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G Minor Major 7th

Notes: G - B♭ - D - F♯ | Degrees: 1 - ♭3 - 5 - 7 | Written: Gm(maj7), GmM7, GminMaj7

Construction: Root, Minor 3rd, Perfect 5th, Major 7th

It is a minor triad with an added major 7th, giving it a dark and complex character with strong tension, often used in jazz and minor key progressions

Fingering: RH 1-2-3-5, LH 5-3-2-1

Inversions: Root Gm(maj7) - 1st Gm(maj7)/B♭ - 2nd Gm(maj7)/D - 3rd Gm(maj7)/F♯

Related boards
GmMaj711 st, 151.0 mmRoot position, figured bass 7

G3, B♭3, D4, F♯4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightG, B♭, D, F♯1-2-3-5
LeftG, B♭, D, F♯5-3-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

G Minor Major 7th: notes and degrees

GmMaj7 contains G, B♭, D and F♯. A minor triad with the major seventh added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1GPerfect unison0
♭3B♭Minor third3
5DPerfect fifth7
7F♯Major seventh11

B♭ and F♯ are black keys; G and D are white.

Construction

G Minor Major 7th = Root + Minor 3rd + Perfect 5th + Major 7th = G, B♭, D, F♯
NoteIntervalDegree
GRoot1
B♭Minor 3rd♭3
DPerfect 5th5
F♯Major 7th7

Fingering

NoteKey colorRight handLeft hand
Gwhitethumb (1)little finger (5)
B♭blackindex finger (2)middle finger (3)
Dwhitemiddle finger (3)index finger (2)
F♯blacklittle finger (5)thumb (1)

Right hand: thumb (1) on G, index finger (2) on B♭, middle finger (3) on D, little finger (5) on F♯.

Left hand: little finger (5) on G, middle finger (3) on B♭, index finger (2) on D, thumb (1) on F♯.

G Minor Major 7th Inversions

  • Root position
    G – B♭ – D – F♯
  • 1st inversion (Gm(maj7)/B♭)
    B♭ – D – F♯ – G
  • 2nd inversion (Gm(maj7)/D)
    D – F♯ – G – B♭
  • 3rd inversion (Gm(maj7)/F♯)
    F♯ – G – B♭ – D

Key Signature

A chord has no key signature of its own, but the G Minor Major 7th is the tonic (i) chord of G Minor, which shares the signature of its relative major, B♭ Major: 2 flats (B♭, E♭).

B♭E♭

Order of flats

Flats are added in a fixed order — the reverse of the sharp order. Each new flat key adds the next flat on the list.

BEADGCF

Mnemonic: Battle Ends And Down Goes Charles’ Father

Chords in the Key of G Minor

These are the triads built on each degree of G Minor:

C1C2C3C4GC5DC6C7C8B♭
iG Minor (minor)
DegreeNumeralChordQuality
1iG MinorMinor
2ii°A DiminishedDiminished
3IIIB♭ MajorMajor
4ivC MinorMinor
5vD MinorMinor
6VIE♭ MajorMajor
7VIIF MajorMajor

Looking for Gm7? See the G minor 7th piano chord.

G Minor Major 7th : Frequently Asked Questions

What notes are in GmMaj7?
GmMaj7 contains G, B♭, D and F♯. The formula is 1, ♭3, 5, 7.
How do you play GmMaj7 on piano?
Play G, B♭, D and F♯ together. Right hand fingers 1, 2, 3, 5; left hand 5, 3, 2, 1. B♭ and F♯ are black keys; G and D are white.
What are the inversions of GmMaj7?
4 positions: root position G B♭ D F♯, GmMaj7/B♭, GmMaj7/D, GmMaj7/F♯.
What is the difference between GmMaj7 and Gm?
Drops F♯. 3 of the notes are shared.
What is an easy GmMaj7 for small hands?
The close, second inversion voicing, D4 F♯4 G4 B♭4, spans 8 semitones or about 110 mm.
What are the frequencies of GmMaj7?
From G3 at A440 in 12-TET: 196.00, 233.08, 293.66, 369.99 Hz.
What is the set class of GmMaj7?
Prime form (0148), Forte 4-19, interval vector <101310>.
How do I transpose GmMaj7 to another key?
Keep the 1, ♭3, 5, 7 formula on the new root. CmMaj7 is C, E♭, G, B; C♯mMaj7 is C♯, E, G♯, B♯.

G Minor Major 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionG3 B♭3 D4 F♯411151 mmnoneidentical
Close, first inversionB♭3 D4 F♯4 G49124 mmnoneidentical
Close, second inversionD4 F♯4 G4 B♭48110 mmnoneidentical
Close, third inversionF♯4 G4 B♭4 D58110 mmnoneidentical
Drop 2D3 G3 B♭3 F♯416220 mmnoneidentical
Drop 3B♭2 G3 D4 F♯420275 mmnoneidentical
Drop 2 and 4G2 D3 B♭3 F♯423316 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root 7 ♭3G2 F♯3 B♭315206 mmomits Dsubset
Guide tones, ♭3 and 7B♭3 F♯48110 mmomits G and Dsubset
Rootless closeB♭3 D4 F♯48110 mmomits Gsubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
Gmdrops F♯1 ♭3 53
Gmaj7B♭ becomes B1 3 5 73
Gm7F♯ becomes F1 ♭3 5 ♭73
Gm6F♯ becomes E1 ♭3 5 63
Gmaj9B♭ becomes B, A1 3 5 7 93
Gm9F♯ becomes F, A1 ♭3 5 ♭7 93
GB♭, F♯ becomes B1 3 52
GdimD, F♯ becomes D♭1 ♭3 ♭52
Gsus2B♭, F♯ becomes A1 2 52
Gsus4B♭, F♯ becomes C1 4 52
G7B♭, F♯ becomes B, F1 3 5 ♭72
Gm7♭5D, F♯ becomes D♭, F1 ♭3 ♭5 ♭72

Frequencies

NoteMIDIFrequency
G355196.00 Hz
B♭358233.08 Hz
D462293.66 Hz
F♯466369.99 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{7, 10, 2, 6}
Normal order
[6, 7, 10, 2]
Prime form
(0148)
Forte number
4-19
Interval vector
<101310>
PairIntervalSemitonesInterval class
G to B♭Minor third33
G to DPerfect fifth75
G to F♯Major seventh111
B♭ to DMajor third44
B♭ to F♯Minor sixth84
D to F♯Major third44

Where these facts come from

Every value on this page is derived from the note formula for a minor major 7th applied to the root G, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. Karl W. Gehrkens (1914)

    Music Notation and Terminology

    Public domain treatise
  2. 2. A. Eaglefield Hull (1915)

    Modern Harmony: Its Explanation and Application, Whole-tone scale, pp. 69, 192 and glossary p. 219

    Public domain treatise
  3. 3. Salomon Jadassohn (1883)

    A Manual of Harmony

    Public domain treatise
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data