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Chord · Reference entry

D♯ Half Diminished

Half Diminished · D♯ – F♯ – A – C♯ · intervals P1-m3-d5-m7

The D♯ Half Diminished chord (D♯m7♭5) contains the notes D♯, F♯, A, and C♯. Its interval formula is R-m3-d5-m7. Also called m7♭5 — a darker, dissonant cousin of the minor 7th, the standard ii of a minor ii-V-i.

E♭ Half Diminished
This is the same chord as E♭ Half Diminished — the same keys on the keyboard, spelled with flats.

At the keyboard

D# · F# · A · C#
Flashcards · Chord
Three questions on D♯ Half Diminished
Answer on the keyboard, not with buttons. No login required.
D♯ø7

The D♯ Half Diminished chord is a four-note chord made up of D♯, F♯, A, and C♯. It is built from a root, minor third, diminished fifth, and minor seventh.

Construction

D♯ Half Diminished = Root + Minor 3rd + Diminished 5th + Minor 7th = D♯ · F♯ · A · C♯
NoteIntervalDegree
D♯Root1
F♯Minor 3rd♭3
ADiminished 5th♭5
C♯Minor 7th♭7

D♯ Half Diminished Inversions

D# Half Diminished piano chord, 1st inversion — F♯, A, C♯, D♯
The D# Half Diminished chord, 1st inversion, on a piano keyboard.
D# Half Diminished piano chord, 2nd inversion — A, C♯, D♯, F♯
The D# Half Diminished chord, 2nd inversion, on a piano keyboard.
D# Half Diminished piano chord, 3rd inversion — C♯, D♯, F♯, A
The D# Half Diminished chord, 3rd inversion, on a piano keyboard.
PositionNotes
Root PositionD♯ – F♯ – A – C♯
1st InversionF♯ – A – C♯ – D♯
2nd InversionA – C♯ – D♯ – F♯
3rd InversionC♯ – D♯ – F♯ – A

Key Signature

A Half Diminished chord is built from symmetrical or ambiguous intervals, so it doesn’t belong to a single key and has no key signature of its own.

How D♯ Half Diminished functions in a key

The same chord takes on a different harmonic role depending on the key it appears in. Here is where D♯ Half Diminished sits diatonically across the common keys:

  • In E major, D♯ Half Diminished is the vii° chordthe dominant.
  • In C♯ minor, D♯ Half Diminished is the ii° chorda predominant.

Same Notes, Other Names

The notes D♯ – F♯ – A – C♯ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

D♯ Half Diminished — Frequently Asked Questions

What is the D♯ Half Diminished chord on piano?
The D♯ Half Diminished chord contains the notes D♯ – F♯ – A – C♯. On piano, play these notes together to sound the chord.
What notes are in the D# Half Diminished chord?
D# Half Diminished is built from the D# root. Check the interactive keyboard above for exact notes and fingering.
How is the D# Half Diminished chord used in music?
D# Half Diminished appears in jazz, pop, and classical contexts. Its sound depends on the chord quality (Half Diminished).
What is the fingering for D# Half Diminished?
See the fingering chart above. Right hand typically uses thumb on root. Left hand uses pinky on root.
What are the inversions of D# Half Diminished?
Use the inversion buttons above to see each inversion with notes, fingering, and staff notation.
What is the ii-V-i progression with D# Half Diminished?
D# Half Diminished functions as the ii chord in minor-key jazz harmony, resolving through the V7 to the minor tonic.

Related Tools

Chord FinderLook up any chord — see the notes, hear it, and play along.Chord DrillTimed drills to build speed and recognition across all chord types.Practice RoomPlug in a MIDI keyboard and get real-time feedback on every chord and scale.Circle of FifthsVisualize key relationships, relative minors, and key signatures.MIDI MonitorLive MIDI message stream with note names, velocity, and a scrolling staff.

References & Further Reading

The note names, intervals, fingering, and harmony on this chord page are grounded in the following sources. Public domain treatises and scores are linked to their full text; primary data is piano.org's own interval-derived reference dataset — continuously maintained and human-verified, with no fixed publication date.

  1. 1

    George Grove (ed.)(1900)

    A Dictionary of Music and Musicians

    Public domain treatise
  2. 2

    Jadassohn, Salomon(1883)

    A Manual of Harmony

    Public domain treatise
  3. 3

    Prout, Ebenezer(1889)

    Harmony: Its Theory and Practice

    Public domain treatise
  4. 4

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Entry reviewed and maintained by Justin Evans. Corrections are read and applied.Report an error

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