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F Augmented 7th

Notes: F - A - C♯ - E♭ | Degrees: 1 - 3 - ♯5 - ♭7 | Written: Faug7, F7♯5, F+7

Construction: Root, Major 3rd, Augmented 5th, Minor 7th

It is an augmented triad with an added minor 7th, giving it a bright, tense, and unresolved character with a strong upward pull

Fingering: RH 1-2-3-5, LH 5-3-2-1

Inversions: Root Faug7 - 1st Faug7/A - 2nd Faug7/C♯ - 3rd Faug7/E♭

Related boards
Faug710 st, 138.0 mmRoot position, figured bass 7

F3, A3, C♯4, E♭4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightF, A, C♯, E♭1-2-3-5
LeftF, A, C♯, E♭5-3-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

F Augmented 7th: notes and degrees

Faug7 contains F, A, C♯ and E♭. An augmented triad with the minor seventh added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1FPerfect unison0
3AMajor third4
♯5C♯Minor sixth8
♭7E♭Minor seventh10

C♯ and E♭ are black keys; F and A are white.

Construction

F Augmented 7th = Root + Major 3rd + Minor 6th + Minor 7th = F, A, C♯, E♭
NoteIntervalDegree
FRoot1
AMajor 3rd3
C♯Minor 6th♯5
E♭Minor 7th♭7

Fingering

NoteKey colorRight handLeft hand
Fwhitethumb (1)little finger (5)
Awhiteindex finger (2)middle finger (3)
C♯blackmiddle finger (3)index finger (2)
E♭blacklittle finger (5)thumb (1)

Right hand: thumb (1) on F, index finger (2) on A, middle finger (3) on C♯, little finger (5) on E♭.

Left hand: little finger (5) on F, middle finger (3) on A, index finger (2) on C♯, thumb (1) on E♭.

F Augmented 7th Inversions

  • Root position
    F – A – C♯ – E♭
  • 1st inversion (Faug7/A)
    A – C♯ – E♭ – F
  • 2nd inversion (Faug7/C♯)
    C♯ – E♭ – F – A
  • 3rd inversion (Faug7/E♭)
    E♭ – F – A – C♯

Key Signature

A Augmented 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of F Major

These are the triads built on each degree of F Major:

C1C2C3C4FACC6C7C8
IF Major (major)
DegreeNumeralChordQuality
1IF MajorMajor
2iiG MinorMinor
3iiiA MinorMinor
4IVB♭ MajorMajor
5VC MajorMajor
6viD MinorMinor
7vii°E DiminishedDiminished

Same Notes, Other Names

The notes F – A – C♯ – E♭ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

F Augmented 7th : Frequently Asked Questions

What notes are in Faug7?
Faug7 contains F, A, C♯ and E♭. The formula is 1, 3, ♯5, ♭7.
How do you play Faug7 on piano?
Play F, A, C♯ and E♭ together. Right hand fingers 1, 2, 3, 5; left hand 5, 3, 2, 1. C♯ and E♭ are black keys; F and A are white.
What are the inversions of Faug7?
4 positions: root position F A C♯ E♭, Faug7/A, Faug7/C♯, Faug7/E♭.
What is the difference between Faug7 and Faug?
Drops E♭. 3 of the notes are shared.
What is an easy Faug7 for small hands?
The guide tones, 3 and ♭7 voicing, A3 E♭4, spans 6 semitones or about 83 mm.
What are the frequencies of Faug7?
From F3 at A440 in 12-TET: 174.61, 220.00, 277.18, 311.13 Hz.
What is the set class of Faug7?
Prime form (0248), Forte 4-24, interval vector <020301>.
How do I transpose Faug7 to another key?
Keep the 1, 3, ♯5, ♭7 formula on the new root. Caug7 is C, E, G♯, B♭; D♭aug7 is D♭, F, A, C♭.

F Augmented 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionF3 A3 C♯4 E♭410138 mmnoneidentical
Close, first inversionA3 C♯4 E♭4 F48110 mmnoneidentical
Close, second inversionC♯4 E♭4 F4 A48110 mmnoneidentical
Close, third inversionE♭4 F4 A4 C♯510138 mmnoneidentical
Drop 2C♯3 F3 A3 E♭414193 mmnoneidentical
Drop 3A2 F3 C♯4 E♭418248 mmnoneidentical
Drop 2 and 4F2 C♯3 A3 E♭422303 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭7 3F2 E♭3 A316220 mmomits C♯subset
Guide tones, 3 and ♭7A3 E♭4683 mmomits F and C♯subset
Rootless closeA3 C♯4 E♭4683 mmomits Fsubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
Faugdrops E♭1 3 ♯53
F7C♯ becomes C1 3 5 ♭73
F9C♯ becomes C, G1 3 5 ♭7 93
FC♯, E♭ becomes C1 3 52
Fmaj7C♯, E♭ becomes C, E1 3 5 72
Fm7A, C♯ becomes A♭, C1 ♭3 5 ♭72
Fm7♭5A, C♯ becomes A♭, C♭1 ♭3 ♭5 ♭72
F7sus4A, C♯ becomes B♭, C1 4 5 ♭72
F6C♯, E♭ becomes C, D1 3 5 62
Fadd9C♯, E♭ becomes C, G1 3 5 92

Frequencies

NoteMIDIFrequency
F353174.61 Hz
A357220.00 Hz
C♯461277.18 Hz
E♭463311.13 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{5, 9, 1, 3}
Normal order
[1, 3, 5, 9]
Prime form
(0248)
Forte number
4-24
Interval vector
<020301>
PairIntervalSemitonesInterval class
F to AMajor third44
F to C♯Minor sixth84
F to E♭Minor seventh102
A to C♯Major third44
A to E♭Tritone66
C♯ to E♭Major second22

Where these facts come from

Every value on this page is derived from the note formula for a augmented 7th applied to the root F, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. Salomon Jadassohn (1883)

    A Manual of Harmony

    Public domain treatise
  2. 2. Percy Goetschius (1889)

    The Material Used in Musical Composition

    Public domain treatise
  3. 3. J. S. Bach (1723)

    Two-Part Invention in F major, BWV 779

    Public domain score
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data