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G♭ Suspended 4th

Notes: G♭ - C♭ - D♭ | Degrees: 1 - 4 - 5 | Written: G♭sus4, G♭sus

Construction: Root, Perfect 4th, Perfect 5th

It is a chord where the third is suspended and raised to the perfect fourth, giving it a tense, unresolved sound that naturally wants to resolve to the major third

Fingering: RH 2-3-5, LH 5-3-2

Inversions: Root G♭sus4 - 1st G♭sus4/C♭ - 2nd G♭sus4/D♭

F♯ Suspended 4th
This is the same chord as F♯ Suspended 4th: the same keys on the keyboard, spelled with sharps.
Related boards
G♭sus47 st, 96.0 mmRoot position, figured bass 5/3

G♭3, C♭3, D♭4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightG♭, C♭, D♭1-3-5
LeftG♭, C♭, D♭5-3-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

G♭ Suspended 4th: notes and degrees

G♭sus4 contains G♭, C♭ and D♭. The third replaced by the fourth.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1G♭Perfect unison0
4C♭Perfect fourth5
5D♭Perfect fifth7

G♭ and D♭ are black keys; C♭ is white.

Construction

G♭ Suspended 4th = Root + Perfect 4th + Perfect 5th = G♭, C♭, D♭
NoteIntervalDegree
G♭Root1
C♭Perfect 4th4
D♭Perfect 5th5

Fingering

NoteKey colorRight handLeft hand
G♭blackthumb (1)little finger (5)
C♭whitemiddle finger (3)middle finger (3)
D♭blacklittle finger (5)thumb (1)

Right hand: thumb (1) on G♭, middle finger (3) on C♭, little finger (5) on D♭.

Left hand: little finger (5) on G♭, middle finger (3) on C♭, thumb (1) on D♭.

G♭ Suspended 4th Inversions

  • Root position
    G♭ – C♭ – D♭
  • 1st inversion (G♭sus4/C♭)
    C♭ – D♭ – G♭
  • 2nd inversion (G♭sus4/D♭)
    D♭ – G♭ – C♭

Key Signature

A Suspended 4th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of G♭ Major

These are the triads built on each degree of G♭ Major:

C1C2C3C4C5C6C7C8G♭B♭D♭
IG♭ Major (major)
DegreeNumeralChordQuality
1IG♭ MajorMajor
2iiA♭ MinorMinor
3iiiB♭ MinorMinor
4IVC♭ MajorMajor
5VD♭ MajorMajor
6viE♭ MinorMinor
7vii°F DiminishedDiminished

Scales That Include the G♭ Suspended 4th

Same Notes, Other Names

The notes G♭ – C♭ – D♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

G♭ Suspended 4th : Frequently Asked Questions

What is the G♭ Suspended 4th chord on piano?
The G♭ Suspended 4th chord contains the notes G♭ – C♭ – D♭. On piano, play these notes together to sound the chord.
What notes are in the Gb Suspended 4th chord?
The Gb Suspended 4th chord (Gbsus4) contains: Gb (root), Cb (perfect fourth), and Db (perfect fifth). The perfect fourth replaces the third, creating a strong upward pull toward resolution, the 4th degree (Cb) strongly wants to resolve down to the major third.
How does Gb Suspended 4th differ from Gbsus2?
Both replace the third, but Gbsus2 uses the 2nd degree (giving an airy, neutral feel) while Gb Suspended 4th uses the 4th degree (Cb), which creates stronger tension. The sus4 chord has a more urgent, directional pull toward resolution than sus2.
What does "sus4" resolve to?
The 4th degree (Cb) in a sus4 chord typically resolves down by one semitone to the major 3rd of the chord: this is the classical "suspension resolution." The movement Cb → (major 3rd) is one of the most satisfying motions in Western harmony and drives the resolution from Gbsus4 → Gb Major.
How is Gb Suspended 4th used in music?
Sus4 chords appear in nearly every genre. They create anticipation before resolution to a major chord, work as dramatic openings (Pinball Wizard, Hard Day's Night), and add harmonic colour in pop and classical music. The Gb Suspended 4th is especially common as a pre-dominant chord that builds tension before the final chord of a phrase.
What songs use suspended 4th chords?
A Hard Day's Night (Beatles) opens with a sus4 chord. Pinball Wizard (The Who) uses sus4 throughout. Feelin' Alright (Traffic), Behind Blue Eyes (The Who), and many hymns use sus4 chords for their characteristic build-and-release quality.
Can I use Gb Suspended 4th before Gb Major?
Yes: Gbsus4 → Gb Major is one of the most satisfying resolutions in music. The fourth degree (Cb) resolves down to the major third, while the root and fifth stay constant. This V–I style resolution works in any tempo and style, from gospel to pop to classical.

G♭ Suspended 4th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionG♭3 C♭3 D♭4796 mmnoneidentical
Close, first inversionC♭3 D♭4 G♭4796 mmnoneidentical
Close, second inversionD♭4 G♭4 C♭410138 mmnoneidentical
Open, fifth on topG♭2 D♭3 C♭317234 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Root and third onlyG♭3 C♭3569 mmomits D♭subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
G♭7sus4adds F♭1 4 5 ♭73
G♭C♭ becomes B♭1 3 52
G♭mC♭ becomes B♭♭1 ♭3 52
G♭sus2C♭ becomes A♭1 2 52
G♭maj7C♭ becomes B♭, F1 3 5 72
G♭7C♭ becomes B♭, F♭1 3 5 ♭72
G♭m7C♭ becomes B♭♭, F♭1 ♭3 5 ♭72
G♭mMaj7C♭ becomes B♭♭, F1 ♭3 5 72
G♭6C♭ becomes B♭, E♭1 3 5 62
G♭m6C♭ becomes B♭♭, E♭1 ♭3 5 62
G♭add9C♭ becomes B♭, A♭1 3 5 92
G♭dimC♭, D♭ becomes B♭♭, D♭♭1 ♭3 ♭51

Frequencies

NoteMIDIFrequency
G♭354185.00 Hz
C♭359246.94 Hz
D♭461277.18 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{6, 11, 1}
Normal order
[11, 1, 6]
Prime form
(027)
Forte number
3-9
Interval vector
<010020>
PairIntervalSemitonesInterval class
G♭ to C♭Perfect fourth55
G♭ to D♭Perfect fifth75
C♭ to D♭Major second22

Where these facts come from

Every value on this page is derived from the note formula for a suspended 4th applied to the root G♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.