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Chord · Reference entry

F♯ Dominant 7th

Dominant 7th · F♯ – A♯ – C♯ – E · intervals P1-M3-P5-m7

The F♯ Dominant 7th chord (F♯7) contains the notes F♯, A♯, C♯, and E. Its interval formula is R-M3-P5-m7. A major triad plus the flat 7th — tension that resolves to the I, the engine of blues and jazz.

G♭ Dominant 7th
This is the same chord as G♭ Dominant 7th — the same keys on the keyboard, spelled with flats.

At the keyboard

F# · A# · C# · E
Flashcards · Chord
Three questions on F♯ Dominant 7th
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F♯7

The F♯ Dominant 7th chord is a four-note chord made up of F♯, A♯, C♯, and E. It is built from a root, major third, perfect fifth, and minor seventh.

Construction

F♯ Dominant 7th = Root + Major 3rd + Perfect 5th + Minor 7th = F♯ · A♯ · C♯ · E
NoteIntervalDegree
F♯Root1
A♯Major 3rd3
C♯Perfect 5th5
EMinor 7th♭7

F♯ Dominant 7th Inversions

F# Dominant 7th piano chord, 1st inversion — A♯, C♯, E, F♯
The F# Dominant 7th chord, 1st inversion, on a piano keyboard.
F# Dominant 7th piano chord, 2nd inversion — C♯, E, F♯, A♯
The F# Dominant 7th chord, 2nd inversion, on a piano keyboard.
F# Dominant 7th piano chord, 3rd inversion — E, F♯, A♯, C♯
The F# Dominant 7th chord, 3rd inversion, on a piano keyboard.
PositionNotes
Root PositionF♯ – A♯ – C♯ – E
1st InversionA♯ – C♯ – E – F♯
2nd InversionC♯ – E – F♯ – A♯
3rd InversionE – F♯ – A♯ – C♯

Key Signature

A dominant chord points home to the key a fifth below its root: the F♯ Dominant 7th is the V (dominant) of B Major, so the relevant key signature is that key’s — 5 sharps (F♯, C♯, G♯, D♯, A♯). Spelled as a scale, these notes are F# Mixolydian.

F♯C♯G♯D♯A♯

Order of sharps

Sharps are added to a key signature in a fixed order. Each new sharp key adds the next sharp on the list.

FCGDAEB

Mnemonic: Father Charles Goes Down And Ends Battle

Chords in the Key of B Major

These are the triads built on each degree of the B major scale:

C1C2C3C4BC5C6C7C8D♯F♯
IB Major (major)
DegreeNumeralChordQuality
1IB MajorMajor
2iiC♯ MinorMinor
3iiiD♯ MinorMinor
4IVE MajorMajor
5VF♯ MajorMajor
6viG♯ MinorMinor
7vii°A♯ DiminishedDiminished

How F♯ Dominant 7th functions in a key

The same chord takes on a different harmonic role depending on the key it appears in. Here is where F♯ Dominant 7th sits diatonically across the common keys:

  • In B major, F♯ Dominant 7th is the V chordthe dominant.
  • In G♯ minor, F♯ Dominant 7th is the ♭VII chorda mediant / color chord.

F♯ Dominant 7th — Frequently Asked Questions

What is the F♯ Dominant 7th chord on piano?
The F♯ Dominant 7th chord contains the notes F♯ – A♯ – C♯ – E. On piano, play these notes together to sound the chord.
What notes are in the F# Dominant 7th chord?
F# Dominant 7th is built from the F# root. Check the interactive keyboard above for exact notes and fingering.
How is the F# Dominant 7th chord used in music?
F# Dominant 7th appears in jazz, pop, and classical contexts. Its sound depends on the chord quality (Dominant 7th).
What is the fingering for F# Dominant 7th?
See the fingering chart above. Right hand typically uses thumb on root. Left hand uses pinky on root.
What are the inversions of F# Dominant 7th?
Use the inversion buttons above to see each inversion with notes, fingering, and staff notation.

Related Tools

Chord FinderLook up any chord — see the notes, hear it, and play along.Chord DrillTimed drills to build speed and recognition across all chord types.Practice RoomPlug in a MIDI keyboard and get real-time feedback on every chord and scale.Circle of FifthsVisualize key relationships, relative minors, and key signatures.MIDI MonitorLive MIDI message stream with note names, velocity, and a scrolling staff.

References & Further Reading

The note names, intervals, fingering, and harmony on this chord page are grounded in the following sources. Public domain treatises and scores are linked to their full text; primary data is piano.org's own interval-derived reference dataset — continuously maintained and human-verified, with no fixed publication date.

  1. 1

    George Grove (ed.)(1900)

    A Dictionary of Music and Musicians

    Public domain treatise
  2. 2

    Jadassohn, Salomon(1883)

    A Manual of Harmony

    Public domain treatise
  3. 3

    Prout, Ebenezer(1889)

    Harmony: Its Theory and Practice

    Public domain treatise
  4. 4

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Entry reviewed and maintained by Justin Evans. Corrections are read and applied.Report an error

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