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A piano reference: chords, scales, theory. Full MIDI.

A♭ Suspended 2nd

Notes: A♭ - B♭ - E♭ | Degrees: 1 - 2 - 5 | Written: A♭sus2

Construction: Root, Major 2nd, Perfect 5th

It is a chord where the third is suspended and replaced by the major second, giving it a open, ambiguous, and floating character with no major or minor quality

Fingering: RH 2-3-5, LH 5-3-2

Inversions: Root A♭sus2 - 1st A♭sus2/B♭ - 2nd A♭sus2/E♭

G♯ Suspended 2nd
This is the same chord as G♯ Suspended 2nd: the same keys on the keyboard, spelled with sharps.
Related boards
A♭sus27 st, 96.0 mmRoot position, figured bass 5/3

A♭3, B♭3, E♭4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightA♭, B♭, E♭1-3-5
LeftA♭, B♭, E♭5-3-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

A♭ Suspended 2nd: notes and degrees

A♭sus2 contains A♭, B♭ and E♭. The third replaced by the second.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1A♭Perfect unison0
2B♭Major second2
5E♭Perfect fifth7

Every note is a black key.

Construction

A♭ Suspended 2nd = Root + Major 2nd + Perfect 5th = A♭, B♭, E♭
NoteIntervalDegree
A♭Root1
B♭Major 2nd2
E♭Perfect 5th5

Fingering

NoteKey colorRight handLeft hand
A♭blackthumb (1)little finger (5)
B♭blackmiddle finger (3)middle finger (3)
E♭blacklittle finger (5)thumb (1)

Right hand: thumb (1) on A♭, middle finger (3) on B♭, little finger (5) on E♭.

Left hand: little finger (5) on A♭, middle finger (3) on B♭, thumb (1) on E♭.

A♭ Suspended 2nd Inversions

  • Root position
    A♭ – B♭ – E♭
  • 1st inversion (A♭sus2/B♭)
    B♭ – E♭ – A♭
  • 2nd inversion (A♭sus2/E♭)
    E♭ – A♭ – B♭

Key Signature

A Suspended 2nd chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of A♭ Major

These are the triads built on each degree of A♭ Major:

C1C2C3C4CC6C7C8A♭E♭
IA♭ Major (major)
DegreeNumeralChordQuality
1IA♭ MajorMajor
2iiB♭ MinorMinor
3iiiC MinorMinor
4IVD♭ MajorMajor
5VE♭ MajorMajor
6viF MinorMinor
7vii°G DiminishedDiminished

Scales That Include the A♭ Suspended 2nd

Same Notes, Other Names

The notes A♭ – B♭ – E♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

A♭ Suspended 2nd : Frequently Asked Questions

What notes are in A♭sus2?
A♭sus2 contains A♭, B♭ and E♭. The formula is 1, 2, 5.
How do you play A♭sus2 on piano?
Play A♭, B♭ and E♭ together. Right hand fingers 1, 3, 5; left hand 5, 3, 1. Every note is a black key.
What are the inversions of A♭sus2?
3 positions: root position A♭ B♭ E♭, A♭sus2/B♭, A♭sus2/E♭.
What is the difference between A♭sus2 and A♭add9?
Adds C. 3 of the notes are shared.
What is an easy A♭sus2 for small hands?
The root and third only voicing, A♭3 B♭3, spans 2 semitones or about 28 mm.
What are the frequencies of A♭sus2?
From A♭3 at A440 in 12-TET: 207.65, 233.08, 311.13 Hz.
What is the set class of A♭sus2?
Prime form (027), Forte 3-9, interval vector <010020>.
How do I transpose A♭sus2 to another key?
Keep the 1, 2, 5 formula on the new root. Csus2 is C, D, G; C♯sus2 is C♯, D♯, G♯.
Is G♯sus2 the same as A♭sus2?
Enharmonically yes: the same piano keys and the same sound, spelled differently.

A♭ Suspended 2nd in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionA♭3 B♭3 E♭4796 mmnoneidentical
Close, first inversionB♭3 E♭4 A♭410138 mmnoneidentical
Close, second inversionE♭4 A♭4 B♭4796 mmnoneidentical
Open, fifth on topA♭2 E♭3 B♭314193 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Root and third onlyA♭3 B♭3228 mmomits E♭subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
A♭add9adds C1 3 5 93
A♭B♭ becomes C1 3 52
A♭mB♭ becomes C♭1 ♭3 52
A♭sus4B♭ becomes D♭1 4 52
A♭maj7B♭ becomes C, G1 3 5 72
A♭7B♭ becomes C, G♭1 3 5 ♭72
A♭m7B♭ becomes C♭, G♭1 ♭3 5 ♭72
A♭mMaj7B♭ becomes C♭, G1 ♭3 5 72
A♭7sus4B♭ becomes D♭, G♭1 4 5 ♭72
A♭6B♭ becomes C, F1 3 5 62
A♭m6B♭ becomes C♭, F1 ♭3 5 62
A♭dimB♭, E♭ becomes C♭, E♭♭1 ♭3 ♭51

Frequencies

NoteMIDIFrequency
A♭356207.65 Hz
B♭358233.08 Hz
E♭463311.13 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{8, 10, 3}
Normal order
[8, 10, 3]
Prime form
(027)
Forte number
3-9
Interval vector
<010020>
PairIntervalSemitonesInterval class
A♭ to B♭Major second22
A♭ to E♭Perfect fifth75
B♭ to E♭Perfect fourth55

Where these facts come from

Every value on this page is derived from the note formula for a suspended 2nd applied to the root A♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. A. Eaglefield Hull (1915)

    Modern Harmony: Its Explanation and Application, Whole-tone scale, pp. 69, 192 and glossary p. 219

    Public domain treatise
  2. 2. Salomon Jadassohn (1883)

    A Manual of Harmony

    Public domain treatise
  3. 3. Percy Goetschius (1889)

    The Material Used in Musical Composition

    Public domain treatise
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data