Construction
| Note | Interval | Degree |
|---|---|---|
| C♯ | Root | 1 |
| E♯ | Major 3rd | 3 |
| G♯♯ | Minor 6th | ♯5 |
| B | Minor 7th | ♭7 |
Fingering
| Note | Key color | Right hand | Left hand |
|---|---|---|---|
| C♯ | black | index finger (2) | little finger (5) |
| E♯ | white | middle finger (3) | ring finger (4) |
| G♯♯ | white | ring finger (4) | middle finger (3) |
| B | white | little finger (5) | index finger (2) |
Right hand: index finger (2) on C♯, middle finger (3) on E♯, ring finger (4) on G♯♯, little finger (5) on B.
Left hand: little finger (5) on C♯, ring finger (4) on E♯, middle finger (3) on G♯♯, index finger (2) on B.
C♯ Augmented 7th Inversions
- Root positionC♯ – E♯ – G♯♯ – B
- 1st inversion (C♯aug7/E♯)E♯ – G♯♯ – B – C♯
- 2nd inversion (C♯aug7/G♯♯)G♯♯ – B – C♯ – E♯
- 3rd inversion (C♯aug7/B)B – C♯ – E♯ – G♯♯
Key Signature
A Augmented 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.
Chords in the Key of C♯ Major
These are the triads built on each degree of C♯ Major:
Same Notes, Other Names
The notes C♯ – E♯ – G♯♯ – B aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:
C♯ Augmented 7th : Frequently Asked Questions
What is the C♯ Augmented 7th chord on piano?
What is the C# piano chord?
What notes are in the C# Augmented 7th chord?
How is the C# Augmented 7th chord used in music?
What is the fingering for C# Augmented 7th?
What are the inversions of C# Augmented 7th?
C♯ Augmented 7th in detail
Exact
Every pitch class is present and nothing outside the chord is added.
| Type | Notes | Semitones | Span | Omissions and additions | Set relation | Fit |
|---|---|---|---|---|---|---|
| Close, root position | C♯3 E♯3 G×3 B3 | 10 | 138 mm | none | identical | |
| Close, first inversion | E♯3 G×3 B3 C♯4 | 8 | 110 mm | none | identical | |
| Close, second inversion | G×3 B3 C♯4 E♯4 | 8 | 110 mm | none | identical | |
| Close, third inversion | B3 C♯4 E♯4 G×4 | 10 | 138 mm | none | identical | |
| Drop 2 | G×2 C♯3 E♯3 B3 | 14 | 193 mm | none | identical | |
| Drop 3 | E♯2 C♯3 G×3 B3 | 18 | 248 mm | none | identical | |
| Drop 2 and 4 | C♯2 G×2 E♯3 B3 | 22 | 303 mm | none | identical |
Reduced
A subset of the pitch classes: the identity is incomplete rather than altered.
| Type | Notes | Semitones | Span | Omissions and additions | Set relation | Fit |
|---|---|---|---|---|---|---|
| Shell, root ♭7 3 | C♯2 B2 E♯3 | 16 | 220 mm | omits G× | subset | |
| Guide tones, 3 and ♭7 | E♯3 B3 | 6 | 83 mm | omits C♯ and G× | subset | |
| Rootless close | E♯3 G×3 B3 | 6 | 83 mm | omits C♯ | subset |
Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).
| Position | Bass note | Notes in order | Figured bass | Semitones | Span |
|---|---|---|---|---|---|
| Root position | C♯ | C♯3, E♯3, G×3, B3 | 7 | 10 | 138 mm |
| First inversion: C♯aug7/E♯ | E♯ | E♯3, G×3, B3, C♯4 | 6/5 | 8 | 110 mm |
| Second inversion: C♯aug7/G× | G× | G×3, B3, C♯4, E♯4 | 4/3 | 8 | 110 mm |
| Third inversion: C♯aug7/B | B | B3, C♯4, E♯4, G×4 | 4/2 | 10 | 138 mm |
One position per chord tone in the bass. Spans are for close position: voiced inversions appear under Voicings.
| Progression | Key | Role | Sequence | Voice leading |
|---|
Root motion, common tones and voice displacement are computed from pitch class sets. Roman numerals follow common practice functional harmony.
Change one note
Chords a single note away, and what moving that note does.
| Chord | Change | Formula | Common tones |
|---|---|---|---|
| C♯aug | drops B | 1 3 ♯5 | 3 |
| C♯7 | G× becomes G♯ | 1 3 5 ♭7 | 3 |
| C♯9 | G× becomes G♯, D♯ | 1 3 5 ♭7 9 | 3 |
| C♯ | G×, B becomes G♯ | 1 3 5 | 2 |
| C♯maj7 | G×, B becomes G♯, B♯ | 1 3 5 7 | 2 |
| C♯m7 | E♯, G× becomes E, G♯ | 1 ♭3 5 ♭7 | 2 |
| C♯m7♭5 | E♯, G× becomes E, G | 1 ♭3 ♭5 ♭7 | 2 |
| C♯7sus4 | E♯, G× becomes F♯, G♯ | 1 4 5 ♭7 | 2 |
| C♯6 | G×, B becomes G♯, A♯ | 1 3 5 6 | 2 |
| C♯add9 | G×, B becomes G♯, D♯ | 1 3 5 9 | 2 |
Frequencies
| Note | MIDI | Frequency |
|---|---|---|
| C♯3 | 49 | 138.59 Hz |
| E♯3 | 53 | 174.61 Hz |
| G×3 | 57 | 220.00 Hz |
| B3 | 59 | 246.94 Hz |
Reference pitch A440, 12-TET, close root position.
Set theory: prime form, Forte number, interval vector
- Absolute pitch class set
- {1, 5, 9, 11}
- Normal order
- [9, 11, 1, 5]
- Prime form
- (0248)
- Forte number
- 4-24
- Interval vector
- <020301>
| Pair | Interval | Semitones | Interval class |
|---|---|---|---|
| C♯ to E♯ | Major third | 4 | 4 |
| C♯ to G× | Minor sixth | 8 | 4 |
| C♯ to B | Minor seventh | 10 | 2 |
| E♯ to G× | Major third | 4 | 4 |
| E♯ to B | Tritone | 6 | 6 |
| G× to B | Major second | 2 | 2 |
Where these facts come from
Every value on this page is derived from the note formula for a augmented 7th applied to the root C♯, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.