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A Minor Major 7th

Notes: A - C - E - G♯ | Degrees: 1 - ♭3 - 5 - 7 | Written: Am(maj7), AmM7, AminMaj7

Construction: Root, Minor 3rd, Perfect 5th, Major 7th

It is a minor triad with an added major 7th, giving it a dark and complex character with strong tension, often used in jazz and minor key progressions

Fingering: RH 1-2-3-5, LH 5-3-2-1

Inversions: Root Am(maj7) - 1st Am(maj7)/C - 2nd Am(maj7)/E - 3rd Am(maj7)/G♯

Related boards
AmMaj711 st, 151.0 mmRoot position, figured bass 7

A3, C4, E4, G♯4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightA, C, E, G♯1-2-3-5
LeftA, C, E, G♯5-3-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

A Minor Major 7th: notes and degrees

AmMaj7 contains A, C, E and G♯. A minor triad with the major seventh added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1APerfect unison0
♭3CMinor third3
5EPerfect fifth7
7G♯Major seventh11

G♯ is a black key; A, C and E are white.

Construction

A Minor Major 7th = Root + Minor 3rd + Perfect 5th + Major 7th = A, C, E, G♯
NoteIntervalDegree
ARoot1
CMinor 3rd♭3
EPerfect 5th5
G♯Major 7th7

Fingering

NoteKey colorRight handLeft hand
Awhitethumb (1)little finger (5)
Cwhiteindex finger (2)middle finger (3)
Ewhitemiddle finger (3)index finger (2)
G♯blacklittle finger (5)thumb (1)

Right hand: thumb (1) on A, index finger (2) on C, middle finger (3) on E, little finger (5) on G♯.

Left hand: little finger (5) on A, middle finger (3) on C, index finger (2) on E, thumb (1) on G♯.

A Minor Major 7th Inversions

  • Root position
    A – C – E – G♯
  • 1st inversion (Am(maj7)/C)
    C – E – G♯ – A
  • 2nd inversion (Am(maj7)/E)
    E – G♯ – A – C
  • 3rd inversion (Am(maj7)/G♯)
    G♯ – A – C – E

Key Signature

A chord has no key signature of its own, but the A Minor Major 7th is the tonic (i) chord of A Minor, which shares the signature of its relative major, C Major: no sharps or flats.

Chords in the Key of A Minor

These are the triads built on each degree of A Minor:

C1C2C3C4ACEC6C7C8
iA Minor (minor)
DegreeNumeralChordQuality
1iA MinorMinor
2ii°B DiminishedDiminished
3IIIC MajorMajor
4ivD MinorMinor
5vE MinorMinor
6VIF MajorMajor
7VIIG MajorMajor

Looking for Am7? See the A minor 7th piano chord.

A Minor Major 7th : Frequently Asked Questions

What notes are in AmMaj7?
AmMaj7 contains A, C, E and G♯. The formula is 1, ♭3, 5, 7.
How do you play AmMaj7 on piano?
Play A, C, E and G♯ together. Right hand fingers 1, 2, 3, 5; left hand 5, 3, 2, 1. G♯ is a black key; A, C and E are white.
What are the inversions of AmMaj7?
4 positions: root position A C E G♯, AmMaj7/C, AmMaj7/E, AmMaj7/G♯.
What is the difference between AmMaj7 and Am?
Drops G♯. 3 of the notes are shared.
What is an easy AmMaj7 for small hands?
The close, second inversion voicing, E4 G♯4 A4 C5, spans 8 semitones or about 110 mm.
What are the frequencies of AmMaj7?
From A3 at A440 in 12-TET: 220.00, 261.63, 329.63, 415.30 Hz.
What is the set class of AmMaj7?
Prime form (0148), Forte 4-19, interval vector <101310>.
How do I transpose AmMaj7 to another key?
Keep the 1, ♭3, 5, 7 formula on the new root. CmMaj7 is C, E♭, G, B; C♯mMaj7 is C♯, E, G♯, B♯.

A Minor Major 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionA3 C4 E4 G♯411151 mmnoneidentical
Close, first inversionC4 E4 G♯4 A49124 mmnoneidentical
Close, second inversionE4 G♯4 A4 C58110 mmnoneidentical
Close, third inversionG♯4 A4 C5 E58110 mmnoneidentical
Drop 2E3 A3 C4 G♯416220 mmnoneidentical
Drop 3C3 A3 E4 G♯420275 mmnoneidentical
Drop 2 and 4A2 E3 C4 G♯423316 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root 7 ♭3A2 G♯3 C415206 mmomits Esubset
Guide tones, ♭3 and 7C4 G♯48110 mmomits A and Esubset
Rootless closeC4 E4 G♯48110 mmomits Asubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
Amdrops G♯1 ♭3 53
Amaj7C becomes C♯1 3 5 73
Am7G♯ becomes G1 ♭3 5 ♭73
Am6G♯ becomes F♯1 ♭3 5 63
Amaj9C becomes C♯, B1 3 5 7 93
Am9G♯ becomes G, B1 ♭3 5 ♭7 93
AC, G♯ becomes C♯1 3 52
AdimE, G♯ becomes E♭1 ♭3 ♭52
Asus2C, G♯ becomes B1 2 52
Asus4C, G♯ becomes D1 4 52
A7C, G♯ becomes C♯, G1 3 5 ♭72
Am7♭5E, G♯ becomes E♭, G1 ♭3 ♭5 ♭72

Frequencies

NoteMIDIFrequency
A357220.00 Hz
C460261.63 Hz
E464329.63 Hz
G♯468415.30 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{9, 0, 4, 8}
Normal order
[8, 9, 0, 4]
Prime form
(0148)
Forte number
4-19
Interval vector
<101310>
PairIntervalSemitonesInterval class
A to CMinor third33
A to EPerfect fifth75
A to G♯Major seventh111
C to EMajor third44
C to G♯Minor sixth84
E to G♯Major third44

Where these facts come from

Every value on this page is derived from the note formula for a minor major 7th applied to the root A, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. Karl W. Gehrkens (1914)

    Music Notation and Terminology

    Public domain treatise
  2. 2. A. Eaglefield Hull (1915)

    Modern Harmony: Its Explanation and Application, Whole-tone scale, pp. 69, 192 and glossary p. 219

    Public domain treatise
  3. 3. W. A. Mozart (1783)

    Piano Sonata No. 11 in A major, K. 331

    Public domain score
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data