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A piano reference: chords, scales, theory. Full MIDI.

A♯ Suspended 2nd

Notes: A♯ - B♯ - E♯ | Degrees: 1 - 2 - 5 | Written: A♯sus2

Construction: Root, Major 2nd, Perfect 5th

It is a chord where the third is suspended and replaced by the major second, giving it a open, ambiguous, and floating character with no major or minor quality

Fingering: RH 2-3-5, LH 5-3-2

Inversions: Root A♯sus2 - 1st A♯sus2/B♯ - 2nd A♯sus2/E♯

B♭ Suspended 2nd
This is the same chord as B♭ Suspended 2nd: the same keys on the keyboard, spelled with flats.
Related boards
A♯sus27 st, 96.0 mmRoot position, figured bass 5/3

A♯3, B♯4, E♯4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightA♯, B♯, E♯1-3-5
LeftA♯, B♯, E♯5-3-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

A♯ Suspended 2nd: notes and degrees

A♯sus2 contains A♯, B♯ and E♯. The third replaced by the second.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1A♯Perfect unison0
2B♯Major second2
5E♯Perfect fifth7

A♯ is a black key; B♯ and E♯ are white.

Construction

A♯ Suspended 2nd = Root + Major 2nd + Perfect 5th = A♯, B♯, E♯
NoteIntervalDegree
A♯Root1
B♯Major 2nd2
E♯Perfect 5th5

Fingering

NoteKey colorRight handLeft hand
A♯blackthumb (1)little finger (5)
B♯whitemiddle finger (3)middle finger (3)
E♯whitelittle finger (5)thumb (1)

Right hand: thumb (1) on A♯, middle finger (3) on B♯, little finger (5) on E♯.

Left hand: little finger (5) on A♯, middle finger (3) on B♯, thumb (1) on E♯.

A♯ Suspended 2nd Inversions

  • Root position
    A♯ – B♯ – E♯
  • 1st inversion (A♯sus2/B♯)
    B♯ – E♯ – A♯
  • 2nd inversion (A♯sus2/E♯)
    E♯ – A♯ – B♯

Key Signature

A Suspended 2nd chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of A♯ Major

These are the triads built on each degree of A♯ Major:

C1C2C3C4C5C♯♯E♯C6C7C8A♯
IA♯ Major (major)
DegreeNumeralChordQuality
1IA♯ MajorMajor
2iiB♯ MinorMinor
3iiiC♯♯ MinorMinor
4IVD♯ MajorMajor
5VE♯ MajorMajor
6viF♯♯ MinorMinor
7vii°G♯♯ DiminishedDiminished

Scales That Include the A♯ Suspended 2nd

Same Notes, Other Names

The notes A♯ – B♯ – E♯ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

A♯ Suspended 2nd : Frequently Asked Questions

What notes are in A♯sus2?
A♯sus2 contains A♯, B♯ and E♯. The formula is 1, 2, 5.
How do you play A♯sus2 on piano?
Play A♯, B♯ and E♯ together. Right hand fingers 1, 3, 5; left hand 5, 3, 1. A♯ is a black key; B♯ and E♯ are white.
What are the inversions of A♯sus2?
3 positions: root position A♯ B♯ E♯, A♯sus2/B♯, A♯sus2/E♯.
What is the difference between A♯sus2 and A♯add9?
Adds C×. 3 of the notes are shared.
What is an easy A♯sus2 for small hands?
The root and third only voicing, A♯3 B♯4, spans 2 semitones or about 28 mm.
What are the frequencies of A♯sus2?
From A♯3 at A440 in 12-TET: 233.08, 261.63, 349.23 Hz.
What is the set class of A♯sus2?
Prime form (027), Forte 3-9, interval vector <010020>.
How do I transpose A♯sus2 to another key?
Keep the 1, 2, 5 formula on the new root. Csus2 is C, D, G; C♯sus2 is C♯, D♯, G♯.
Is B♭sus2 the same as A♯sus2?
Enharmonically yes: the same piano keys and the same sound, spelled differently.

A♯ Suspended 2nd in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionA♯3 B♯4 E♯4796 mmnoneidentical
Close, first inversionB♯4 E♯4 A♯410138 mmnoneidentical
Close, second inversionE♯4 A♯4 B♯5796 mmnoneidentical
Open, fifth on topA♯2 E♯3 B♯414193 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Root and third onlyA♯3 B♯4228 mmomits E♯subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
A♯add9adds C×1 3 5 93
A♯B♯ becomes C×1 3 52
A♯mB♯ becomes C♯1 ♭3 52
A♯sus4B♯ becomes D♯1 4 52
A♯maj7B♯ becomes C×, G×1 3 5 72
A♯7B♯ becomes C×, G♯1 3 5 ♭72
A♯m7B♯ becomes C♯, G♯1 ♭3 5 ♭72
A♯mMaj7B♯ becomes C♯, G×1 ♭3 5 72
A♯7sus4B♯ becomes D♯, G♯1 4 5 ♭72
A♯6B♯ becomes C×, F×1 3 5 62
A♯m6B♯ becomes C♯, F×1 ♭3 5 62
A♯dimB♯, E♯ becomes C♯, E1 ♭3 ♭51

Frequencies

NoteMIDIFrequency
A♯358233.08 Hz
B♯460261.63 Hz
E♯465349.23 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{10, 0, 5}
Normal order
[10, 0, 5]
Prime form
(027)
Forte number
3-9
Interval vector
<010020>
PairIntervalSemitonesInterval class
A♯ to B♯Major second22
A♯ to E♯Perfect fifth75
B♯ to E♯Perfect fourth55

Where these facts come from

Every value on this page is derived from the note formula for a suspended 2nd applied to the root A♯, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. Ferruccio Busoni (1911)

    Sketch of a New Esthetic of Music, The 113 seven-tone scales, p. 29

    Public domain treatise
  2. 2. Carl E. Gardner (1912)

    Essentials of Music Theory, Elementary volume

    Public domain treatise
  3. 3. James Francis Cooke (1913)

    Mastering the Scales and Arpeggios, Lesson IV, "Fingering of the Scales"; scale tables pp. 16-25

    Public domain treatise
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data