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G♭ Augmented 7th

Notes: G♭ - B♭ - D - F♭ | Degrees: 1 - 3 - ♯5 - ♭7 | Written: G♭aug7, G♭7♯5, G♭+7

Construction: Root, Major 3rd, Augmented 5th, Minor 7th

It is an augmented triad with an added minor 7th, giving it a bright, tense, and unresolved character with a strong upward pull

Fingering: RH 2-3-4-5, LH 5-4-3-2

Inversions: Root G♭aug7 - 1st G♭aug7/B♭ - 2nd G♭aug7/D - 3rd G♭aug7/F♭

F♯ Augmented 7th
This is the same chord as F♯ Augmented 7th: the same keys on the keyboard, spelled with sharps.
Related boards
G♭aug710 st, 138.0 mmRoot position, figured bass 7

G♭3, B♭3, D4, F♭4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightG♭, B♭, D, F♭2-3-4-5
LeftG♭, B♭, D, F♭5-4-3-2

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

G♭ Augmented 7th: notes and degrees

G♭aug7 contains G♭, B♭, D and F♭. An augmented triad with the minor seventh added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1G♭Perfect unison0
3B♭Major third4
♯5DMinor sixth8
♭7F♭Minor seventh10

G♭ and B♭ are black keys; D and F♭ are white.

Construction

G♭ Augmented 7th = Root + Major 3rd + Minor 6th + Minor 7th = G♭, B♭, D, F♭
NoteIntervalDegree
G♭Root1
B♭Major 3rd3
DMinor 6th♯5
F♭Minor 7th♭7

Fingering

NoteKey colorRight handLeft hand
G♭blackindex finger (2)little finger (5)
B♭blackmiddle finger (3)ring finger (4)
Dwhitering finger (4)middle finger (3)
F♭whitelittle finger (5)index finger (2)

Right hand: index finger (2) on G♭, middle finger (3) on B♭, ring finger (4) on D, little finger (5) on F♭.

Left hand: little finger (5) on G♭, ring finger (4) on B♭, middle finger (3) on D, index finger (2) on F♭.

G♭ Augmented 7th Inversions

  • Root position
    G♭ – B♭ – D – F♭
  • 1st inversion (G♭aug7/B♭)
    B♭ – D – F♭ – G♭
  • 2nd inversion (G♭aug7/D)
    D – F♭ – G♭ – B♭
  • 3rd inversion (G♭aug7/F♭)
    F♭ – G♭ – B♭ – D

Key Signature

A Augmented 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of G♭ Major

These are the triads built on each degree of G♭ Major:

C1C2C3C4C5C6C7C8G♭B♭D♭
IG♭ Major (major)
DegreeNumeralChordQuality
1IG♭ MajorMajor
2iiA♭ MinorMinor
3iiiB♭ MinorMinor
4IVC♭ MajorMajor
5VD♭ MajorMajor
6viE♭ MinorMinor
7vii°F DiminishedDiminished

Same Notes, Other Names

The notes G♭ – B♭ – D – F♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

G♭ Augmented 7th : Frequently Asked Questions

What is the G♭ Augmented 7th chord on piano?
The G♭ Augmented 7th chord contains the notes G♭ – B♭ – D – F♭. On piano, play these notes together to sound the chord.
What notes are in the Gb Augmented 7th chord?
The Gb Augmented 7th chord (Gb+7) contains four notes: Gb (root), Bb (major third), D (augmented fifth), and Fb (minor seventh, enharmonically E). It combines an augmented triad with a minor seventh.
How does Gb Augmented 7th differ from Gb Dominant 7th?
Both contain Gb, Bb, and Fb. Gb+7 has D (augmented fifth) while Gb7 has Db (perfect fifth). The raised fifth adds extra tension.
How is Gb Augmented 7th used in music?
Gb+7 is an altered dominant resolving to Cb/B Major. The D pulls up to Eb while Fb pulls down to Eb: converging voice leading. In practice, the enharmonic F#+7 is more commonly used.
What genres use Augmented 7th chords?
Augmented 7th chords are common in jazz, gospel, blues, and R&B for adding emotional intensity to dominant resolutions.
What songs use Augmented 7th chords?
Augmented 7th chords appear in jazz standards and gospel. Whether spelled Gb+7 or F#+7, the sound is identical.
What is the difference between +7 and 7#5?
They are the same chord. Gb+7, Gb7#5, and Gbaug7 all refer to Gb Augmented 7th.

G♭ Augmented 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionG♭3 B♭3 D4 F♭410138 mmnoneidentical
Close, first inversionB♭3 D4 F♭4 G♭48110 mmnoneidentical
Close, second inversionD4 F♭4 G♭4 B♭48110 mmnoneidentical
Close, third inversionF♭4 G♭4 B♭4 D510138 mmnoneidentical
Drop 2D3 G♭3 B♭3 F♭414193 mmnoneidentical
Drop 3B♭2 G♭3 D4 F♭418248 mmnoneidentical
Drop 2 and 4G♭2 D3 B♭3 F♭422303 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭7 3G♭2 F♭3 B♭316220 mmomits Dsubset
Guide tones, 3 and ♭7B♭3 F♭4683 mmomits G♭ and Dsubset
Rootless closeB♭3 D4 F♭4683 mmomits G♭subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
G♭augdrops F♭1 3 ♯53
G♭7D becomes D♭1 3 5 ♭73
G♭9D becomes D♭, A♭1 3 5 ♭7 93
G♭D, F♭ becomes D♭1 3 52
G♭maj7D, F♭ becomes D♭, F1 3 5 72
G♭m7B♭, D becomes B♭♭, D♭1 ♭3 5 ♭72
G♭m7♭5B♭, D becomes B♭♭, D♭♭1 ♭3 ♭5 ♭72
G♭7sus4B♭, D becomes C♭, D♭1 4 5 ♭72
G♭6D, F♭ becomes D♭, E♭1 3 5 62
G♭add9D, F♭ becomes D♭, A♭1 3 5 92

Frequencies

NoteMIDIFrequency
G♭354185.00 Hz
B♭358233.08 Hz
D462293.66 Hz
F♭464329.63 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{6, 10, 2, 4}
Normal order
[2, 4, 6, 10]
Prime form
(0248)
Forte number
4-24
Interval vector
<020301>
PairIntervalSemitonesInterval class
G♭ to B♭Major third44
G♭ to DMinor sixth84
G♭ to F♭Minor seventh102
B♭ to DMajor third44
B♭ to F♭Tritone66
D to F♭Major second22

Where these facts come from

Every value on this page is derived from the note formula for a augmented 7th applied to the root G♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.