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B Suspended 2nd

Notes: B - C♯ - F♯ | Degrees: 1 - 2 - 5 | Written: Bsus2

Construction: Root, Major 2nd, Perfect 5th

It is a chord where the third is suspended and replaced by the major second, giving it a open, ambiguous, and floating character with no major or minor quality

Fingering: RH 1-3-5, LH 5-3-1

Inversions: Root Bsus2 - 1st Bsus2/C♯ - 2nd Bsus2/F♯

Related boards
Bsus27 st, 96.0 mmRoot position, figured bass 5/3

B3, C♯4, F♯4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightB, C♯, F♯1-3-5
LeftB, C♯, F♯5-3-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

B Suspended 2nd: notes and degrees

Bsus2 contains B, C♯ and F♯. The third replaced by the second.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1BPerfect unison0
2C♯Major second2
5F♯Perfect fifth7

C♯ and F♯ are black keys; B is white.

Construction

B Suspended 2nd = Root + Major 2nd + Perfect 5th = B, C♯, F♯
NoteIntervalDegree
BRoot1
C♯Major 2nd2
F♯Perfect 5th5

Fingering

NoteKey colorRight handLeft hand
Bwhitethumb (1)little finger (5)
C♯blackmiddle finger (3)middle finger (3)
F♯blacklittle finger (5)thumb (1)

Right hand: thumb (1) on B, middle finger (3) on C♯, little finger (5) on F♯.

Left hand: little finger (5) on B, middle finger (3) on C♯, thumb (1) on F♯.

B Suspended 2nd Inversions

  • Root position
    B – C♯ – F♯
  • 1st inversion (Bsus2/C♯)
    C♯ – F♯ – B
  • 2nd inversion (Bsus2/F♯)
    F♯ – B – C♯

Key Signature

A Suspended 2nd chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of B Major

These are the triads built on each degree of B Major:

C1C2C3C4BC5C6C7C8D♯F♯
IB Major (major)
DegreeNumeralChordQuality
1IB MajorMajor
2iiC♯ MinorMinor
3iiiD♯ MinorMinor
4IVE MajorMajor
5VF♯ MajorMajor
6viG♯ MinorMinor
7vii°A♯ DiminishedDiminished

Scales That Include the B Suspended 2nd

Same Notes, Other Names

The notes B – C♯ – F♯ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

B Suspended 2nd : Frequently Asked Questions

What notes are in Bsus2?
Bsus2 contains B, C♯ and F♯. The formula is 1, 2, 5.
How do you play Bsus2 on piano?
Play B, C♯ and F♯ together. Right hand fingers 1, 3, 5; left hand 5, 3, 1. C♯ and F♯ are black keys; B is white.
What are the inversions of Bsus2?
3 positions: root position B C♯ F♯, Bsus2/C♯, Bsus2/F♯.
What is the difference between Bsus2 and Badd9?
Adds D♯. 3 of the notes are shared.
What is an easy Bsus2 for small hands?
The root and third only voicing, B3 C♯4, spans 2 semitones or about 28 mm.
What are the frequencies of Bsus2?
From B3 at A440 in 12-TET: 246.94, 277.18, 369.99 Hz.
What is the set class of Bsus2?
Prime form (027), Forte 3-9, interval vector <010020>.
How do I transpose Bsus2 to another key?
Keep the 1, 2, 5 formula on the new root. Csus2 is C, D, G; C♯sus2 is C♯, D♯, G♯.
Is C♭sus2 the same as Bsus2?
Enharmonically yes: the same piano keys and the same sound, spelled differently.

B Suspended 2nd in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionB3 C♯4 F♯4796 mmnoneidentical
Close, first inversionC♯4 F♯4 B410138 mmnoneidentical
Close, second inversionF♯4 B4 C♯5796 mmnoneidentical
Open, fifth on topB2 F♯3 C♯414193 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Root and third onlyB3 C♯4228 mmomits F♯subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
Badd9adds D♯1 3 5 93
BC♯ becomes D♯1 3 52
BmC♯ becomes D1 ♭3 52
Bsus4C♯ becomes E1 4 52
Bmaj7C♯ becomes D♯, A♯1 3 5 72
B7C♯ becomes D♯, A1 3 5 ♭72
Bm7C♯ becomes D, A1 ♭3 5 ♭72
BmMaj7C♯ becomes D, A♯1 ♭3 5 72
B7sus4C♯ becomes E, A1 4 5 ♭72
B6C♯ becomes D♯, G♯1 3 5 62
Bm6C♯ becomes D, G♯1 ♭3 5 62
BdimC♯, F♯ becomes D, F1 ♭3 ♭51

Frequencies

NoteMIDIFrequency
B359246.94 Hz
C♯461277.18 Hz
F♯466369.99 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{11, 1, 6}
Normal order
[11, 1, 6]
Prime form
(027)
Forte number
3-9
Interval vector
<010020>
PairIntervalSemitonesInterval class
B to C♯Major second22
B to F♯Perfect fifth75
C♯ to F♯Perfect fourth55

Where these facts come from

Every value on this page is derived from the note formula for a suspended 2nd applied to the root B, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. Ebenezer Prout (1889)

    Harmony: Its Theory and Practice

    Public domain treatise
  2. 2. Hugo Riemann (1896)

    Harmony Simplified (English translation)

    Public domain treatise
  3. 3. George Grove (ed.) (1900)

    A Dictionary of Music and Musicians

    Public domain treatise
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data