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A piano reference: chords, scales, theory. Full MIDI.

F♯ Suspended 2nd

Notes: F♯ - G♯ - C♯ | Degrees: 1 - 2 - 5 | Written: F♯sus2

Construction: Root, Major 2nd, Perfect 5th

It is a chord where the third is suspended and replaced by the major second, giving it a open, ambiguous, and floating character with no major or minor quality

Fingering: RH 2-3-5, LH 5-3-2

Inversions: Root F♯sus2 - 1st F♯sus2/G♯ - 2nd F♯sus2/C♯

G♭ Suspended 2nd
This is the same chord as G♭ Suspended 2nd: the same keys on the keyboard, spelled with flats.
Related boards
F♯sus27 st, 96.0 mmRoot position, figured bass 5/3

F♯3, G♯3, C♯4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightF♯, G♯, C♯1-3-5
LeftF♯, G♯, C♯5-3-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

F♯ Suspended 2nd: notes and degrees

F♯sus2 contains F♯, G♯ and C♯. The third replaced by the second.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1F♯Perfect unison0
2G♯Major second2
5C♯Perfect fifth7

Every note is a black key.

Construction

F♯ Suspended 2nd = Root + Major 2nd + Perfect 5th = F♯, G♯, C♯
NoteIntervalDegree
F♯Root1
G♯Major 2nd2
C♯Perfect 5th5

Fingering

NoteKey colorRight handLeft hand
F♯blackthumb (1)little finger (5)
G♯blackmiddle finger (3)middle finger (3)
C♯blacklittle finger (5)thumb (1)

Right hand: thumb (1) on F♯, middle finger (3) on G♯, little finger (5) on C♯.

Left hand: little finger (5) on F♯, middle finger (3) on G♯, thumb (1) on C♯.

F♯ Suspended 2nd Inversions

  • Root position
    F♯ – G♯ – C♯
  • 1st inversion (F♯sus2/G♯)
    G♯ – C♯ – F♯
  • 2nd inversion (F♯sus2/C♯)
    C♯ – F♯ – G♯

Key Signature

A Suspended 2nd chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of F♯ Major

These are the triads built on each degree of F♯ Major:

C1C2C3C4C5C6C7C8F♯A♯C♯
IF♯ Major (major)
DegreeNumeralChordQuality
1IF♯ MajorMajor
2iiG♯ MinorMinor
3iiiA♯ MinorMinor
4IVB MajorMajor
5VC♯ MajorMajor
6viD♯ MinorMinor
7vii°E♯ DiminishedDiminished

Scales That Include the F♯ Suspended 2nd

Same Notes, Other Names

The notes F♯ – G♯ – C♯ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

F♯ Suspended 2nd : Frequently Asked Questions

What notes are in F♯sus2?
F♯sus2 contains F♯, G♯ and C♯. The formula is 1, 2, 5.
How do you play F♯sus2 on piano?
Play F♯, G♯ and C♯ together. Right hand fingers 1, 3, 5; left hand 5, 3, 1. Every note is a black key.
What are the inversions of F♯sus2?
3 positions: root position F♯ G♯ C♯, F♯sus2/G♯, F♯sus2/C♯.
What is the difference between F♯sus2 and F♯add9?
Adds A♯. 3 of the notes are shared.
What is an easy F♯sus2 for small hands?
The root and third only voicing, F♯3 G♯3, spans 2 semitones or about 28 mm.
What are the frequencies of F♯sus2?
From F♯3 at A440 in 12-TET: 185.00, 207.65, 277.18 Hz.
What is the set class of F♯sus2?
Prime form (027), Forte 3-9, interval vector <010020>.
How do I transpose F♯sus2 to another key?
Keep the 1, 2, 5 formula on the new root. Csus2 is C, D, G; C♯sus2 is C♯, D♯, G♯.
Is G♭sus2 the same as F♯sus2?
Enharmonically yes: the same piano keys and the same sound, spelled differently.

F♯ Suspended 2nd in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionF♯3 G♯3 C♯4796 mmnoneidentical
Close, first inversionG♯3 C♯4 F♯410138 mmnoneidentical
Close, second inversionC♯4 F♯4 G♯4796 mmnoneidentical
Open, fifth on topF♯2 C♯3 G♯314193 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Root and third onlyF♯3 G♯3228 mmomits C♯subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
F♯add9adds A♯1 3 5 93
F♯G♯ becomes A♯1 3 52
F♯mG♯ becomes A1 ♭3 52
F♯sus4G♯ becomes B1 4 52
F♯maj7G♯ becomes A♯, E♯1 3 5 72
F♯7G♯ becomes A♯, E1 3 5 ♭72
F♯m7G♯ becomes A, E1 ♭3 5 ♭72
F♯mMaj7G♯ becomes A, E♯1 ♭3 5 72
F♯7sus4G♯ becomes B, E1 4 5 ♭72
F♯6G♯ becomes A♯, D♯1 3 5 62
F♯m6G♯ becomes A, D♯1 ♭3 5 62
F♯dimG♯, C♯ becomes A, C1 ♭3 ♭51

Frequencies

NoteMIDIFrequency
F♯354185.00 Hz
G♯356207.65 Hz
C♯461277.18 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{6, 8, 1}
Normal order
[6, 8, 1]
Prime form
(027)
Forte number
3-9
Interval vector
<010020>
PairIntervalSemitonesInterval class
F♯ to G♯Major second22
F♯ to C♯Perfect fifth75
G♯ to C♯Perfect fourth55

Where these facts come from

Every value on this page is derived from the note formula for a suspended 2nd applied to the root F♯, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. George Grove (ed.) (1900)

    A Dictionary of Music and Musicians

    Public domain treatise
  2. 2. Arthur Foote and Walter R. Spalding (1905)

    Modern Harmony in its Theory and Practice, Sections 170-173, chords of the eleventh and thirteenth, pp. 179-181; suspension p. 200; figured bass pp. 49, 84, 186

    Public domain treatise
  3. 3. Ferruccio Busoni (1911)

    Sketch of a New Esthetic of Music, The 113 seven-tone scales, p. 29

    Public domain treatise
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data