Skip to content
piano.org
A piano reference: chords, scales, theory. Full MIDI.

F♯ Minor Major 7th

Notes: F♯ - A - C♯ - E♯ | Degrees: 1 - ♭3 - 5 - 7 | Written: F♯m(maj7), F♯mM7, F♯minMaj7

Construction: Root, Minor 3rd, Perfect 5th, Major 7th

It is a minor triad with an added major 7th, giving it a dark and complex character with strong tension, often used in jazz and minor key progressions

Fingering: RH 2-3-4-5, LH 5-4-3-2

Inversions: Root F♯m(maj7) - 1st F♯m(maj7)/A - 2nd F♯m(maj7)/C♯ - 3rd F♯m(maj7)/E♯

G♭ Minor Major 7th
This is the same chord as G♭ Minor Major 7th: the same keys on the keyboard, spelled with flats.
Related boards
F♯mMaj711 st, 151.0 mmRoot position, figured bass 7

F♯3, A3, C♯4, E♯4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightF♯, A, C♯, E♯2-3-4-5
LeftF♯, A, C♯, E♯5-4-3-2

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

F♯ Minor Major 7th: notes and degrees

F♯mMaj7 contains F♯, A, C♯ and E♯. A minor triad with the major seventh added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1F♯Perfect unison0
♭3AMinor third3
5C♯Perfect fifth7
7E♯Major seventh11

F♯ and C♯ are black keys; A and E♯ are white.

Construction

F♯ Minor Major 7th = Root + Minor 3rd + Perfect 5th + Major 7th = F♯, A, C♯, E♯
NoteIntervalDegree
F♯Root1
AMinor 3rd♭3
C♯Perfect 5th5
E♯Major 7th7

Fingering

NoteKey colorRight handLeft hand
F♯blackindex finger (2)little finger (5)
Awhitemiddle finger (3)ring finger (4)
C♯blackring finger (4)middle finger (3)
E♯whitelittle finger (5)index finger (2)

Right hand: index finger (2) on F♯, middle finger (3) on A, ring finger (4) on C♯, little finger (5) on E♯.

Left hand: little finger (5) on F♯, ring finger (4) on A, middle finger (3) on C♯, index finger (2) on E♯.

F♯ Minor Major 7th Inversions

  • Root position
    F♯ – A – C♯ – E♯
  • 1st inversion (F♯m(maj7)/A)
    A – C♯ – E♯ – F♯
  • 2nd inversion (F♯m(maj7)/C♯)
    C♯ – E♯ – F♯ – A
  • 3rd inversion (F♯m(maj7)/E♯)
    E♯ – F♯ – A – C♯

Key Signature

A chord has no key signature of its own, but the F♯ Minor Major 7th is the tonic (i) chord of F♯ Minor, which shares the signature of its relative major, A Major: 3 sharps (F♯, C♯, G♯).

F♯C♯G♯

Order of sharps

Sharps are added to a key signature in a fixed order. Each new sharp key adds the next sharp on the list.

FCGDAEB

Mnemonic: Father Charles Goes Down And Ends Battle

Chords in the Key of F♯ Minor

These are the triads built on each degree of F♯ Minor:

C1C2C3C4AC5C6C7C8F♯C♯
iF♯ Minor (minor)
DegreeNumeralChordQuality
1iF♯ MinorMinor
2ii°G♯ DiminishedDiminished
3IIIA MajorMajor
4ivB MinorMinor
5vC♯ MinorMinor
6VID MajorMajor
7VIIE MajorMajor

Looking for F♯m7? See the F♯ minor 7th piano chord.

F♯ Minor Major 7th : Frequently Asked Questions

What is the F♯ Minor Major 7th chord on piano?
The F♯ Minor Major 7th chord contains the notes F♯ – A – C♯ – E♯. On piano, play these notes together to sound the chord.
What is the F# piano chord?
The F# piano chord (written F♯ Minor Major 7th) uses the same keys: F♯ – A – C♯ – E♯. The # and ♯ symbols name the same black key.
What notes are in the F# Minor Major 7th chord?
F# Minor Major 7th is built from the F# root. Check the interactive keyboard above for exact notes and fingering.
How is the F# Minor Major 7th chord used in music?
F# Minor Major 7th appears in jazz, pop, and classical contexts. Its sound depends on the chord quality (Minor Major 7th).
What is the fingering for F# Minor Major 7th?
See the fingering chart above. Right hand typically uses thumb on root. Left hand uses pinky on root.
What are the inversions of F# Minor Major 7th?
Use the inversion buttons above to see each inversion with notes, fingering, and staff notation.
Why does F# Minor Major 7th sound so tense?
The minor third and major seventh are only a semitone apart when inverted, creating dramatic tension.

F♯ Minor Major 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionF♯3 A3 C♯4 E♯411151 mmnoneidentical
Close, first inversionA3 C♯4 E♯4 F♯49124 mmnoneidentical
Close, second inversionC♯4 E♯4 F♯4 A48110 mmnoneidentical
Close, third inversionE♯4 F♯4 A4 C♯58110 mmnoneidentical
Drop 2C♯3 F♯3 A3 E♯416220 mmnoneidentical
Drop 3A2 F♯3 C♯4 E♯420275 mmnoneidentical
Drop 2 and 4F♯2 C♯3 A3 E♯423316 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root 7 ♭3F♯2 E♯3 A315206 mmomits C♯subset
Guide tones, ♭3 and 7A3 E♯48110 mmomits F♯ and C♯subset
Rootless closeA3 C♯4 E♯48110 mmomits F♯subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
F♯mdrops E♯1 ♭3 53
F♯maj7A becomes A♯1 3 5 73
F♯m7E♯ becomes E1 ♭3 5 ♭73
F♯m6E♯ becomes D♯1 ♭3 5 63
F♯maj9A becomes A♯, G♯1 3 5 7 93
F♯m9E♯ becomes E, G♯1 ♭3 5 ♭7 93
F♯A, E♯ becomes A♯1 3 52
F♯dimC♯, E♯ becomes C1 ♭3 ♭52
F♯sus2A, E♯ becomes G♯1 2 52
F♯sus4A, E♯ becomes B1 4 52
F♯7A, E♯ becomes A♯, E1 3 5 ♭72
F♯m7♭5C♯, E♯ becomes C, E1 ♭3 ♭5 ♭72

Frequencies

NoteMIDIFrequency
F♯354185.00 Hz
A357220.00 Hz
C♯461277.18 Hz
E♯465349.23 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{6, 9, 1, 5}
Normal order
[5, 6, 9, 1]
Prime form
(0148)
Forte number
4-19
Interval vector
<101310>
PairIntervalSemitonesInterval class
F♯ to AMinor third33
F♯ to C♯Perfect fifth75
F♯ to E♯Major seventh111
A to C♯Major third44
A to E♯Minor sixth84
C♯ to E♯Major third44

Where these facts come from

Every value on this page is derived from the note formula for a minor major 7th applied to the root F♯, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.