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Chord · Reference entry

G♯ Half Diminished

Half Diminished · G♯ – B – D – F♯ · intervals P1-m3-d5-m7

The G♯ Half Diminished chord (G♯m7♭5) contains the notes G♯, B, D, and F♯. Its interval formula is R-m3-d5-m7. Also called m7♭5 — a darker, dissonant cousin of the minor 7th, the standard ii of a minor ii-V-i.

A♭ Half Diminished
This is the same chord as A♭ Half Diminished — the same keys on the keyboard, spelled with flats.

At the keyboard

G# · B · D · F#
Flashcards · Chord
Three questions on G♯ Half Diminished
Answer on the keyboard, not with buttons. No login required.
G♯ø7

The G♯ Half Diminished chord is a four-note chord made up of G♯, B, D, and F♯. It is built from a root, minor third, diminished fifth, and minor seventh.

Construction

G♯ Half Diminished = Root + Minor 3rd + Diminished 5th + Minor 7th = G♯ · B · D · F♯
NoteIntervalDegree
G♯Root1
BMinor 3rd♭3
DDiminished 5th♭5
F♯Minor 7th♭7

G♯ Half Diminished Inversions

G# Half Diminished piano chord, 1st inversion — B, D, F♯, G♯
The G# Half Diminished chord, 1st inversion, on a piano keyboard.
G# Half Diminished piano chord, 2nd inversion — D, F♯, G♯, B
The G# Half Diminished chord, 2nd inversion, on a piano keyboard.
G# Half Diminished piano chord, 3rd inversion — F♯, G♯, B, D
The G# Half Diminished chord, 3rd inversion, on a piano keyboard.
PositionNotes
Root PositionG♯ – B – D – F♯
1st InversionB – D – F♯ – G♯
2nd InversionD – F♯ – G♯ – B
3rd InversionF♯ – G♯ – B – D

Key Signature

A Half Diminished chord is built from symmetrical or ambiguous intervals, so it doesn’t belong to a single key and has no key signature of its own.

How G♯ Half Diminished functions in a key

The same chord takes on a different harmonic role depending on the key it appears in. Here is where G♯ Half Diminished sits diatonically across the common keys:

  • In A major, G♯ Half Diminished is the vii° chordthe dominant.
  • In F♯ minor, G♯ Half Diminished is the ii° chorda predominant.

Same Notes, Other Names

The notes G♯ – B – D – F♯ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

G♯ Half Diminished — Frequently Asked Questions

What is the G♯ Half Diminished chord on piano?
The G♯ Half Diminished chord contains the notes G♯ – B – D – F♯. On piano, play these notes together to sound the chord.
What notes are in the G# Half Diminished chord?
G# Half Diminished is built from the G# root. Check the interactive keyboard above for exact notes and fingering.
How is the G# Half Diminished chord used in music?
G# Half Diminished appears in jazz, pop, and classical contexts. Its sound depends on the chord quality (Half Diminished).
What is the fingering for G# Half Diminished?
See the fingering chart above. Right hand typically uses thumb on root. Left hand uses pinky on root.
What are the inversions of G# Half Diminished?
Use the inversion buttons above to see each inversion with notes, fingering, and staff notation.
What is the ii-V-i progression with G# Half Diminished?
G# Half Diminished functions as the ii chord in minor-key jazz harmony, resolving through the V7 to the minor tonic.

Related Tools

Chord FinderLook up any chord — see the notes, hear it, and play along.Chord DrillTimed drills to build speed and recognition across all chord types.Practice RoomPlug in a MIDI keyboard and get real-time feedback on every chord and scale.Circle of FifthsVisualize key relationships, relative minors, and key signatures.MIDI MonitorLive MIDI message stream with note names, velocity, and a scrolling staff.

References & Further Reading

The note names, intervals, fingering, and harmony on this chord page are grounded in the following sources. Public domain treatises and scores are linked to their full text; primary data is piano.org's own interval-derived reference dataset — continuously maintained and human-verified, with no fixed publication date.

  1. 1

    Jadassohn, Salomon(1883)

    A Manual of Harmony

    Public domain treatise
  2. 2

    Prout, Ebenezer(1889)

    Harmony: Its Theory and Practice

    Public domain treatise
  3. 3

    Goetschius, Percy(1889)

    The Material Used in Musical Composition

    Public domain treatise
  4. 4

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Entry reviewed and maintained by Justin Evans. Corrections are read and applied.Report an error

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