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A Augmented 7th

Notes: A - C♯ - E♯ - G | Degrees: 1 - 3 - ♯5 - ♭7 | Written: Aaug7, A7♯5, A+7

Construction: Root, Major 3rd, Augmented 5th, Minor 7th

It is an augmented triad with an added minor 7th, giving it a bright, tense, and unresolved character with a strong upward pull

Fingering: RH 1-2-3-5, LH 5-3-2-1

Inversions: Root Aaug7 - 1st Aaug7/C♯ - 2nd Aaug7/E♯ - 3rd Aaug7/G

Related boards
Aaug710 st, 138.0 mmRoot position, figured bass 7

A3, C♯4, E♯4, G4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightA, C♯, E♯, G1-2-3-5
LeftA, C♯, E♯, G5-3-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

A Augmented 7th: notes and degrees

Aaug7 contains A, C♯, E♯ and G. An augmented triad with the minor seventh added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1APerfect unison0
3C♯Major third4
♯5E♯Minor sixth8
♭7GMinor seventh10

C♯ is a black key; A, E♯ and G are white.

Construction

A Augmented 7th = Root + Major 3rd + Minor 6th + Minor 7th = A, C♯, E♯, G
NoteIntervalDegree
ARoot1
C♯Major 3rd3
E♯Minor 6th♯5
GMinor 7th♭7

Fingering

NoteKey colorRight handLeft hand
Awhitethumb (1)little finger (5)
C♯blackindex finger (2)middle finger (3)
E♯whitemiddle finger (3)index finger (2)
Gwhitelittle finger (5)thumb (1)

Right hand: thumb (1) on A, index finger (2) on C♯, middle finger (3) on E♯, little finger (5) on G.

Left hand: little finger (5) on A, middle finger (3) on C♯, index finger (2) on E♯, thumb (1) on G.

A Augmented 7th Inversions

  • Root position
    A – C♯ – E♯ – G
  • 1st inversion (Aaug7/C♯)
    C♯ – E♯ – G – A
  • 2nd inversion (Aaug7/E♯)
    E♯ – G – A – C♯
  • 3rd inversion (Aaug7/G)
    G – A – C♯ – E♯

Key Signature

A Augmented 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of A Major

These are the triads built on each degree of A Major:

C1C2C3C4AC5EC6C7C8C♯
IA Major (major)
DegreeNumeralChordQuality
1IA MajorMajor
2iiB MinorMinor
3iiiC♯ MinorMinor
4IVD MajorMajor
5VE MajorMajor
6viF♯ MinorMinor
7vii°G♯ DiminishedDiminished

Same Notes, Other Names

The notes A – C♯ – E♯ – G aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

A Augmented 7th : Frequently Asked Questions

What notes are in Aaug7?
Aaug7 contains A, C♯, E♯ and G. The formula is 1, 3, ♯5, ♭7.
How do you play Aaug7 on piano?
Play A, C♯, E♯ and G together. Right hand fingers 1, 2, 3, 5; left hand 5, 3, 2, 1. C♯ is a black key; A, E♯ and G are white.
What are the inversions of Aaug7?
4 positions: root position A C♯ E♯ G, Aaug7/C♯, Aaug7/E♯, Aaug7/G.
What is the difference between Aaug7 and Aaug?
Drops G. 3 of the notes are shared.
What is an easy Aaug7 for small hands?
The guide tones, 3 and ♭7 voicing, C♯4 G4, spans 6 semitones or about 83 mm.
What are the frequencies of Aaug7?
From A3 at A440 in 12-TET: 220.00, 277.18, 349.23, 392.00 Hz.
What is the set class of Aaug7?
Prime form (0248), Forte 4-24, interval vector <020301>.
How do I transpose Aaug7 to another key?
Keep the 1, 3, ♯5, ♭7 formula on the new root. Caug7 is C, E, G♯, B♭; D♭aug7 is D♭, F, A, C♭.

A Augmented 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionA3 C♯4 E♯4 G410138 mmnoneidentical
Close, first inversionC♯4 E♯4 G4 A48110 mmnoneidentical
Close, second inversionE♯4 G4 A4 C♯58110 mmnoneidentical
Close, third inversionG4 A4 C♯5 E♯510138 mmnoneidentical
Drop 2E♯3 A3 C♯4 G414193 mmnoneidentical
Drop 3C♯3 A3 E♯4 G418248 mmnoneidentical
Drop 2 and 4A2 E♯3 C♯4 G422303 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭7 3A2 G3 C♯416220 mmomits E♯subset
Guide tones, 3 and ♭7C♯4 G4683 mmomits A and E♯subset
Rootless closeC♯4 E♯4 G4683 mmomits Asubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
Aaugdrops G1 3 ♯53
A7E♯ becomes E1 3 5 ♭73
A9E♯ becomes E, B1 3 5 ♭7 93
AE♯, G becomes E1 3 52
Amaj7E♯, G becomes E, G♯1 3 5 72
Am7C♯, E♯ becomes C, E1 ♭3 5 ♭72
Am7♭5C♯, E♯ becomes C, E♭1 ♭3 ♭5 ♭72
A7sus4C♯, E♯ becomes D, E1 4 5 ♭72
A6E♯, G becomes E, F♯1 3 5 62
Aadd9E♯, G becomes E, B1 3 5 92

Frequencies

NoteMIDIFrequency
A357220.00 Hz
C♯461277.18 Hz
E♯465349.23 Hz
G467392.00 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{9, 1, 5, 7}
Normal order
[5, 7, 9, 1]
Prime form
(0248)
Forte number
4-24
Interval vector
<020301>
PairIntervalSemitonesInterval class
A to C♯Major third44
A to E♯Minor sixth84
A to GMinor seventh102
C♯ to E♯Major third44
C♯ to GTritone66
E♯ to GMajor second22

Where these facts come from

Every value on this page is derived from the note formula for a augmented 7th applied to the root A, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. Salomon Jadassohn (1883)

    A Manual of Harmony

    Public domain treatise
  2. 2. Percy Goetschius (1889)

    The Material Used in Musical Composition

    Public domain treatise
  3. 3. Ludwig van Beethoven (1810)

    Für Elise, WoO 59 (A minor)

    Public domain score
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data