Skip to content
piano.org
A piano reference: chords, scales, theory. Full MIDI.

E♭ Augmented 7th

Notes: E♭ - G - B - D♭ | Degrees: 1 - 3 - ♯5 - ♭7 | Written: E♭aug7, E♭7♯5, E♭+7

Construction: Root, Major 3rd, Augmented 5th, Minor 7th

It is an augmented triad with an added minor 7th, giving it a bright, tense, and unresolved character with a strong upward pull

Fingering: RH 2-3-4-5, LH 5-4-3-2

Inversions: Root E♭aug7 - 1st E♭aug7/G - 2nd E♭aug7/B - 3rd E♭aug7/D♭

< D♯ Augmented 7th | E Augmented 7th >

D♯ Augmented 7th
This is the same chord as D♯ Augmented 7th: the same keys on the keyboard, spelled with sharps.
Related boards
E♭aug710 st, 138.0 mmRoot position, figured bass 7

E♭3, G3, B3, D♭4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightE♭, G, B, D♭2-3-4-5
LeftE♭, G, B, D♭5-4-3-2

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

E♭ Augmented 7th: notes and degrees

E♭aug7 contains E♭, G, B and D♭. An augmented triad with the minor seventh added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1E♭Perfect unison0
3GMajor third4
♯5BMinor sixth8
♭7D♭Minor seventh10

E♭ and D♭ are black keys; G and B are white.

Construction

E♭ Augmented 7th = Root + Major 3rd + Minor 6th + Minor 7th = E♭, G, B, D♭
NoteIntervalDegree
E♭Root1
GMajor 3rd3
BMinor 6th♯5
D♭Minor 7th♭7

Fingering

NoteKey colorRight handLeft hand
E♭blackindex finger (2)little finger (5)
Gwhitemiddle finger (3)ring finger (4)
Bwhitering finger (4)middle finger (3)
D♭blacklittle finger (5)index finger (2)

Right hand: index finger (2) on E♭, middle finger (3) on G, ring finger (4) on B, little finger (5) on D♭.

Left hand: little finger (5) on E♭, ring finger (4) on G, middle finger (3) on B, index finger (2) on D♭.

E♭ Augmented 7th Inversions

  • Root position
    E♭ – G – B – D♭
  • 1st inversion (E♭aug7/G)
    G – B – D♭ – E♭
  • 2nd inversion (E♭aug7/B)
    B – D♭ – E♭ – G
  • 3rd inversion (E♭aug7/D♭)
    D♭ – E♭ – G – B

Key Signature

A Augmented 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of E♭ Major

These are the triads built on each degree of E♭ Major:

C1C2C3C4GC5C6C7C8E♭B♭
IE♭ Major (major)
DegreeNumeralChordQuality
1IE♭ MajorMajor
2iiF MinorMinor
3iiiG MinorMinor
4IVA♭ MajorMajor
5VB♭ MajorMajor
6viC MinorMinor
7vii°D DiminishedDiminished

Same Notes, Other Names

The notes E♭ – G – B – D♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

E♭ Augmented 7th : Frequently Asked Questions

What is the E♭ Augmented 7th chord on piano?
The E♭ Augmented 7th chord contains the notes E♭ – G – B – D♭. On piano, play these notes together to sound the chord.
What notes are in the Eb Augmented 7th chord?
The Eb Augmented 7th chord (Eb+7) contains four notes: Eb (root), G (major third), B (augmented fifth), and Db (minor seventh). It combines an augmented triad with a minor seventh.
How does Eb Augmented 7th differ from Eb Dominant 7th?
Both contain Eb, G, and Db. Eb+7 has B (augmented fifth) while Eb7 has Bb (perfect fifth). The raised fifth adds extra tension and upward pull.
How is Eb Augmented 7th used in music?
Eb+7 is an altered dominant resolving to Ab Major. The B pulls up to C while Db pulls down to C: both converge on the third of Ab. Common in jazz and gospel.
What genres use Augmented 7th chords?
Augmented 7th chords are common in jazz, gospel, blues, and R&B for adding emotional intensity to dominant resolutions.
What songs use Augmented 7th chords?
Augmented 7th chords appear in jazz standards and gospel. Eb+7 resolves to Ab Major, a key popular with vocalists and R&B artists.
What is the difference between +7 and 7#5?
They are the same chord. Eb+7, Eb7#5, and Ebaug7 all refer to Eb Augmented 7th.

E♭ Augmented 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionE♭3 G3 B3 D♭410138 mmnoneidentical
Close, first inversionG3 B3 D♭4 E♭48110 mmnoneidentical
Close, second inversionB3 D♭4 E♭4 G48110 mmnoneidentical
Close, third inversionD♭4 E♭4 G4 B410138 mmnoneidentical
Drop 2B2 E♭3 G3 D♭414193 mmnoneidentical
Drop 3G2 E♭3 B3 D♭418248 mmnoneidentical
Drop 2 and 4E♭2 B2 G3 D♭422303 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭7 3E♭2 D♭3 G316220 mmomits Bsubset
Guide tones, 3 and ♭7G3 D♭4683 mmomits E♭ and Bsubset
Rootless closeG3 B3 D♭4683 mmomits E♭subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
E♭augdrops D♭1 3 ♯53
E♭7B becomes B♭1 3 5 ♭73
E♭9B becomes B♭, F1 3 5 ♭7 93
E♭B, D♭ becomes B♭1 3 52
E♭maj7B, D♭ becomes B♭, D1 3 5 72
E♭m7G, B becomes G♭, B♭1 ♭3 5 ♭72
E♭m7♭5G, B becomes G♭, B♭♭1 ♭3 ♭5 ♭72
E♭7sus4G, B becomes A♭, B♭1 4 5 ♭72
E♭6B, D♭ becomes B♭, C1 3 5 62
E♭add9B, D♭ becomes B♭, F1 3 5 92

Frequencies

NoteMIDIFrequency
E♭351155.56 Hz
G355196.00 Hz
B359246.94 Hz
D♭461277.18 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{3, 7, 11, 1}
Normal order
[11, 1, 3, 7]
Prime form
(0248)
Forte number
4-24
Interval vector
<020301>
PairIntervalSemitonesInterval class
E♭ to GMajor third44
E♭ to BMinor sixth84
E♭ to D♭Minor seventh102
G to BMajor third44
G to D♭Tritone66
B to D♭Major second22

Where these facts come from

Every value on this page is derived from the note formula for a augmented 7th applied to the root E♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.