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B Minor Major 7th

Notes: B - D - F♯ - A♯ | Degrees: 1 - ♭3 - 5 - 7 | Written: Bm(maj7), BmM7, BminMaj7

Construction: Root, Minor 3rd, Perfect 5th, Major 7th

It is a minor triad with an added major 7th, giving it a dark and complex character with strong tension, often used in jazz and minor key progressions

Fingering: RH 1-2-3-5, LH 5-3-2-1

Inversions: Root Bm(maj7) - 1st Bm(maj7)/D - 2nd Bm(maj7)/F♯ - 3rd Bm(maj7)/A♯

Related boards
BmMaj711 st, 151.0 mmRoot position, figured bass 7

B3, D4, F♯4, A♯4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightB, D, F♯, A♯1-2-3-5
LeftB, D, F♯, A♯5-3-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

B Minor Major 7th: notes and degrees

BmMaj7 contains B, D, F♯ and A♯. A minor triad with the major seventh added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1BPerfect unison0
♭3DMinor third3
5F♯Perfect fifth7
7A♯Major seventh11

F♯ and A♯ are black keys; B and D are white.

Construction

B Minor Major 7th = Root + Minor 3rd + Perfect 5th + Major 7th = B, D, F♯, A♯
NoteIntervalDegree
BRoot1
DMinor 3rd♭3
F♯Perfect 5th5
A♯Major 7th7

Fingering

NoteKey colorRight handLeft hand
Bwhitethumb (1)little finger (5)
Dwhiteindex finger (2)middle finger (3)
F♯blackmiddle finger (3)index finger (2)
A♯blacklittle finger (5)thumb (1)

Right hand: thumb (1) on B, index finger (2) on D, middle finger (3) on F♯, little finger (5) on A♯.

Left hand: little finger (5) on B, middle finger (3) on D, index finger (2) on F♯, thumb (1) on A♯.

B Minor Major 7th Inversions

  • Root position
    B – D – F♯ – A♯
  • 1st inversion (Bm(maj7)/D)
    D – F♯ – A♯ – B
  • 2nd inversion (Bm(maj7)/F♯)
    F♯ – A♯ – B – D
  • 3rd inversion (Bm(maj7)/A♯)
    A♯ – B – D – F♯

Key Signature

A chord has no key signature of its own, but the B Minor Major 7th is the tonic (i) chord of B Minor, which shares the signature of its relative major, D Major: 2 sharps (F♯, C♯).

F♯C♯

Order of sharps

Sharps are added to a key signature in a fixed order. Each new sharp key adds the next sharp on the list.

FCGDAEB

Mnemonic: Father Charles Goes Down And Ends Battle

Chords in the Key of B Minor

These are the triads built on each degree of B Minor:

C1C2C3C4BC5DC6C7C8F♯
iB Minor (minor)
DegreeNumeralChordQuality
1iB MinorMinor
2ii°C♯ DiminishedDiminished
3IIID MajorMajor
4ivE MinorMinor
5vF♯ MinorMinor
6VIG MajorMajor
7VIIA MajorMajor

Looking for Bm7? See the B minor 7th piano chord.

B Minor Major 7th : Frequently Asked Questions

What is the B Minor Major 7th chord on piano?
The B Minor Major 7th chord contains the notes B – D – F♯ – A♯. On piano, play these notes together to sound the chord.
What notes are in the B Minor Major 7th chord?
BmMaj7 contains: B, D, F#, A#. Minor triad with major seventh.
How does BmMaj7 differ from Bm7?
BmMaj7 has A# (major seventh), Bm7 has A (minor seventh).
How is BmMaj7 used in music?
Harmonic minor i chord. Jazz, progressive rock.
What songs use Minor Major 7th?
James Bond, My Funny Valentine.
Why does it sound tense?
Minor third (D) and major seventh (A#) create dissonance.
How does BmMaj7 differ from Bmaj7?
BmMaj7 has minor third (D). Bmaj7 has major third (D#).

B Minor Major 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionB3 D4 F♯4 A♯411151 mmnoneidentical
Close, first inversionD4 F♯4 A♯4 B49124 mmnoneidentical
Close, second inversionF♯4 A♯4 B4 D58110 mmnoneidentical
Close, third inversionA♯4 B4 D5 F♯58110 mmnoneidentical
Drop 2F♯3 B3 D4 A♯416220 mmnoneidentical
Drop 3D3 B3 F♯4 A♯420275 mmnoneidentical
Drop 2 and 4B2 F♯3 D4 A♯423316 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root 7 ♭3B2 A♯3 D415206 mmomits F♯subset
Guide tones, ♭3 and 7D4 A♯48110 mmomits B and F♯subset
Rootless closeD4 F♯4 A♯48110 mmomits Bsubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
Bmdrops A♯1 ♭3 53
Bmaj7D becomes D♯1 3 5 73
Bm7A♯ becomes A1 ♭3 5 ♭73
Bm6A♯ becomes G♯1 ♭3 5 63
Bmaj9D becomes D♯, C♯1 3 5 7 93
Bm9A♯ becomes A, C♯1 ♭3 5 ♭7 93
BD, A♯ becomes D♯1 3 52
BdimF♯, A♯ becomes F1 ♭3 ♭52
Bsus2D, A♯ becomes C♯1 2 52
Bsus4D, A♯ becomes E1 4 52
B7D, A♯ becomes D♯, A1 3 5 ♭72
Bm7♭5F♯, A♯ becomes F, A1 ♭3 ♭5 ♭72

Frequencies

NoteMIDIFrequency
B359246.94 Hz
D462293.66 Hz
F♯466369.99 Hz
A♯470466.16 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{11, 2, 6, 10}
Normal order
[10, 11, 2, 6]
Prime form
(0148)
Forte number
4-19
Interval vector
<101310>
PairIntervalSemitonesInterval class
B to DMinor third33
B to F♯Perfect fifth75
B to A♯Major seventh111
D to F♯Major third44
D to A♯Minor sixth84
F♯ to A♯Major third44

Where these facts come from

Every value on this page is derived from the note formula for a minor major 7th applied to the root B, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.