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G Diminished 7th

Notes: G - B♭ - D♭ - F♭ | Degrees: 1 - ♭3 - ♭5 - ♭♭7 | Written: Gdim7, G°7

Construction: Root, Minor 3rd, Diminished 5th, Diminished 7th

It is built by stacking three minor thirds, creating a fully symmetrical 4-note chord, giving it a extremely tense and dramatic character, fully symmetrical and harmonically versatile

Fingering: RH 1-2-3-5, LH 5-3-2-1

Inversions: Root Gdim7 - 1st Gdim7/B♭ - 2nd Gdim7/D♭ - 3rd Gdim7/F♭

Related boards
Gdim79 st, 124.0 mmRoot position, figured bass 7

G3, B♭3, D♭4, F♭4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightG, B♭, D♭, F♭1-2-3-5
LeftG, B♭, D♭, F♭5-3-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

G Diminished 7th: notes and degrees

Gdim7 contains G, B♭, D♭ and F♭. Three stacked minor thirds.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1GPerfect unison0
♭3B♭Minor third3
♭5D♭Tritone6
♭♭7F♭Major sixth9

B♭ and D♭ are black keys; G and F♭ are white.

Construction

G Diminished 7th = Root + Minor 3rd + Diminished 5th + Major 6th = G, B♭, D♭, F♭
NoteIntervalDegree
GRoot1
B♭Minor 3rd♭3
D♭Diminished 5th♭5
F♭Major 6th6

Fingering

NoteKey colorRight handLeft hand
Gwhitethumb (1)little finger (5)
B♭blackindex finger (2)middle finger (3)
D♭blackmiddle finger (3)index finger (2)
F♭whitelittle finger (5)thumb (1)

Right hand: thumb (1) on G, index finger (2) on B♭, middle finger (3) on D♭, little finger (5) on F♭.

Left hand: little finger (5) on G, middle finger (3) on B♭, index finger (2) on D♭, thumb (1) on F♭.

G Diminished 7th Inversions

  • Root position
    G – B♭ – D♭ – F♭
  • 1st inversion (Gdim7/B♭)
    B♭ – D♭ – F♭ – G
  • 2nd inversion (Gdim7/D♭)
    D♭ – F♭ – G – B♭
  • 3rd inversion (Gdim7/F♭)
    F♭ – G – B♭ – D♭

Key Signature

A Diminished 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of G Major

These are the triads built on each degree of G Major:

C1C2C3C4GBC5DC6C7C8
IG Major (major)
DegreeNumeralChordQuality
1IG MajorMajor
2iiA MinorMinor
3iiiB MinorMinor
4IVC MajorMajor
5VD MajorMajor
6viE MinorMinor
7vii°F♯ DiminishedDiminished

Same Notes, Other Names

The notes G – B♭ – D♭ – F♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

G Diminished 7th : Frequently Asked Questions

What is the G Diminished 7th chord on piano?
The G Diminished 7th chord contains the notes G – B♭ – D♭ – F♭. On piano, play these notes together to sound the chord.
What notes are in the G Diminished 7th chord?
The G Diminished 7th chord (Gdim7) contains four notes: G (root), Bb (minor third), Db (diminished fifth), and Fb (diminished seventh, enharmonically E). All four notes are spaced exactly 3 semitones apart.
How does G Diminished 7th differ from G Diminished?
G Diminished is a three-note triad (G, Bb, Db). G Diminished 7th adds Fb/E as the diminished seventh, completing the symmetrical four-note structure.
Why is the Diminished 7th chord symmetrical?
Gdim7 contains the same pitches as Bbdim7, Dbdim7, and Edim7: all inversions of the same four notes. Only three unique dim7 chords exist in total.
How is G Diminished 7th used in music?
Gdim7 functions as the vii°7 of Ab, resolving up by half step to Ab Major. It is one of the most commonly used dim7 chords because Ab Major is a popular key for vocalists and jazz. Gdim7 also passes chromatically between G and Ab chords.
What songs use Diminished 7th chords?
Diminished 7th chords appear in Michelle (Beatles), throughout Chopin and Beethoven, and in jazz standards. Gdim7 specifically appears as the leading-tone chord in Ab Major, one of the most common keys in R&B and jazz.
How many unique Diminished 7th chords exist?
Only three. Gdim7 shares its notes with Bbdim7, Dbdim7, and Edim7. The other two unique groups are Cdim7 and Ddim7.

G Diminished 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionG3 B♭3 D♭4 F♭49124 mmnoneidentical
Close, first inversionB♭3 D♭4 F♭4 G49124 mmnoneidentical
Close, second inversionD♭4 F♭4 G4 B♭49124 mmnoneidentical
Close, third inversionF♭4 G4 B♭4 D♭59124 mmnoneidentical
Drop 2D♭3 G3 B♭3 F♭415206 mmnoneidentical
Drop 3B♭2 G3 D♭4 F♭418248 mmnoneidentical
Drop 2 and 4G2 D♭3 B♭3 F♭421289 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭♭7 ♭3G2 F♭3 B♭315206 mmomits D♭subset
Guide tones, ♭3 and ♭♭7B♭3 F♭4683 mmomits G and D♭subset
Rootless closeB♭3 D♭4 F♭4683 mmomits Gsubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
Gdimdrops F♭1 ♭3 ♭53
Gm7♭5F♭ becomes F1 ♭3 ♭5 ♭73
Gm6D♭ becomes D1 ♭3 5 63
GmD♭, F♭ becomes D1 ♭3 52
Gm7D♭, F♭ becomes D, F1 ♭3 5 ♭72
GmMaj7D♭, F♭ becomes D, F♯1 ♭3 5 72
G6B♭, D♭ becomes B, D1 3 5 62

Frequencies

NoteMIDIFrequency
G355196.00 Hz
B♭358233.08 Hz
D♭461277.18 Hz
F♭464329.63 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{7, 10, 1, 4}
Normal order
[1, 4, 7, 10]
Prime form
(0369)
Forte number
4-28
Interval vector
<004002>
PairIntervalSemitonesInterval class
G to B♭Minor third33
G to D♭Tritone66
G to F♭Major sixth93
B♭ to D♭Minor third33
B♭ to F♭Tritone66
D♭ to F♭Minor third33

Where these facts come from

Every value on this page is derived from the note formula for a diminished 7th applied to the root G, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.