Construction
| Note | Interval | Degree |
|---|---|---|
| C♭ | Root | 1 |
| E♭♭ | Minor 3rd | ♭3 |
| G♭ | Perfect 5th | 5 |
| A♭ | Major 6th | 6 |
Fingering
| Note | Key color | Right hand | Left hand |
|---|---|---|---|
| C♭ | white | thumb (1) | little finger (5) |
| E♭♭ | white | index finger (2) | middle finger (3) |
| G♭ | black | middle finger (3) | index finger (2) |
| A♭ | black | little finger (5) | thumb (1) |
Right hand: thumb (1) on C♭, index finger (2) on E♭♭, middle finger (3) on G♭, little finger (5) on A♭.
Left hand: little finger (5) on C♭, middle finger (3) on E♭♭, index finger (2) on G♭, thumb (1) on A♭.
C♭ Minor 6th Inversions
- Root positionC♭ – E♭♭ – G♭ – A♭
- 1st inversion (C♭m6/E♭♭)E♭♭ – G♭ – A♭ – C♭
- 2nd inversion (C♭m6/G♭)G♭ – A♭ – C♭ – E♭♭
- 3rd inversion (C♭m6/A♭)A♭ – C♭ – E♭♭ – G♭
Key Signature
A chord has no key signature of its own, but the C♭ Minor 6th is the tonic (i) chord of C♭ Minor, which shares the signature of its relative major, D Major: 2 sharps (F♯, C♯).
Order of sharps
Sharps are added to a key signature in a fixed order. Each new sharp key adds the next sharp on the list.
Mnemonic: Father Charles Goes Down And Ends Battle
Chords in the Key of C♭ Minor
These are the triads built on each degree of C♭ Minor:
| Degree | Numeral | Chord | Quality |
|---|---|---|---|
| 1 | i | C♭ Minor | Minor |
| 2 | ii° | D♭ Diminished | Diminished |
| 3 | III | E♭♭ Major | Major |
| 4 | iv | F♭ Minor | Minor |
| 5 | v | G♭ Minor | Minor |
| 6 | VI | A♭♭ Major | Major |
| 7 | VII | B♭♭ Major | Major |
Scales That Include the C♭ Minor 6th
- A Major (ii)
- F# Minor (iv)
- B Dorian (i)
- C# Phrygian (vii)
- D Lydian (vi)
- E Mixolydian (v)
- F# Aeolian (iv)
- G# Locrian (iii)
Same Notes, Other Names
The notes C♭ – E♭♭ – G♭ – A♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:
C♭ Minor 6th : Frequently Asked Questions
What notes are in C♭m6?
How do you play C♭m6 on piano?
What are the inversions of C♭m6?
What is the difference between C♭m6 and C♭m?
What is an easy C♭m6 for small hands?
What are the frequencies of C♭m6?
What is the set class of C♭m6?
How do I transpose C♭m6 to another key?
Is Bm6 the same as C♭m6?
C♭ Minor 6th in detail
Exact
Every pitch class is present and nothing outside the chord is added.
| Type | Notes | Semitones | Span | Omissions and additions | Set relation | Fit |
|---|---|---|---|---|---|---|
| Close, root position | C♭3 E♭♭4 G♭4 A♭4 | 9 | 124 mm | none | identical | |
| Close, first inversion | E♭♭4 G♭4 A♭4 C♭4 | 9 | 124 mm | none | identical | |
| Close, second inversion | G♭4 A♭4 C♭4 E♭♭5 | 8 | 110 mm | none | identical | |
| Close, third inversion | A♭4 C♭4 E♭♭5 G♭5 | 10 | 138 mm | none | identical | |
| Drop 2 | G♭3 C♭3 E♭♭4 A♭4 | 14 | 193 mm | none | identical | |
| Drop 3 | E♭♭3 C♭3 G♭4 A♭4 | 18 | 248 mm | none | identical | |
| Drop 2 and 4 | C♭2 G♭3 E♭♭4 A♭4 | 21 | 289 mm | none | identical |
Reduced
A subset of the pitch classes: the identity is incomplete rather than altered.
| Type | Notes | Semitones | Span | Omissions and additions | Set relation | Fit |
|---|---|---|---|---|---|---|
| Shell, root 6 ♭3 | C♭2 A♭3 E♭♭4 | 15 | 206 mm | omits G♭ | subset | |
| Guide tones, ♭3 and 6 | E♭♭4 A♭4 | 6 | 83 mm | omits C♭ and G♭ | subset | |
| Rootless close | E♭♭4 G♭4 A♭4 | 6 | 83 mm | omits C♭ | subset |
Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).
| Position | Bass note | Notes in order | Figured bass | Semitones | Span |
|---|---|---|---|---|---|
| Root position | C♭ | C♭3, E♭♭4, G♭4, A♭4 | 7 | 9 | 124 mm |
| First inversion: C♭m6/E♭♭ | E♭♭ | E♭♭4, G♭4, A♭4, C♭4 | 6/5 | 9 | 124 mm |
| Second inversion: C♭m6/G♭ | G♭ | G♭4, A♭4, C♭4, E♭♭5 | 4/3 | 8 | 110 mm |
| Third inversion: C♭m6/A♭ | A♭ | A♭4, C♭4, E♭♭5, G♭5 | 4/2 | 10 | 138 mm |
One position per chord tone in the bass. Spans are for close position: voiced inversions appear under Voicings.
| Progression | Key | Role | Sequence | Voice leading |
|---|
Root motion, common tones and voice displacement are computed from pitch class sets. Roman numerals follow common practice functional harmony.
Change one note
Chords a single note away, and what moving that note does.
| Chord | Change | Formula | Common tones |
|---|---|---|---|
| C♭m | drops A♭ | 1 ♭3 5 | 3 |
| C♭m7 | A♭ becomes B♭♭ | 1 ♭3 5 ♭7 | 3 |
| C♭mMaj7 | A♭ becomes B♭ | 1 ♭3 5 7 | 3 |
| C♭dim7 | G♭ becomes G♭♭ | 1 ♭3 ♭5 ♭♭7 | 3 |
| C♭6 | E♭♭ becomes E♭ | 1 3 5 6 | 3 |
| C♭m9 | A♭ becomes B♭♭, D♭ | 1 ♭3 5 ♭7 9 | 3 |
| C♭ | E♭♭, A♭ becomes E♭ | 1 3 5 | 2 |
| C♭dim | G♭, A♭ becomes G♭♭ | 1 ♭3 ♭5 | 2 |
| C♭sus2 | E♭♭, A♭ becomes D♭ | 1 2 5 | 2 |
| C♭sus4 | E♭♭, A♭ becomes F♭ | 1 4 5 | 2 |
| C♭maj7 | E♭♭, A♭ becomes E♭, B♭ | 1 3 5 7 | 2 |
| C♭7 | E♭♭, A♭ becomes E♭, B♭♭ | 1 3 5 ♭7 | 2 |
Frequencies
| Note | MIDI | Frequency |
|---|---|---|
| C♭3 | 59 | 246.94 Hz |
| E♭♭4 | 62 | 293.66 Hz |
| G♭4 | 66 | 369.99 Hz |
| A♭4 | 68 | 415.30 Hz |
Reference pitch A440, 12-TET, close root position.
Set theory: prime form, Forte number, interval vector
- Absolute pitch class set
- {11, 2, 6, 8}
- Normal order
- [6, 8, 11, 2]
- Prime form
- (0258)
- Forte number
- 4-27
- Interval vector
- <012111>
| Pair | Interval | Semitones | Interval class |
|---|---|---|---|
| C♭ to E♭♭ | Minor third | 3 | 3 |
| C♭ to G♭ | Perfect fifth | 7 | 5 |
| C♭ to A♭ | Major sixth | 9 | 3 |
| E♭♭ to G♭ | Major third | 4 | 4 |
| E♭♭ to A♭ | Tritone | 6 | 6 |
| G♭ to A♭ | Major second | 2 | 2 |
Where these facts come from
Every value on this page is derived from the note formula for a minor 6th applied to the root C♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.