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E Minor Major 7th

Notes: E - G - B - D♯ | Degrees: 1 - ♭3 - 5 - 7 | Written: Em(maj7), EmM7, EminMaj7

Construction: Root, Minor 3rd, Perfect 5th, Major 7th

It is a minor triad with an added major 7th, giving it a dark and complex character with strong tension, often used in jazz and minor key progressions

Fingering: RH 1-2-3-5, LH 5-3-2-1

Inversions: Root Em(maj7) - 1st Em(maj7)/G - 2nd Em(maj7)/B - 3rd Em(maj7)/D♯

Related boards
EmMaj711 st, 151.0 mmRoot position, figured bass 7

E3, G3, B3, D♯4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightE, G, B, D♯1-2-3-5
LeftE, G, B, D♯5-3-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

E Minor Major 7th: notes and degrees

EmMaj7 contains E, G, B and D♯. A minor triad with the major seventh added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1EPerfect unison0
♭3GMinor third3
5BPerfect fifth7
7D♯Major seventh11

D♯ is a black key; E, G and B are white.

Construction

E Minor Major 7th = Root + Minor 3rd + Perfect 5th + Major 7th = E, G, B, D♯
NoteIntervalDegree
ERoot1
GMinor 3rd♭3
BPerfect 5th5
D♯Major 7th7

Fingering

NoteKey colorRight handLeft hand
Ewhitethumb (1)little finger (5)
Gwhiteindex finger (2)middle finger (3)
Bwhitemiddle finger (3)index finger (2)
D♯blacklittle finger (5)thumb (1)

Right hand: thumb (1) on E, index finger (2) on G, middle finger (3) on B, little finger (5) on D♯.

Left hand: little finger (5) on E, middle finger (3) on G, index finger (2) on B, thumb (1) on D♯.

E Minor Major 7th Inversions

  • Root position
    E – G – B – D♯
  • 1st inversion (Em(maj7)/G)
    G – B – D♯ – E
  • 2nd inversion (Em(maj7)/B)
    B – D♯ – E – G
  • 3rd inversion (Em(maj7)/D♯)
    D♯ – E – G – B

Key Signature

A chord has no key signature of its own, but the E Minor Major 7th is the tonic (i) chord of E Minor, which shares the signature of its relative major, G Major: 1 sharp (F♯).

F♯

Order of sharps

Sharps are added to a key signature in a fixed order. Each new sharp key adds the next sharp on the list.

FCGDAEB

Mnemonic: Father Charles Goes Down And Ends Battle

Chords in the Key of E Minor

These are the triads built on each degree of E Minor:

C1C2C3C4EGBC5C6C7C8
iE Minor (minor)
DegreeNumeralChordQuality
1iE MinorMinor
2ii°F♯ DiminishedDiminished
3IIIG MajorMajor
4ivA MinorMinor
5vB MinorMinor
6VIC MajorMajor
7VIID MajorMajor

Looking for Em7? See the E minor 7th piano chord.

E Minor Major 7th : Frequently Asked Questions

What is the E Minor Major 7th chord on piano?
The E Minor Major 7th chord contains the notes E – G – B – D♯. On piano, play these notes together to sound the chord.
What notes are in the E Minor Major 7th chord?
EmMaj7 contains: E, G, B, D#. Minor triad with major seventh.
How does EmMaj7 differ from Em7?
EmMaj7 has D# (major seventh), Em7 has D (minor seventh).
How is EmMaj7 used in music?
Harmonic minor i chord. Jazz, film noir, rock.
What songs use Minor Major 7th?
James Bond, My Funny Valentine, Stairway to Heaven.
Why does it sound tense?
Minor third (G) and major seventh (D#) create dissonance.
How does EmMaj7 differ from Emaj7?
EmMaj7 has minor third (G). Emaj7 has major third (G#).

E Minor Major 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionE3 G3 B3 D♯411151 mmnoneidentical
Close, first inversionG3 B3 D♯4 E49124 mmnoneidentical
Close, second inversionB3 D♯4 E4 G48110 mmnoneidentical
Close, third inversionD♯4 E4 G4 B48110 mmnoneidentical
Drop 2B2 E3 G3 D♯416220 mmnoneidentical
Drop 3G2 E3 B3 D♯420275 mmnoneidentical
Drop 2 and 4E2 B2 G3 D♯423316 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root 7 ♭3E2 D♯3 G315206 mmomits Bsubset
Guide tones, ♭3 and 7G3 D♯48110 mmomits E and Bsubset
Rootless closeG3 B3 D♯48110 mmomits Esubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
Emdrops D♯1 ♭3 53
Emaj7G becomes G♯1 3 5 73
Em7D♯ becomes D1 ♭3 5 ♭73
Em6D♯ becomes C♯1 ♭3 5 63
Emaj9G becomes G♯, F♯1 3 5 7 93
Em9D♯ becomes D, F♯1 ♭3 5 ♭7 93
EG, D♯ becomes G♯1 3 52
EdimB, D♯ becomes B♭1 ♭3 ♭52
Esus2G, D♯ becomes F♯1 2 52
Esus4G, D♯ becomes A1 4 52
E7G, D♯ becomes G♯, D1 3 5 ♭72
Em7♭5B, D♯ becomes B♭, D1 ♭3 ♭5 ♭72

Frequencies

NoteMIDIFrequency
E352164.81 Hz
G355196.00 Hz
B359246.94 Hz
D♯463311.13 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{4, 7, 11, 3}
Normal order
[3, 4, 7, 11]
Prime form
(0148)
Forte number
4-19
Interval vector
<101310>
PairIntervalSemitonesInterval class
E to GMinor third33
E to BPerfect fifth75
E to D♯Major seventh111
G to BMajor third44
G to D♯Minor sixth84
B to D♯Major third44

Where these facts come from

Every value on this page is derived from the note formula for a minor major 7th applied to the root E, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.