The C♯ Half Diminished chord is a four-note chord made up of C♯, E, G, and B. It is built from a root, minor third, diminished fifth, and minor seventh.
Construction
| Note | Interval | Degree |
|---|---|---|
| C♯ | Root | 1 |
| E | Minor 3rd | ♭3 |
| G | Diminished 5th | ♭5 |
| B | Minor 7th | ♭7 |
C♯ Half Diminished Inversions



| Position | Notes |
|---|---|
| Root Position | C♯ – E – G – B |
| 1st Inversion | E – G – B – C♯ |
| 2nd Inversion | G – B – C♯ – E |
| 3rd Inversion | B – C♯ – E – G |
Key Signature
A Half Diminished chord is built from symmetrical or ambiguous intervals, so it doesn’t belong to a single key and has no key signature of its own.
How C♯ Half Diminished functions in a key
The same chord takes on a different harmonic role depending on the key it appears in. Here is where C♯ Half Diminished sits diatonically across the common keys:
- In D major, C♯ Half Diminished is the vii° chord — the dominant.
- In B minor, C♯ Half Diminished is the ii° chord — a predominant.
Same Notes, Other Names
The notes C♯ – E – G – B aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell: