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A piano reference: chords, scales, theory. Full MIDI.

D♭ Half Diminished

Notes: D♭ - F♭ - A♭♭ - C♭ | Degrees: 1 - ♭3 - ♭5 - ♭7 | Written: D♭m7♭5, D♭ø7, D♭ø

Construction: Root, Minor 3rd, Diminished 5th, Minor 7th

It is a diminished triad with an added minor 7th, giving it a dark, moody, and tense character commonly used in jazz and minor key progressions

Fingering: RH 2-3-4-5, LH 5-4-3-2

Inversions: Root D♭m7♭5 - 1st D♭m7♭5/F♭ - 2nd D♭m7♭5/A♭♭ - 3rd D♭m7♭5/C♭

C♯ Half Diminished
This is the same chord as C♯ Half Diminished: the same keys on the keyboard, spelled with sharps.
Related boards
D♭m7♭510 st, 138.0 mmRoot position, figured bass 7

D♭3, F♭3, A♭♭3, C♭3

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightD♭, F♭, A♭♭, C♭2-3-4-5
LeftD♭, F♭, A♭♭, C♭5-4-3-2

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

D♭ Half Diminished 7th: notes and degrees

D♭m7♭5 contains D♭, F♭, A♭♭ and C♭. A diminished triad with the minor seventh added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1D♭Perfect unison0
♭3F♭Minor third3
♭5A♭♭Tritone6
♭7C♭Minor seventh10

D♭ is a black key; F♭, A♭♭ and C♭ are white.

Construction

D♭ Half Diminished = Root + Minor 3rd + Diminished 5th + Minor 7th = D♭, F♭, A♭♭, C♭
NoteIntervalDegree
D♭Root1
F♭Minor 3rd♭3
A♭♭Diminished 5th♭5
C♭Minor 7th♭7

Fingering

NoteKey colorRight handLeft hand
D♭blackindex finger (2)little finger (5)
F♭whitemiddle finger (3)ring finger (4)
A♭♭whitering finger (4)middle finger (3)
C♭whitelittle finger (5)index finger (2)

Right hand: index finger (2) on D♭, middle finger (3) on F♭, ring finger (4) on A♭♭, little finger (5) on C♭.

Left hand: little finger (5) on D♭, ring finger (4) on F♭, middle finger (3) on A♭♭, index finger (2) on C♭.

D♭ Half Diminished Inversions

  • Root position
    D♭ – F♭ – A♭♭ – C♭
  • 1st inversion (D♭m7♭5/F♭)
    F♭ – A♭♭ – C♭ – D♭
  • 2nd inversion (D♭m7♭5/A♭♭)
    A♭♭ – C♭ – D♭ – F♭
  • 3rd inversion (D♭m7♭5/C♭)
    C♭ – D♭ – F♭ – A♭♭

Key Signature

A Half Diminished chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of D♭ Major

These are the triads built on each degree of D♭ Major:

C1C2C3C4FC5C6C7C8D♭A♭
ID♭ Major (major)
DegreeNumeralChordQuality
1ID♭ MajorMajor
2iiE♭ MinorMinor
3iiiF MinorMinor
4IVG♭ MajorMajor
5VA♭ MajorMajor
6viB♭ MinorMinor
7vii°C DiminishedDiminished

Scales That Include the D♭ Half Diminished

Same Notes, Other Names

The notes D♭ – F♭ – A♭♭ – C♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

D♭ Half Diminished : Frequently Asked Questions

What is the D♭ Half Diminished chord on piano?
The D♭ Half Diminished chord contains the notes D♭ – F♭ – A♭♭ – C♭. On piano, play these notes together to sound the chord.
What notes are in the Db Half Diminished chord?
Dbm7b5 contains: Db, Fb, Abb, Cb. Diminished triad with minor seventh. Enharmonic of C#m7b5.
How does Dbm7b5 differ from Dbdim7?
Dbm7b5 has Cb (minor seventh). Dbdim7 has Bbb (diminished seventh).
How is Dbm7b5 used?
ii chord in Cb minor. C#m7b5 more commonly written.
What songs use Half Diminished?
Jazz minor-key harmony. Autumn Leaves pattern.
How does Dbm7b5 differ from Dbm7?
Flatted fifth (Abb vs Ab).
Is Dbm7b5 the same as Fbm6?
Same notes, different root.

D♭ Half Diminished 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionD♭3 F♭3 A♭♭3 C♭310138 mmnoneidentical
Close, first inversionF♭3 A♭♭3 C♭3 D♭49124 mmnoneidentical
Close, second inversionA♭♭3 C♭3 D♭4 F♭49124 mmnoneidentical
Close, third inversionC♭3 D♭4 F♭4 A♭♭48110 mmnoneidentical
Drop 2A♭♭2 D♭3 F♭3 C♭316220 mmnoneidentical
Drop 3F♭2 D♭3 A♭♭3 C♭319261 mmnoneidentical
Drop 2 and 4D♭2 A♭♭2 F♭3 C♭322303 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭7 ♭3D♭2 C♭2 F♭315206 mmomits A♭♭subset
Guide tones, ♭3 and ♭7F♭3 C♭3796 mmomits D♭ and A♭♭subset
Rootless closeF♭3 A♭♭3 C♭3796 mmomits D♭subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Which keys it belongs to

KeyRoman numeralFunction
D majorviim7♭5Dominant function
B minoriim7♭5Predominant

Classification system: common-practice functional harmony.

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
D♭dimdrops C♭1 ♭3 ♭53
D♭m7A♭♭ becomes A♭1 ♭3 5 ♭73
D♭dim7C♭ becomes C♭♭1 ♭3 ♭5 ♭♭73
D♭m9A♭♭ becomes A♭, E♭1 ♭3 5 ♭7 93
D♭mA♭♭, C♭ becomes A♭1 ♭3 52
D♭7F♭, A♭♭ becomes F, A♭1 3 5 ♭72
D♭mMaj7A♭♭, C♭ becomes A♭, C1 ♭3 5 72
D♭aug7F♭, A♭♭ becomes F, A1 3 ♯5 ♭72
D♭7sus4F♭, A♭♭ becomes G♭, A♭1 4 5 ♭72
D♭m6A♭♭, C♭ becomes A♭, B♭1 ♭3 5 62

Frequencies

NoteMIDIFrequency
D♭349138.59 Hz
F♭352164.81 Hz
A♭♭355196.00 Hz
C♭359246.94 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{1, 4, 7, 11}
Normal order
[11, 1, 4, 7]
Prime form
(0258)
Forte number
4-27
Interval vector
<012111>
PairIntervalSemitonesInterval class
D♭ to F♭Minor third33
D♭ to A♭♭Tritone66
D♭ to C♭Minor seventh102
F♭ to A♭♭Minor third33
F♭ to C♭Perfect fifth75
A♭♭ to C♭Major third44

Where these facts come from

Every value on this page is derived from the note formula for a half diminished 7th applied to the root D♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.