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C♭ Augmented 7th

Notes: C♭ - E♭ - G - B♭♭ | Degrees: 1 - 3 - ♯5 - ♭7 | Written: C♭aug7, C♭7♯5, C♭+7

Construction: Root, Major 3rd, Augmented 5th, Minor 7th

It is an augmented triad with an added minor 7th, giving it a bright, tense, and unresolved character with a strong upward pull

Fingering: RH 1-2-3-5, LH 5-3-2-1

Inversions: Root C♭aug7 - 1st C♭aug7/E♭ - 2nd C♭aug7/G - 3rd C♭aug7/B♭♭

Related boards
C♭aug710 st, 138.0 mmRoot position, figured bass 7

C♭3, E♭4, G4, B♭♭4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightC♭, E♭, G, B♭♭1-2-3-5
LeftC♭, E♭, G, B♭♭5-3-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

C♭ Augmented 7th: notes and degrees

C♭aug7 contains C♭, E♭, G and B♭♭. An augmented triad with the minor seventh added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1C♭Perfect unison0
3E♭Major third4
♯5GMinor sixth8
♭7B♭♭Minor seventh10

E♭ is a black key; C♭, G and B♭♭ are white.

Construction

C♭ Augmented 7th = Root + Major 3rd + Minor 6th + Minor 7th = C♭, E♭, G, B♭♭
NoteIntervalDegree
C♭Root1
E♭Major 3rd3
GMinor 6th♯5
B♭♭Minor 7th♭7

Fingering

NoteKey colorRight handLeft hand
C♭whitethumb (1)little finger (5)
E♭blackindex finger (2)middle finger (3)
Gwhitemiddle finger (3)index finger (2)
B♭♭whitelittle finger (5)thumb (1)

Right hand: thumb (1) on C♭, index finger (2) on E♭, middle finger (3) on G, little finger (5) on B♭♭.

Left hand: little finger (5) on C♭, middle finger (3) on E♭, index finger (2) on G, thumb (1) on B♭♭.

C♭ Augmented 7th Inversions

  • Root position
    C♭ – E♭ – G – B♭♭
  • 1st inversion (C♭aug7/E♭)
    E♭ – G – B♭♭ – C♭
  • 2nd inversion (C♭aug7/G)
    G – B♭♭ – C♭ – E♭
  • 3rd inversion (C♭aug7/B♭♭)
    B♭♭ – C♭ – E♭ – G

Key Signature

A Augmented 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of C♭ Major

These are the triads built on each degree of C♭ Major:

C1C2C3C4C♭C5C6C7C8E♭G♭
IC♭ Major (major)
DegreeNumeralChordQuality
1IC♭ MajorMajor
2iiD♭ MinorMinor
3iiiE♭ MinorMinor
4IVF♭ MajorMajor
5VG♭ MajorMajor
6viA♭ MinorMinor
7vii°B♭ DiminishedDiminished

Same Notes, Other Names

The notes C♭ – E♭ – G – B♭♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

C♭ Augmented 7th : Frequently Asked Questions

What is the C♭ Augmented 7th chord on piano?
The C♭ Augmented 7th chord contains the notes C♭ – E♭ – G – B♭♭. On piano, play these notes together to sound the chord.
What notes are in the Cb Augmented 7th chord?
The Cb Augmented 7th chord (Cb+7) contains four notes: Cb (root), Eb (major third), G (augmented fifth), and Bbb (minor seventh, enharmonically A). This is the enharmonic equivalent of B+7.
How does Cb Augmented 7th differ from Cb Dominant 7th?
Both contain Cb, Eb, and Bbb. Cb+7 has G (augmented fifth) while Cb7 has Gb (perfect fifth). The raised fifth adds chromatic tension.
How is Cb Augmented 7th used in music?
Cb+7 is the enharmonic equivalent of B+7, resolving to Fb/E Major. In practice, musicians use B+7. The Cb spelling appears in extreme flat-key theoretical contexts.
What genres use Augmented 7th chords?
Augmented 7th chords are common in jazz, gospel, blues, and R&B. Whether spelled Cb+7 or B+7, the sound is identical.
What songs use Augmented 7th chords?
Augmented 7th chords appear in jazz standards and gospel. Cb+7/B+7 resolves to E Major.
What is the difference between +7 and 7#5?
They are the same chord. Cb+7, Cb7#5, and Cbaug7 all refer to Cb Augmented 7th.

C♭ Augmented 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionC♭3 E♭4 G4 B♭♭410138 mmnoneidentical
Close, first inversionE♭4 G4 B♭♭4 C♭48110 mmnoneidentical
Close, second inversionG4 B♭♭4 C♭4 E♭58110 mmnoneidentical
Close, third inversionB♭♭4 C♭4 E♭5 G510138 mmnoneidentical
Drop 2G3 C♭3 E♭4 B♭♭414193 mmnoneidentical
Drop 3E♭3 C♭3 G4 B♭♭418248 mmnoneidentical
Drop 2 and 4C♭2 G3 E♭4 B♭♭422303 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭7 3C♭2 B♭♭3 E♭416220 mmomits Gsubset
Guide tones, 3 and ♭7E♭4 B♭♭4683 mmomits C♭ and Gsubset
Rootless closeE♭4 G4 B♭♭4683 mmomits C♭subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
C♭augdrops B♭♭1 3 ♯53
C♭7G becomes G♭1 3 5 ♭73
C♭9G becomes G♭, D♭1 3 5 ♭7 93
C♭G, B♭♭ becomes G♭1 3 52
C♭maj7G, B♭♭ becomes G♭, B♭1 3 5 72
C♭m7E♭, G becomes E♭♭, G♭1 ♭3 5 ♭72
C♭m7♭5E♭, G becomes E♭♭, G♭♭1 ♭3 ♭5 ♭72
C♭7sus4E♭, G becomes F♭, G♭1 4 5 ♭72
C♭6G, B♭♭ becomes G♭, A♭1 3 5 62
C♭add9G, B♭♭ becomes G♭, D♭1 3 5 92

Frequencies

NoteMIDIFrequency
C♭359246.94 Hz
E♭463311.13 Hz
G467392.00 Hz
B♭♭469440.00 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{11, 3, 7, 9}
Normal order
[7, 9, 11, 3]
Prime form
(0248)
Forte number
4-24
Interval vector
<020301>
PairIntervalSemitonesInterval class
C♭ to E♭Major third44
C♭ to GMinor sixth84
C♭ to B♭♭Minor seventh102
E♭ to GMajor third44
E♭ to B♭♭Tritone66
G to B♭♭Major second22

Where these facts come from

Every value on this page is derived from the note formula for a augmented 7th applied to the root C♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.