Construction
| Note | Interval | Degree |
|---|---|---|
| G♯ | Root | 1 |
| B♯ | Major 3rd | 3 |
| D♯♯ | Minor 6th | ♯5 |
| F♯ | Minor 7th | ♭7 |
Fingering
| Note | Key color | Right hand | Left hand |
|---|---|---|---|
| G♯ | black | index finger (2) | little finger (5) |
| B♯ | white | middle finger (3) | ring finger (4) |
| D♯♯ | white | ring finger (4) | middle finger (3) |
| F♯ | black | little finger (5) | index finger (2) |
Right hand: index finger (2) on G♯, middle finger (3) on B♯, ring finger (4) on D♯♯, little finger (5) on F♯.
Left hand: little finger (5) on G♯, ring finger (4) on B♯, middle finger (3) on D♯♯, index finger (2) on F♯.
G♯ Augmented 7th Inversions
- Root positionG♯ – B♯ – D♯♯ – F♯
- 1st inversion (G♯aug7/B♯)B♯ – D♯♯ – F♯ – G♯
- 2nd inversion (G♯aug7/D♯♯)D♯♯ – F♯ – G♯ – B♯
- 3rd inversion (G♯aug7/F♯)F♯ – G♯ – B♯ – D♯♯
Key Signature
A Augmented 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.
Chords in the Key of G♯ Major
These are the triads built on each degree of G♯ Major:
Same Notes, Other Names
The notes G♯ – B♯ – D♯♯ – F♯ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:
G♯ Augmented 7th : Frequently Asked Questions
What is the G♯ Augmented 7th chord on piano?
What is the G# piano chord?
What notes are in the G# Augmented 7th chord?
How is the G# Augmented 7th chord used in music?
What is the fingering for G# Augmented 7th?
What are the inversions of G# Augmented 7th?
G♯ Augmented 7th in detail
Exact
Every pitch class is present and nothing outside the chord is added.
| Type | Notes | Semitones | Span | Omissions and additions | Set relation | Fit |
|---|---|---|---|---|---|---|
| Close, root position | G♯3 B♯4 D×4 F♯4 | 10 | 138 mm | none | identical | |
| Close, first inversion | B♯4 D×4 F♯4 G♯4 | 8 | 110 mm | none | identical | |
| Close, second inversion | D×4 F♯4 G♯4 B♯5 | 8 | 110 mm | none | identical | |
| Close, third inversion | F♯4 G♯4 B♯5 D×5 | 10 | 138 mm | none | identical | |
| Drop 2 | D×3 G♯3 B♯4 F♯4 | 14 | 193 mm | none | identical | |
| Drop 3 | B♯3 G♯3 D×4 F♯4 | 18 | 248 mm | none | identical | |
| Drop 2 and 4 | G♯2 D×3 B♯4 F♯4 | 22 | 303 mm | none | identical |
Reduced
A subset of the pitch classes: the identity is incomplete rather than altered.
| Type | Notes | Semitones | Span | Omissions and additions | Set relation | Fit |
|---|---|---|---|---|---|---|
| Shell, root ♭7 3 | G♯2 F♯3 B♯4 | 16 | 220 mm | omits D× | subset | |
| Guide tones, 3 and ♭7 | B♯4 F♯4 | 6 | 83 mm | omits G♯ and D× | subset | |
| Rootless close | B♯4 D×4 F♯4 | 6 | 83 mm | omits G♯ | subset |
Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).
| Position | Bass note | Notes in order | Figured bass | Semitones | Span |
|---|---|---|---|---|---|
| Root position | G♯ | G♯3, B♯4, D×4, F♯4 | 7 | 10 | 138 mm |
| First inversion: G♯aug7/B♯ | B♯ | B♯4, D×4, F♯4, G♯4 | 6/5 | 8 | 110 mm |
| Second inversion: G♯aug7/D× | D× | D×4, F♯4, G♯4, B♯5 | 4/3 | 8 | 110 mm |
| Third inversion: G♯aug7/F♯ | F♯ | F♯4, G♯4, B♯5, D×5 | 4/2 | 10 | 138 mm |
One position per chord tone in the bass. Spans are for close position: voiced inversions appear under Voicings.
| Progression | Key | Role | Sequence | Voice leading |
|---|
Root motion, common tones and voice displacement are computed from pitch class sets. Roman numerals follow common practice functional harmony.
Change one note
Chords a single note away, and what moving that note does.
| Chord | Change | Formula | Common tones |
|---|---|---|---|
| G♯aug | drops F♯ | 1 3 ♯5 | 3 |
| G♯7 | D× becomes D♯ | 1 3 5 ♭7 | 3 |
| G♯9 | D× becomes D♯, A♯ | 1 3 5 ♭7 9 | 3 |
| G♯ | D×, F♯ becomes D♯ | 1 3 5 | 2 |
| G♯maj7 | D×, F♯ becomes D♯, F× | 1 3 5 7 | 2 |
| G♯m7 | B♯, D× becomes B, D♯ | 1 ♭3 5 ♭7 | 2 |
| G♯m7♭5 | B♯, D× becomes B, D | 1 ♭3 ♭5 ♭7 | 2 |
| G♯7sus4 | B♯, D× becomes C♯, D♯ | 1 4 5 ♭7 | 2 |
| G♯6 | D×, F♯ becomes D♯, E♯ | 1 3 5 6 | 2 |
| G♯add9 | D×, F♯ becomes D♯, A♯ | 1 3 5 9 | 2 |
Frequencies
| Note | MIDI | Frequency |
|---|---|---|
| G♯3 | 56 | 207.65 Hz |
| B♯4 | 60 | 261.63 Hz |
| D×4 | 64 | 329.63 Hz |
| F♯4 | 66 | 369.99 Hz |
Reference pitch A440, 12-TET, close root position.
Set theory: prime form, Forte number, interval vector
- Absolute pitch class set
- {8, 0, 4, 6}
- Normal order
- [4, 6, 8, 0]
- Prime form
- (0248)
- Forte number
- 4-24
- Interval vector
- <020301>
| Pair | Interval | Semitones | Interval class |
|---|---|---|---|
| G♯ to B♯ | Major third | 4 | 4 |
| G♯ to D× | Minor sixth | 8 | 4 |
| G♯ to F♯ | Minor seventh | 10 | 2 |
| B♯ to D× | Major third | 4 | 4 |
| B♯ to F♯ | Tritone | 6 | 6 |
| D× to F♯ | Major second | 2 | 2 |
Where these facts come from
Every value on this page is derived from the note formula for a augmented 7th applied to the root G♯, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.