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D♭ Augmented 7th

Notes: D♭ - F - A - C♭ | Degrees: 1 - 3 - ♯5 - ♭7 | Written: D♭aug7, D♭7♯5, D♭+7

Construction: Root, Major 3rd, Augmented 5th, Minor 7th

It is an augmented triad with an added minor 7th, giving it a bright, tense, and unresolved character with a strong upward pull

Fingering: RH 2-3-4-5, LH 5-4-3-2

Inversions: Root D♭aug7 - 1st D♭aug7/F - 2nd D♭aug7/A - 3rd D♭aug7/C♭

C♯ Augmented 7th
This is the same chord as C♯ Augmented 7th: the same keys on the keyboard, spelled with sharps.
Related boards
D♭aug710 st, 138.0 mmRoot position, figured bass 7

D♭3, F3, A3, C♭3

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightD♭, F, A, C♭2-3-4-5
LeftD♭, F, A, C♭5-4-3-2

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

D♭ Augmented 7th: notes and degrees

D♭aug7 contains D♭, F, A and C♭. An augmented triad with the minor seventh added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1D♭Perfect unison0
3FMajor third4
♯5AMinor sixth8
♭7C♭Minor seventh10

D♭ is a black key; F, A and C♭ are white.

Construction

D♭ Augmented 7th = Root + Major 3rd + Minor 6th + Minor 7th = D♭, F, A, C♭
NoteIntervalDegree
D♭Root1
FMajor 3rd3
AMinor 6th♯5
C♭Minor 7th♭7

Fingering

NoteKey colorRight handLeft hand
D♭blackindex finger (2)little finger (5)
Fwhitemiddle finger (3)ring finger (4)
Awhitering finger (4)middle finger (3)
C♭whitelittle finger (5)index finger (2)

Right hand: index finger (2) on D♭, middle finger (3) on F, ring finger (4) on A, little finger (5) on C♭.

Left hand: little finger (5) on D♭, ring finger (4) on F, middle finger (3) on A, index finger (2) on C♭.

D♭ Augmented 7th Inversions

  • Root position
    D♭ – F – A – C♭
  • 1st inversion (D♭aug7/F)
    F – A – C♭ – D♭
  • 2nd inversion (D♭aug7/A)
    A – C♭ – D♭ – F
  • 3rd inversion (D♭aug7/C♭)
    C♭ – D♭ – F – A

Key Signature

A Augmented 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of D♭ Major

These are the triads built on each degree of D♭ Major:

C1C2C3C4FC5C6C7C8D♭A♭
ID♭ Major (major)
DegreeNumeralChordQuality
1ID♭ MajorMajor
2iiE♭ MinorMinor
3iiiF MinorMinor
4IVG♭ MajorMajor
5VA♭ MajorMajor
6viB♭ MinorMinor
7vii°C DiminishedDiminished

Same Notes, Other Names

The notes D♭ – F – A – C♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

D♭ Augmented 7th : Frequently Asked Questions

What notes are in D♭aug7?
D♭aug7 contains D♭, F, A and C♭. The formula is 1, 3, ♯5, ♭7.
How do you play D♭aug7 on piano?
Play D♭, F, A and C♭ together. Right hand fingers 2, 3, 4, 5; left hand 5, 4, 3, 2. D♭ is a black key; F, A and C♭ are white.
What are the inversions of D♭aug7?
4 positions: root position D♭ F A C♭, D♭aug7/F, D♭aug7/A, D♭aug7/C♭.
What is the difference between D♭aug7 and D♭aug?
Drops C♭. 3 of the notes are shared.
What is an easy D♭aug7 for small hands?
The guide tones, 3 and ♭7 voicing, F3 C♭3, spans 6 semitones or about 83 mm.
What are the frequencies of D♭aug7?
From D♭3 at A440 in 12-TET: 138.59, 174.61, 220.00, 246.94 Hz.
What is the set class of D♭aug7?
Prime form (0248), Forte 4-24, interval vector <020301>.
How do I transpose D♭aug7 to another key?
Keep the 1, 3, ♯5, ♭7 formula on the new root. Caug7 is C, E, G♯, B♭; Daug7 is D, F♯, A♯, C.
Is C♯aug7 the same as D♭aug7?
Enharmonically yes: the same piano keys and the same sound, spelled differently.

D♭ Augmented 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionD♭3 F3 A3 C♭310138 mmnoneidentical
Close, first inversionF3 A3 C♭3 D♭48110 mmnoneidentical
Close, second inversionA3 C♭3 D♭4 F48110 mmnoneidentical
Close, third inversionC♭3 D♭4 F4 A410138 mmnoneidentical
Drop 2A2 D♭3 F3 C♭314193 mmnoneidentical
Drop 3F2 D♭3 A3 C♭318248 mmnoneidentical
Drop 2 and 4D♭2 A2 F3 C♭322303 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭7 3D♭2 C♭2 F316220 mmomits Asubset
Guide tones, 3 and ♭7F3 C♭3683 mmomits D♭ and Asubset
Rootless closeF3 A3 C♭3683 mmomits D♭subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
D♭augdrops C♭1 3 ♯53
D♭7A becomes A♭1 3 5 ♭73
D♭9A becomes A♭, E♭1 3 5 ♭7 93
D♭A, C♭ becomes A♭1 3 52
D♭maj7A, C♭ becomes A♭, C1 3 5 72
D♭m7F, A becomes F♭, A♭1 ♭3 5 ♭72
D♭m7♭5F, A becomes F♭, A♭♭1 ♭3 ♭5 ♭72
D♭7sus4F, A becomes G♭, A♭1 4 5 ♭72
D♭6A, C♭ becomes A♭, B♭1 3 5 62
D♭add9A, C♭ becomes A♭, E♭1 3 5 92

Frequencies

NoteMIDIFrequency
D♭349138.59 Hz
F353174.61 Hz
A357220.00 Hz
C♭359246.94 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{1, 5, 9, 11}
Normal order
[9, 11, 1, 5]
Prime form
(0248)
Forte number
4-24
Interval vector
<020301>
PairIntervalSemitonesInterval class
D♭ to FMajor third44
D♭ to AMinor sixth84
D♭ to C♭Minor seventh102
F to AMajor third44
F to C♭Tritone66
A to C♭Major second22

Where these facts come from

Every value on this page is derived from the note formula for a augmented 7th applied to the root D♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. A. Eaglefield Hull (1915)

    Modern Harmony: Its Explanation and Application, Whole-tone scale, pp. 69, 192 and glossary p. 219

    Public domain treatise
  2. 2. Salomon Jadassohn (1883)

    A Manual of Harmony

    Public domain treatise
  3. 3. Ludwig van Beethoven (1802)

    Piano Sonata No. 14 in C♯ minor, Op. 27 No. 2 ("Moonlight"), i

    Public domain score
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data