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G Dominant 7th

Hear the G Dominant 7th chord played for you.

G7
G – B – D – F
Formula:R-M3-P5-m7
Intervals:P1-M3-P5-m7
Scale Degrees:1-3-5-b7

Introduction

The G Dominant 7th chord is a four-note chord made up of G, B, D, and F. It is built from a root, major third, perfect fifth, and minor seventh.

The G Dominant 7th piano chord (G7) consists of the notes G, B, D, F. It is a major triad with an added minor 7th, giving it a bluesy, tense sound that strongly wants to resolve. Formula: R-M3-P5-m7 | Scale degrees: 1-3-5-b7.

Notes

Notes:G – B – D – F

G Dominant 7th Inversions

PositionNotes
Root PositionG – B – D – F
1st InversionB – D – F – G
2nd InversionD – F – G – B
3rd InversionG – B – D – F

Key Signature

The key of G Dominant 7th has 1 sharp.

F♯

Order of sharps

Sharps are added to a key signature in a fixed order. Each new sharp key adds the next sharp on the list.

FCGDAEB

Mnemonic: Father Charles Goes Down And Ends Battle

Chords in the Key of G Major

These are the diatonic triads built on each degree of the G major scale:

C
D
E
F
G
A
B
C
D
E
F
G
A
B
IG Major (major)
DegreeNumeralChordQuality
1IG MajorMajor
2iiA MinorMinor
3iiiB MinorMinor
4IVC MajorMajor
5VD MajorMajor
6viE MinorMinor
7vii°F♯ DiminishedDiminished

Theory: Intervals

Formula: R-M3-P5-m7
Intervals: P1-M3-P5-m7

The G Dominant 7th is built by stacking intervals from the root note. The formula R-M3-P5-m7 describes the scale degrees used. The intervals P1-M3-P5-m7 show the distance between each note in the chord.

G Dominant 7th — Frequently Asked Questions

What notes are in the G Dominant 7th chord?
The G Dominant 7th chord (G7) contains four notes: G (root), B (major third), D (perfect fifth), and F (minor seventh). The major triad with a minor seventh creates the dominant 7th's characteristic drive and tension.
How does G Dominant 7th differ from G Major?
G Major contains three notes: G, B, D. G Dominant 7th adds an F (minor seventh) on top. That single note transforms a stable chord into one that urgently wants to resolve — typically down a fifth to C Major, the most common resolution in all of Western music.
What does 'dominant' mean in music theory?
'Dominant' refers to the fifth scale degree. G7 is the dominant chord in C Major — the most common key in music. The G7 to C Major resolution (V7–I) is the single most important chord movement in Western harmony.
How is G Dominant 7th used in music?
G7 resolves to C Major in the V7–I cadence that ends countless songs, hymns, and classical pieces. It is the V7 in C Major, the most common key in popular music. G7 also appears as the I chord in blues in G and as a secondary dominant in many other keys.
What songs use dominant 7th chords?
Dominant 7th chords are the backbone of blues and early rock: every chord in a standard 12-bar blues is a dominant 7th. Hit the Road Jack (Ray Charles), Ain't Misbehavin' (Fats Waller), and countless jazz standards rely on dominant 7th movement for their harmonic drive.
What is the tritone in G Dominant 7th?
The tritone in G7 is the interval between B (the third) and F (the seventh) — exactly 6 semitones apart. This is the most famous tritone in music education and gives G7 its powerful pull toward C. The B resolves up to C and the F resolves down to E.

Practice Tips

  • Play G Major then add F — hear the instant transformation from stability to motion. G7 is the most commonly heard dominant 7th chord in music.
  • The tritone between B and F is the most famous in music theory. Play just those two notes, then resolve: B up to C, F down to E. This is the V7–I voice leading that defines Western harmony.
  • Practice G7 → C Major until it is completely automatic in every inversion. This is the single most important chord resolution in music — it should feel effortless.
  • In a 12-bar blues in C: C7–C7–C7–C7–F7–F7–C7–C7–G7–F7–C7–G7. G7 is the turnaround chord that sends you back to the top.
  • Compare G7 with Gm7 — the major third (B) in G7 creates brightness and urgency, while the minor third in Gm7 produces a smoother, jazzier quality.
  • Rootless voicing: play B–D–F without the G — this three-note voicing is the standard jazz piano approach. Add it to your comping vocabulary.

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