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A Dominant 7th

Dominant 7th · A – C♯ – E – G · intervals P1-M3-P5-m7

The A Dominant 7th chord (A7) contains the notes A, C♯, E, and G. Its interval formula is R-M3-P5-m7. A major triad plus the flat 7th — tension that resolves to the I, the engine of blues and jazz.

At the keyboard

A · C# · E · G
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A7

The A Dominant 7th chord is a four-note chord made up of A, C♯, E, and G. It is built from a root, major third, perfect fifth, and minor seventh.

Construction

A Dominant 7th = Root + Major 3rd + Perfect 5th + Minor 7th = A · C♯ · E · G
NoteIntervalDegree
ARoot1
C♯Major 3rd3
EPerfect 5th5
GMinor 7th♭7

A Dominant 7th Inversions

A Dominant 7th piano chord, 1st inversion — C♯, E, G, A
The A Dominant 7th chord, 1st inversion, on a piano keyboard.
A Dominant 7th piano chord, 2nd inversion — E, G, A, C♯
The A Dominant 7th chord, 2nd inversion, on a piano keyboard.
A Dominant 7th piano chord, 3rd inversion — G, A, C♯, E
The A Dominant 7th chord, 3rd inversion, on a piano keyboard.
PositionNotes
Root PositionA – C♯ – E – G
1st InversionC♯ – E – G – A
2nd InversionE – G – A – C♯
3rd InversionG – A – C♯ – E

Key Signature

A dominant chord points home to the key a fifth below its root: the A Dominant 7th is the V (dominant) of D Major, so the relevant key signature is that key’s — 2 sharps (F♯, C♯). Spelled as a scale, these notes are A Mixolydian.

F♯C♯

Order of sharps

Sharps are added to a key signature in a fixed order. Each new sharp key adds the next sharp on the list.

FCGDAEB

Mnemonic: Father Charles Goes Down And Ends Battle

Chords in the Key of D Major

These are the triads built on each degree of the D major scale:

C1C2C3C4DAC5C6C7C8F♯
ID Major (major)
DegreeNumeralChordQuality
1ID MajorMajor
2iiE MinorMinor
3iiiF♯ MinorMinor
4IVG MajorMajor
5VA MajorMajor
6viB MinorMinor
7vii°C♯ DiminishedDiminished

How A Dominant 7th functions in a key

The same chord takes on a different harmonic role depending on the key it appears in. Here is where A Dominant 7th sits diatonically across the common keys:

  • In D major, A Dominant 7th is the V chordthe dominant.
  • In B minor, A Dominant 7th is the ♭VII chorda mediant / color chord.

A Dominant 7th — Frequently Asked Questions

What is the A Dominant 7th chord on piano?
The A Dominant 7th chord contains the notes A – C♯ – E – G. On piano, play these notes together to sound the chord.
What notes are in the A Dominant 7th chord?
The A Dominant 7th chord (A7) contains four notes: A (root), C# (major third), E (perfect fifth), and G (minor seventh). The major triad with a minor seventh creates the bluesy tension and forward drive that defines the dominant 7th sound.
How does A Dominant 7th differ from A Major?
A Major contains three notes: A, C#, E. A Dominant 7th adds a G (minor seventh) on top. That single note transforms a stable, resolved chord into one with strong forward motion — it wants to resolve down a fifth to D Major.
What does 'dominant' mean in music theory?
'Dominant' refers to the fifth scale degree. The dominant 7th chord is built on the fifth note of a key and contains a tritone that creates strong pull toward resolution. A7 is the dominant chord in D Major, one of the most common keys in popular music.
How is A Dominant 7th used in music?
A7 resolves to D Major in a V7–I cadence. It is one of the most used dominant 7th chords in blues, rock, and country music. A7 is also the V7 chord in a blues in D and appears as a secondary dominant (V7/V) in the key of G.
What songs use dominant 7th chords?
Dominant 7th chords are the backbone of blues and early rock: every chord in a standard 12-bar blues is a dominant 7th. Hit the Road Jack (Ray Charles), Ain't Misbehavin' (Fats Waller), and countless jazz standards rely on dominant 7th movement for their harmonic drive.
What is the tritone in A Dominant 7th?
The tritone in A7 is the interval between C# (the third) and G (the seventh) — exactly 6 semitones apart. This unstable interval gives A7 its strong pull toward D. The C# resolves up to D and the G resolves down to F#.

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References & Further Reading

The note names, intervals, fingering, and harmony on this chord page are grounded in the following sources. Public domain treatises and scores are linked to their full text; primary data is piano.org's own interval-derived reference dataset — continuously maintained and human-verified, with no fixed publication date.

  1. 1

    Goetschius, Percy(1889)

    The Material Used in Musical Composition

    Public domain treatise
  2. 2

    Riemann, Hugo(1896)

    Harmony Simplified (English translation)

    Public domain treatise
  3. 3

    Beethoven, Ludwig van(1810)

    Für Elise, WoO 59 (A minor)

    Public domain score
  4. 4

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