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C♯ Diminished 7th

Notes: C♯ - E - G - B♭ | Degrees: 1 - ♭3 - ♭5 - ♭♭7 | Written: C♯dim7, C♯°7

Construction: Root, Minor 3rd, Diminished 5th, Diminished 7th

It is built by stacking three minor thirds, creating a fully symmetrical 4-note chord, giving it a extremely tense and dramatic character, fully symmetrical and harmonically versatile

Fingering: RH 2-3-4-5, LH 5-4-3-2

Inversions: Root C♯dim7 - 1st C♯dim7/E - 2nd C♯dim7/G - 3rd C♯dim7/B♭

D♭ Diminished 7th
This is the same chord as D♭ Diminished 7th: the same keys on the keyboard, spelled with flats.
Related boards
C♯dim79 st, 124.0 mmRoot position, figured bass 7

C♯3, E3, G3, B♭3

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightC♯, E, G, B♭2-3-4-5
LeftC♯, E, G, B♭5-4-3-2

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

C♯ Diminished 7th: notes and degrees

C♯dim7 contains C♯, E, G and B♭. Three stacked minor thirds.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1C♯Perfect unison0
♭3EMinor third3
♭5GTritone6
♭♭7B♭Major sixth9

C♯ and B♭ are black keys; E and G are white.

Construction

C♯ Diminished 7th = Root + Minor 3rd + Diminished 5th + Major 6th = C♯, E, G, B♭
NoteIntervalDegree
C♯Root1
EMinor 3rd♭3
GDiminished 5th♭5
B♭Major 6th6

Fingering

NoteKey colorRight handLeft hand
C♯blackindex finger (2)little finger (5)
Ewhitemiddle finger (3)ring finger (4)
Gwhitering finger (4)middle finger (3)
B♭blacklittle finger (5)index finger (2)

Right hand: index finger (2) on C♯, middle finger (3) on E, ring finger (4) on G, little finger (5) on B♭.

Left hand: little finger (5) on C♯, ring finger (4) on E, middle finger (3) on G, index finger (2) on B♭.

C♯ Diminished 7th Inversions

  • Root position
    C♯ – E – G – B♭
  • 1st inversion (C♯dim7/E)
    E – G – B♭ – C♯
  • 2nd inversion (C♯dim7/G)
    G – B♭ – C♯ – E
  • 3rd inversion (C♯dim7/B♭)
    B♭ – C♯ – E – G

Key Signature

A Diminished 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of C♯ Major

These are the triads built on each degree of C♯ Major:

C1C2C3C4E♯C5C6C7C8C♯G♯
IC♯ Major (major)
DegreeNumeralChordQuality
1IC♯ MajorMajor
2iiD♯ MinorMinor
3iiiE♯ MinorMinor
4IVF♯ MajorMajor
5VG♯ MajorMajor
6viA♯ MinorMinor
7vii°B♯ DiminishedDiminished

Same Notes, Other Names

The notes C♯ – E – G – B♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

C♯ Diminished 7th : Frequently Asked Questions

What is the C♯ Diminished 7th chord on piano?
The C♯ Diminished 7th chord contains the notes C♯ – E – G – B♭. On piano, play these notes together to sound the chord.
What is the C# piano chord?
The C# piano chord (written C♯ Diminished 7th) uses the same keys: C♯ – E – G – B♭. The # and ♯ symbols name the same black key.
What notes are in the C# Diminished 7th chord?
C# Diminished 7th is built from the C# root. Check the interactive keyboard above for exact notes and fingering.
How is the C# Diminished 7th chord used in music?
C# Diminished 7th appears in jazz, pop, and classical contexts. Its sound depends on the chord quality (Diminished 7th).
What is the fingering for C# Diminished 7th?
See the fingering chart above. Right hand typically uses thumb on root. Left hand uses pinky on root.
What are the inversions of C# Diminished 7th?
Use the inversion buttons above to see each inversion with notes, fingering, and staff notation.

C♯ Diminished 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionC♯3 E3 G3 B♭39124 mmnoneidentical
Close, first inversionE3 G3 B♭3 C♯49124 mmnoneidentical
Close, second inversionG3 B♭3 C♯4 E49124 mmnoneidentical
Close, third inversionB♭3 C♯4 E4 G49124 mmnoneidentical
Drop 2G2 C♯3 E3 B♭315206 mmnoneidentical
Drop 3E2 C♯3 G3 B♭318248 mmnoneidentical
Drop 2 and 4C♯2 G2 E3 B♭321289 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭♭7 ♭3C♯2 B♭2 E315206 mmomits Gsubset
Guide tones, ♭3 and ♭♭7E3 B♭3683 mmomits C♯ and Gsubset
Rootless closeE3 G3 B♭3683 mmomits C♯subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
C♯dimdrops B♭1 ♭3 ♭53
C♯m7♭5B♭ becomes B1 ♭3 ♭5 ♭73
C♯m6G becomes G♯1 ♭3 5 63
C♯mG, B♭ becomes G♯1 ♭3 52
C♯m7G, B♭ becomes G♯, B1 ♭3 5 ♭72
C♯mMaj7G, B♭ becomes G♯, B♯1 ♭3 5 72
C♯6E, G becomes E♯, G♯1 3 5 62

Frequencies

NoteMIDIFrequency
C♯349138.59 Hz
E352164.81 Hz
G355196.00 Hz
B♭358233.08 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{1, 4, 7, 10}
Normal order
[1, 4, 7, 10]
Prime form
(0369)
Forte number
4-28
Interval vector
<004002>
PairIntervalSemitonesInterval class
C♯ to EMinor third33
C♯ to GTritone66
C♯ to B♭Major sixth93
E to GMinor third33
E to B♭Tritone66
G to B♭Minor third33

Where these facts come from

Every value on this page is derived from the note formula for a diminished 7th applied to the root C♯, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.