

Construction: Root, Minor 3rd, Diminished 5th, Diminished 7th

It is built by stacking three minor thirds, creating a fully symmetrical 4-note chord, giving it a extremely tense and dramatic character, fully symmetrical and harmonically versatile

Fingering: RH 1-2-3-5, LH 5-3-2-1

Inversions: Root Ddim7 - 1st Ddim7/F - 2nd Ddim7/A♭ - 3rd Ddim7/C♭

Related boards
Ddim79 st, 124.0 mmRoot position, figured bass 7

D3, F3, A♭3, C♭3

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightD, F, A♭, C♭1-2-3-5
LeftD, F, A♭, C♭5-3-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

D Diminished 7th: notes and degrees

Ddim7 contains D, F, A♭ and C♭. Three stacked minor thirds.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1DPerfect unison0
♭3FMinor third3
♭5A♭Tritone6
♭♭7C♭Major sixth9

A♭ is a black key; D, F and C♭ are white.

Construction

D Diminished 7th = Root + Minor 3rd + Diminished 5th + Major 6th = D, F, A♭, C♭
NoteIntervalDegree
DRoot1
FMinor 3rd♭3
A♭Diminished 5th♭5
C♭Major 6th6

Fingering

NoteKey colorRight handLeft hand
Dwhitethumb (1)little finger (5)
Fwhiteindex finger (2)middle finger (3)
A♭blackmiddle finger (3)index finger (2)
C♭whitelittle finger (5)thumb (1)

Right hand: thumb (1) on D, index finger (2) on F, middle finger (3) on A♭, little finger (5) on C♭.

Left hand: little finger (5) on D, middle finger (3) on F, index finger (2) on A♭, thumb (1) on C♭.

D Diminished 7th Inversions

  • Root position
    D – F – A♭ – C♭
  • 1st inversion (Ddim7/F)
    F – A♭ – C♭ – D
  • 2nd inversion (Ddim7/A♭)
    A♭ – C♭ – D – F
  • 3rd inversion (Ddim7/C♭)
    C♭ – D – F – A♭

Key Signature

A Diminished 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of D Major

These are the triads built on each degree of D Major:

C1C2C3C4DAC5C6C7C8F♯
ID Major (major)
DegreeNumeralChordQuality
1ID MajorMajor
2iiE MinorMinor
3iiiF♯ MinorMinor
4IVG MajorMajor
5VA MajorMajor
6viB MinorMinor
7vii°C♯ DiminishedDiminished

Same Notes, Other Names

The notes D – F – A♭ – C♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

D Diminished 7th : Frequently Asked Questions

What notes are in Ddim7?
Ddim7 contains D, F, A♭ and C♭. The formula is 1, ♭3, ♭5, ♭♭7.
How do you play Ddim7 on piano?
Play D, F, A♭ and C♭ together. Right hand fingers 1, 2, 3, 5; left hand 5, 3, 2, 1. A♭ is a black key; D, F and C♭ are white.
What are the inversions of Ddim7?
4 positions: root position D F A♭ C♭, Ddim7/F, Ddim7/A♭, Ddim7/C♭.
What is the difference between Ddim7 and Ddim?
Drops C♭. 3 of the notes are shared.
What is an easy Ddim7 for small hands?
The guide tones, ♭3 and ♭♭7 voicing, F3 C♭3, spans 6 semitones or about 83 mm.
What are the frequencies of Ddim7?
From D3 at A440 in 12-TET: 146.83, 174.61, 207.65, 246.94 Hz.
What is the set class of Ddim7?
Prime form (0369), Forte 4-28, interval vector <004002>.
How do I transpose Ddim7 to another key?
Keep the 1, ♭3, ♭5, ♭♭7 formula on the new root. C♯dim7 is C♯, E, G, B♭; D♯dim7 is D♯, F♯, A, C.

D Diminished 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionD3 F3 A♭3 C♭39124 mmnoneidentical
Close, first inversionF3 A♭3 C♭3 D49124 mmnoneidentical
Close, second inversionA♭3 C♭3 D4 F49124 mmnoneidentical
Close, third inversionC♭3 D4 F4 A♭49124 mmnoneidentical
Drop 2A♭2 D3 F3 C♭315206 mmnoneidentical
Drop 3F2 D3 A♭3 C♭318248 mmnoneidentical
Drop 2 and 4D2 A♭2 F3 C♭321289 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭♭7 ♭3D2 C♭2 F315206 mmomits A♭subset
Guide tones, ♭3 and ♭♭7F3 C♭3683 mmomits D and A♭subset
Rootless closeF3 A♭3 C♭3683 mmomits Dsubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
Ddimdrops C♭1 ♭3 ♭53
Dm7♭5C♭ becomes C1 ♭3 ♭5 ♭73
Dm6A♭ becomes A1 ♭3 5 63
DmA♭, C♭ becomes A1 ♭3 52
Dm7A♭, C♭ becomes A, C1 ♭3 5 ♭72
DmMaj7A♭, C♭ becomes A, C♯1 ♭3 5 72
D6F, A♭ becomes F♯, A1 3 5 62

Frequencies

NoteMIDIFrequency
D350146.83 Hz
F353174.61 Hz
A♭356207.65 Hz
C♭359246.94 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{2, 5, 8, 11}
Normal order
[2, 5, 8, 11]
Prime form
(0369)
Forte number
4-28
Interval vector
<004002>
PairIntervalSemitonesInterval class
D to FMinor third33
D to A♭Tritone66
D to C♭Major sixth93
F to A♭Minor third33
F to C♭Tritone66
A♭ to C♭Minor third33

Where these facts come from

Every value on this page is derived from the note formula for a diminished 7th applied to the root D, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. Arthur Foote and Walter R. Spalding (1905)

    Modern Harmony in its Theory and Practice, Sections 170-173, chords of the eleventh and thirteenth, pp. 179-181; suspension p. 200; figured bass pp. 49, 84, 186

    Public domain treatise
  2. 2. Ferruccio Busoni (1911)

    Sketch of a New Esthetic of Music, The 113 seven-tone scales, p. 29

    Public domain treatise
  3. 3. Frédéric Chopin (1839)

    Prelude in D major, Op. 28 No. 5

    Public domain score
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data