Construction
| Note | Interval | Degree |
|---|---|---|
| D♭ | Root | 1 |
| F | Major 3rd | 3 |
| A | Minor 6th | ♯5 |
| C♭ | Minor 7th | ♭7 |
Fingering
| Note | Key color | Right hand | Left hand |
|---|---|---|---|
| D♭ | black | index finger (2) | little finger (5) |
| F | white | middle finger (3) | ring finger (4) |
| A | white | ring finger (4) | middle finger (3) |
| C♭ | white | little finger (5) | index finger (2) |
Right hand: index finger (2) on D♭, middle finger (3) on F, ring finger (4) on A, little finger (5) on C♭.
Left hand: little finger (5) on D♭, ring finger (4) on F, middle finger (3) on A, index finger (2) on C♭.
D♭ Augmented 7th Inversions
- Root positionD♭ – F – A – C♭
- 1st inversion (D♭aug7/F)F – A – C♭ – D♭
- 2nd inversion (D♭aug7/A)A – C♭ – D♭ – F
- 3rd inversion (D♭aug7/C♭)C♭ – D♭ – F – A
Key Signature
A Augmented 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.
Chords in the Key of D♭ Major
These are the triads built on each degree of D♭ Major:
Same Notes, Other Names
The notes D♭ – F – A – C♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:
D♭ Augmented 7th : Frequently Asked Questions
What notes are in D♭aug7?
How do you play D♭aug7 on piano?
What are the inversions of D♭aug7?
What is the difference between D♭aug7 and D♭aug?
What is an easy D♭aug7 for small hands?
What are the frequencies of D♭aug7?
What is the set class of D♭aug7?
How do I transpose D♭aug7 to another key?
Is C♯aug7 the same as D♭aug7?
D♭ Augmented 7th in detail
Exact
Every pitch class is present and nothing outside the chord is added.
| Type | Notes | Semitones | Span | Omissions and additions | Set relation | Fit |
|---|---|---|---|---|---|---|
| Close, root position | D♭3 F3 A3 C♭3 | 10 | 138 mm | none | identical | |
| Close, first inversion | F3 A3 C♭3 D♭4 | 8 | 110 mm | none | identical | |
| Close, second inversion | A3 C♭3 D♭4 F4 | 8 | 110 mm | none | identical | |
| Close, third inversion | C♭3 D♭4 F4 A4 | 10 | 138 mm | none | identical | |
| Drop 2 | A2 D♭3 F3 C♭3 | 14 | 193 mm | none | identical | |
| Drop 3 | F2 D♭3 A3 C♭3 | 18 | 248 mm | none | identical | |
| Drop 2 and 4 | D♭2 A2 F3 C♭3 | 22 | 303 mm | none | identical |
Reduced
A subset of the pitch classes: the identity is incomplete rather than altered.
| Type | Notes | Semitones | Span | Omissions and additions | Set relation | Fit |
|---|---|---|---|---|---|---|
| Shell, root ♭7 3 | D♭2 C♭2 F3 | 16 | 220 mm | omits A | subset | |
| Guide tones, 3 and ♭7 | F3 C♭3 | 6 | 83 mm | omits D♭ and A | subset | |
| Rootless close | F3 A3 C♭3 | 6 | 83 mm | omits D♭ | subset |
Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).
| Position | Bass note | Notes in order | Figured bass | Semitones | Span |
|---|---|---|---|---|---|
| Root position | D♭ | D♭3, F3, A3, C♭3 | 7 | 10 | 138 mm |
| First inversion: D♭aug7/F | F | F3, A3, C♭3, D♭4 | 6/5 | 8 | 110 mm |
| Second inversion: D♭aug7/A | A | A3, C♭3, D♭4, F4 | 4/3 | 8 | 110 mm |
| Third inversion: D♭aug7/C♭ | C♭ | C♭3, D♭4, F4, A4 | 4/2 | 10 | 138 mm |
One position per chord tone in the bass. Spans are for close position: voiced inversions appear under Voicings.
| Progression | Key | Role | Sequence | Voice leading |
|---|
Root motion, common tones and voice displacement are computed from pitch class sets. Roman numerals follow common practice functional harmony.
Change one note
Chords a single note away, and what moving that note does.
| Chord | Change | Formula | Common tones |
|---|---|---|---|
| D♭aug | drops C♭ | 1 3 ♯5 | 3 |
| D♭7 | A becomes A♭ | 1 3 5 ♭7 | 3 |
| D♭9 | A becomes A♭, E♭ | 1 3 5 ♭7 9 | 3 |
| D♭ | A, C♭ becomes A♭ | 1 3 5 | 2 |
| D♭maj7 | A, C♭ becomes A♭, C | 1 3 5 7 | 2 |
| D♭m7 | F, A becomes F♭, A♭ | 1 ♭3 5 ♭7 | 2 |
| D♭m7♭5 | F, A becomes F♭, A♭♭ | 1 ♭3 ♭5 ♭7 | 2 |
| D♭7sus4 | F, A becomes G♭, A♭ | 1 4 5 ♭7 | 2 |
| D♭6 | A, C♭ becomes A♭, B♭ | 1 3 5 6 | 2 |
| D♭add9 | A, C♭ becomes A♭, E♭ | 1 3 5 9 | 2 |
Frequencies
| Note | MIDI | Frequency |
|---|---|---|
| D♭3 | 49 | 138.59 Hz |
| F3 | 53 | 174.61 Hz |
| A3 | 57 | 220.00 Hz |
| C♭3 | 59 | 246.94 Hz |
Reference pitch A440, 12-TET, close root position.
Set theory: prime form, Forte number, interval vector
- Absolute pitch class set
- {1, 5, 9, 11}
- Normal order
- [9, 11, 1, 5]
- Prime form
- (0248)
- Forte number
- 4-24
- Interval vector
- <020301>
| Pair | Interval | Semitones | Interval class |
|---|---|---|---|
| D♭ to F | Major third | 4 | 4 |
| D♭ to A | Minor sixth | 8 | 4 |
| D♭ to C♭ | Minor seventh | 10 | 2 |
| F to A | Major third | 4 | 4 |
| F to C♭ | Tritone | 6 | 6 |
| A to C♭ | Major second | 2 | 2 |
Where these facts come from
Every value on this page is derived from the note formula for a augmented 7th applied to the root D♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.