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C♭ Minor 6th

Notes: C♭ - E♭♭ - G♭ - A♭ | Degrees: 1 - ♭3 - 5 - 6 | Written: C♭m6, C♭min6

Construction: Root, Minor 3rd, Perfect 5th, Major 6th

It is a minor triad with an added major 6th, giving it a melancholic, bittersweet character

Fingering: RH 1-2-3-5, LH 5-3-2-1

Inversions: Root C♭m6 - 1st C♭m6/E♭♭ - 2nd C♭m6/G♭ - 3rd C♭m6/A♭

Related boards
C♭m69 st, 124.0 mmRoot position, figured bass 7

C♭3, E♭♭4, G♭4, A♭4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightC♭, E♭♭, G♭, A♭1-2-3-5
LeftC♭, E♭♭, G♭, A♭5-3-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

C♭ Minor 6th: notes and degrees

C♭m6 contains C♭, E♭♭, G♭ and A♭. A minor triad with the sixth added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1C♭Perfect unison0
♭3E♭♭Minor third3
5G♭Perfect fifth7
6A♭Major sixth9

G♭ and A♭ are black keys; C♭ and E♭♭ are white.

Construction

C♭ Minor 6th = Root + Minor 3rd + Perfect 5th + Major 6th = C♭, E♭♭, G♭, A♭
NoteIntervalDegree
C♭Root1
E♭♭Minor 3rd♭3
G♭Perfect 5th5
A♭Major 6th6

Fingering

NoteKey colorRight handLeft hand
C♭whitethumb (1)little finger (5)
E♭♭whiteindex finger (2)middle finger (3)
G♭blackmiddle finger (3)index finger (2)
A♭blacklittle finger (5)thumb (1)

Right hand: thumb (1) on C♭, index finger (2) on E♭♭, middle finger (3) on G♭, little finger (5) on A♭.

Left hand: little finger (5) on C♭, middle finger (3) on E♭♭, index finger (2) on G♭, thumb (1) on A♭.

C♭ Minor 6th Inversions

  • Root position
    C♭ – E♭♭ – G♭ – A♭
  • 1st inversion (C♭m6/E♭♭)
    E♭♭ – G♭ – A♭ – C♭
  • 2nd inversion (C♭m6/G♭)
    G♭ – A♭ – C♭ – E♭♭
  • 3rd inversion (C♭m6/A♭)
    A♭ – C♭ – E♭♭ – G♭

Key Signature

A chord has no key signature of its own, but the C♭ Minor 6th is the tonic (i) chord of C♭ Minor, which shares the signature of its relative major, D Major: 2 sharps (F♯, C♯).

F♯C♯

Order of sharps

Sharps are added to a key signature in a fixed order. Each new sharp key adds the next sharp on the list.

FCGDAEB

Mnemonic: Father Charles Goes Down And Ends Battle

Chords in the Key of C♭ Minor

These are the triads built on each degree of C♭ Minor:

C1C2C3C4C♭C5E♭♭C6C7C8G♭
iC♭ Minor (minor)
DegreeNumeralChordQuality
1iC♭ MinorMinor
2ii°D♭ DiminishedDiminished
3IIIE♭♭ MajorMajor
4ivF♭ MinorMinor
5vG♭ MinorMinor
6VIA♭♭ MajorMajor
7VIIB♭♭ MajorMajor

Scales That Include the C♭ Minor 6th

Same Notes, Other Names

The notes C♭ – E♭♭ – G♭ – A♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

C♭ Minor 6th : Frequently Asked Questions

What notes are in C♭m6?
C♭m6 contains C♭, E♭♭, G♭ and A♭. The formula is 1, ♭3, 5, 6.
How do you play C♭m6 on piano?
Play C♭, E♭♭, G♭ and A♭ together. Right hand fingers 1, 2, 3, 5; left hand 5, 3, 2, 1. G♭ and A♭ are black keys; C♭ and E♭♭ are white.
What are the inversions of C♭m6?
4 positions: root position C♭ E♭♭ G♭ A♭, C♭m6/E♭♭, C♭m6/G♭, C♭m6/A♭.
What is the difference between C♭m6 and C♭m?
Drops A♭. 3 of the notes are shared.
What is an easy C♭m6 for small hands?
The guide tones, ♭3 and 6 voicing, E♭♭4 A♭4, spans 6 semitones or about 83 mm.
What are the frequencies of C♭m6?
From C♭3 at A440 in 12-TET: 246.94, 293.66, 369.99, 415.30 Hz.
What is the set class of C♭m6?
Prime form (0258), Forte 4-27, interval vector <012111>.
How do I transpose C♭m6 to another key?
Keep the 1, ♭3, 5, 6 formula on the new root. Cm6 is C, E♭, G, A; C♯m6 is C♯, E, G♯, A♯.
Is Bm6 the same as C♭m6?
Enharmonically yes: the same piano keys and the same sound, spelled differently.

C♭ Minor 6th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionC♭3 E♭♭4 G♭4 A♭49124 mmnoneidentical
Close, first inversionE♭♭4 G♭4 A♭4 C♭49124 mmnoneidentical
Close, second inversionG♭4 A♭4 C♭4 E♭♭58110 mmnoneidentical
Close, third inversionA♭4 C♭4 E♭♭5 G♭510138 mmnoneidentical
Drop 2G♭3 C♭3 E♭♭4 A♭414193 mmnoneidentical
Drop 3E♭♭3 C♭3 G♭4 A♭418248 mmnoneidentical
Drop 2 and 4C♭2 G♭3 E♭♭4 A♭421289 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root 6 ♭3C♭2 A♭3 E♭♭415206 mmomits G♭subset
Guide tones, ♭3 and 6E♭♭4 A♭4683 mmomits C♭ and G♭subset
Rootless closeE♭♭4 G♭4 A♭4683 mmomits C♭subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
C♭mdrops A♭1 ♭3 53
C♭m7A♭ becomes B♭♭1 ♭3 5 ♭73
C♭mMaj7A♭ becomes B♭1 ♭3 5 73
C♭dim7G♭ becomes G♭♭1 ♭3 ♭5 ♭♭73
C♭6E♭♭ becomes E♭1 3 5 63
C♭m9A♭ becomes B♭♭, D♭1 ♭3 5 ♭7 93
C♭E♭♭, A♭ becomes E♭1 3 52
C♭dimG♭, A♭ becomes G♭♭1 ♭3 ♭52
C♭sus2E♭♭, A♭ becomes D♭1 2 52
C♭sus4E♭♭, A♭ becomes F♭1 4 52
C♭maj7E♭♭, A♭ becomes E♭, B♭1 3 5 72
C♭7E♭♭, A♭ becomes E♭, B♭♭1 3 5 ♭72

Frequencies

NoteMIDIFrequency
C♭359246.94 Hz
E♭♭462293.66 Hz
G♭466369.99 Hz
A♭468415.30 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{11, 2, 6, 8}
Normal order
[6, 8, 11, 2]
Prime form
(0258)
Forte number
4-27
Interval vector
<012111>
PairIntervalSemitonesInterval class
C♭ to E♭♭Minor third33
C♭ to G♭Perfect fifth75
C♭ to A♭Major sixth93
E♭♭ to G♭Major third44
E♭♭ to A♭Tritone66
G♭ to A♭Major second22

Where these facts come from

Every value on this page is derived from the note formula for a minor 6th applied to the root C♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. Hugo Riemann (1896)

    Harmony Simplified (English translation)

    Public domain treatise
  2. 2. George Grove (ed.) (1900)

    A Dictionary of Music and Musicians

    Public domain treatise
  3. 3. Arthur Foote and Walter R. Spalding (1905)

    Modern Harmony in its Theory and Practice, Sections 170-173, chords of the eleventh and thirteenth, pp. 179-181; suspension p. 200; figured bass pp. 49, 84, 186

    Public domain treatise
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data