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A piano reference: chords, scales, theory. Full MIDI.

G♯ Minor Major 7th

Notes: G♯ - B - D♯ - F♯♯ | Degrees: 1 - ♭3 - 5 - 7 | Written: G♯m(maj7), G♯mM7, G♯minMaj7

Construction: Root, Minor 3rd, Perfect 5th, Major 7th

It is a minor triad with an added major 7th, giving it a dark and complex character with strong tension, often used in jazz and minor key progressions

Fingering: RH 2-3-4-5, LH 5-4-3-2

Inversions: Root G♯m(maj7) - 1st G♯m(maj7)/B - 2nd G♯m(maj7)/D♯ - 3rd G♯m(maj7)/F♯♯

A♭ Minor Major 7th
This is the same chord as A♭ Minor Major 7th: the same keys on the keyboard, spelled with flats.
Related boards
G♯mMaj711 st, 151.0 mmRoot position, figured bass 7

G♯3, B3, D♯4, F×4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightG♯, B, D♯, F×2-3-4-5
LeftG♯, B, D♯, F×5-4-3-2

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

G♯ Minor Major 7th: notes and degrees

G♯mMaj7 contains G♯, B, D♯ and F×. A minor triad with the major seventh added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1G♯Perfect unison0
♭3BMinor third3
5D♯Perfect fifth7
7Major seventh11

G♯ and D♯ are black keys; B and F× are white.

Construction

G♯ Minor Major 7th = Root + Minor 3rd + Perfect 5th + Major 7th = G♯, B, D♯, F♯♯
NoteIntervalDegree
G♯Root1
BMinor 3rd♭3
D♯Perfect 5th5
F♯♯Major 7th7

Fingering

NoteKey colorRight handLeft hand
G♯blackindex finger (2)little finger (5)
Bwhitemiddle finger (3)ring finger (4)
D♯blackring finger (4)middle finger (3)
F♯♯whitelittle finger (5)index finger (2)

Right hand: index finger (2) on G♯, middle finger (3) on B, ring finger (4) on D♯, little finger (5) on F♯♯.

Left hand: little finger (5) on G♯, ring finger (4) on B, middle finger (3) on D♯, index finger (2) on F♯♯.

G♯ Minor Major 7th Inversions

  • Root position
    G♯ – B – D♯ – F♯♯
  • 1st inversion (G♯m(maj7)/B)
    B – D♯ – F♯♯ – G♯
  • 2nd inversion (G♯m(maj7)/D♯)
    D♯ – F♯♯ – G♯ – B
  • 3rd inversion (G♯m(maj7)/F♯♯)
    F♯♯ – G♯ – B – D♯

Key Signature

A chord has no key signature of its own, but the G♯ Minor Major 7th is the tonic (i) chord of G♯ Minor, which shares the signature of its relative major, B Major: 5 sharps (F♯, C♯, G♯, D♯, A♯).

F♯C♯G♯D♯A♯

Order of sharps

Sharps are added to a key signature in a fixed order. Each new sharp key adds the next sharp on the list.

FCGDAEB

Mnemonic: Father Charles Goes Down And Ends Battle

Chords in the Key of G♯ Minor

These are the triads built on each degree of G♯ Minor:

C1C2C3C4BC5C6C7C8G♯D♯
iG♯ Minor (minor)
DegreeNumeralChordQuality
1iG♯ MinorMinor
2ii°A♯ DiminishedDiminished
3IIIB MajorMajor
4ivC♯ MinorMinor
5vD♯ MinorMinor
6VIE MajorMajor
7VIIF♯ MajorMajor

Looking for G♯m7? See the G♯ minor 7th piano chord.

G♯ Minor Major 7th : Frequently Asked Questions

What is the G♯ Minor Major 7th chord on piano?
The G♯ Minor Major 7th chord contains the notes G♯ – B – D♯ – F♯♯. On piano, play these notes together to sound the chord.
What is the G# piano chord?
The G# piano chord (written G♯ Minor Major 7th) uses the same keys: G♯ – B – D♯ – F♯♯. The # and ♯ symbols name the same black key.
What notes are in the G# Minor Major 7th chord?
G# Minor Major 7th is built from the G# root. Check the interactive keyboard above for exact notes and fingering.
How is the G# Minor Major 7th chord used in music?
G# Minor Major 7th appears in jazz, pop, and classical contexts. Its sound depends on the chord quality (Minor Major 7th).
What is the fingering for G# Minor Major 7th?
See the fingering chart above. Right hand typically uses thumb on root. Left hand uses pinky on root.
What are the inversions of G# Minor Major 7th?
Use the inversion buttons above to see each inversion with notes, fingering, and staff notation.
Why does G# Minor Major 7th sound so tense?
The minor third and major seventh are only a semitone apart when inverted, creating dramatic tension.

G♯ Minor Major 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionG♯3 B3 D♯4 F×411151 mmnoneidentical
Close, first inversionB3 D♯4 F×4 G♯49124 mmnoneidentical
Close, second inversionD♯4 F×4 G♯4 B48110 mmnoneidentical
Close, third inversionF×4 G♯4 B4 D♯58110 mmnoneidentical
Drop 2D♯3 G♯3 B3 F×416220 mmnoneidentical
Drop 3B2 G♯3 D♯4 F×420275 mmnoneidentical
Drop 2 and 4G♯2 D♯3 B3 F×423316 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root 7 ♭3G♯2 F×3 B315206 mmomits D♯subset
Guide tones, ♭3 and 7B3 F×48110 mmomits G♯ and D♯subset
Rootless closeB3 D♯4 F×48110 mmomits G♯subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
G♯mdrops F×1 ♭3 53
G♯maj7B becomes B♯1 3 5 73
G♯m7F× becomes F♯1 ♭3 5 ♭73
G♯m6F× becomes E♯1 ♭3 5 63
G♯maj9B becomes B♯, A♯1 3 5 7 93
G♯m9F× becomes F♯, A♯1 ♭3 5 ♭7 93
G♯B, F× becomes B♯1 3 52
G♯dimD♯, F× becomes D1 ♭3 ♭52
G♯sus2B, F× becomes A♯1 2 52
G♯sus4B, F× becomes C♯1 4 52
G♯7B, F× becomes B♯, F♯1 3 5 ♭72
G♯m7♭5D♯, F× becomes D, F♯1 ♭3 ♭5 ♭72

Frequencies

NoteMIDIFrequency
G♯356207.65 Hz
B359246.94 Hz
D♯463311.13 Hz
F×467392.00 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{8, 11, 3, 7}
Normal order
[7, 8, 11, 3]
Prime form
(0148)
Forte number
4-19
Interval vector
<101310>
PairIntervalSemitonesInterval class
G♯ to BMinor third33
G♯ to D♯Perfect fifth75
G♯ to F×Major seventh111
B to D♯Major third44
B to F×Minor sixth84
D♯ to F×Major third44

Where these facts come from

Every value on this page is derived from the note formula for a minor major 7th applied to the root G♯, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.