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F Dominant 7th

Dominant 7th · F – A – C – E♭ · intervals P1-M3-P5-m7

The F Dominant 7th chord (F7) contains the notes F, A, C, and E♭. Its interval formula is R-M3-P5-m7. A major triad plus the flat 7th — tension that resolves to the I, the engine of blues and jazz.

At the keyboard

F · A · C · Eb
Flashcards · Chord
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F7

The F Dominant 7th chord is a four-note chord made up of F, A, C, and E♭. It is built from a root, major third, perfect fifth, and minor seventh.

Construction

F Dominant 7th = Root + Major 3rd + Perfect 5th + Minor 7th = F · A · C · E♭
NoteIntervalDegree
FRoot1
AMajor 3rd3
CPerfect 5th5
E♭Minor 7th♭7

F Dominant 7th Inversions

F Dominant 7th piano chord, 1st inversion — A, C, E♭, F
The F Dominant 7th chord, 1st inversion, on a piano keyboard.
F Dominant 7th piano chord, 2nd inversion — C, E♭, F, A
The F Dominant 7th chord, 2nd inversion, on a piano keyboard.
F Dominant 7th piano chord, 3rd inversion — E♭, F, A, C
The F Dominant 7th chord, 3rd inversion, on a piano keyboard.
PositionNotes
Root PositionF – A – C – E♭
1st InversionA – C – E♭ – F
2nd InversionC – E♭ – F – A
3rd InversionE♭ – F – A – C

Key Signature

A dominant chord points home to the key a fifth below its root: the F Dominant 7th is the V (dominant) of A# Major, so the relevant key signature is that key’s — 2 flats (B♭, E♭). Spelled as a scale, these notes are F Mixolydian.

B♭E♭

Order of flats

Flats are added in a fixed order — the reverse of the sharp order. Each new flat key adds the next flat on the list.

BEADGCF

Mnemonic: Battle Ends And Down Goes Charles’ Father

Chords in the Key of A♯ Major

These are the triads built on each degree of the A♯ major scale:

C1C2C3C4C5C♯♯E♯C6C7C8A♯
IA♯ Major (major)
DegreeNumeralChordQuality
1IA♯ MajorMajor
2iiC MinorMinor
3iiiD MinorMinor
4IVD♯ MajorMajor
5VF MajorMajor
6viG MinorMinor
7vii°A DiminishedDiminished

How F Dominant 7th functions in a key

The same chord takes on a different harmonic role depending on the key it appears in. Here is where F Dominant 7th sits diatonically across the common keys:

  • In B♭ major, F Dominant 7th is the V chordthe dominant.
  • In G minor, F Dominant 7th is the ♭VII chorda mediant / color chord.

F Dominant 7th — Frequently Asked Questions

What is the F Dominant 7th chord on piano?
The F Dominant 7th chord contains the notes F – A – C – E♭. On piano, play these notes together to sound the chord.
What notes are in the F Dominant 7th chord?
The F Dominant 7th chord (F7) contains four notes: F (root), A (major third), C (perfect fifth), and Eb (minor seventh). The combination of a major triad with a minor seventh creates the dominant 7th's characteristic bluesy tension and forward drive.
How does F Dominant 7th differ from F Major?
F Major contains three notes: F, A, C. F Dominant 7th adds an Eb (minor seventh) on top. That single added note transforms a stable chord into one with urgent forward motion — it wants to resolve down a fifth to Bb Major.
What does 'dominant' mean in music theory?
'Dominant' refers to the fifth scale degree. The dominant 7th chord is built on the fifth note of a key and contains a tritone that creates strong pull toward resolution. F7 is the dominant chord in the key of Bb Major.
How is F Dominant 7th used in music?
F7 most commonly resolves to Bb Major in a V7–I cadence. It is the V7 in Bb Major and the IV7 in a blues in C. F7 appears frequently in jazz standards, gospel music, and R&B, where Bb Major is a common horn-friendly key.
What songs use dominant 7th chords?
Dominant 7th chords are the backbone of blues and early rock: every chord in a standard 12-bar blues is a dominant 7th. Hit the Road Jack (Ray Charles), Ain't Misbehavin' (Fats Waller), and countless jazz standards rely on dominant 7th movement for their harmonic drive.
What is the tritone in F Dominant 7th?
The tritone in F7 is the interval between A (the third) and Eb (the seventh) — exactly 6 semitones apart. This unstable interval gives F7 its strong pull toward Bb. The A resolves up to Bb and the Eb resolves down to D.

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References & Further Reading

The note names, intervals, fingering, and harmony on this chord page are grounded in the following sources. Public domain treatises and scores are linked to their full text; primary data is piano.org's own interval-derived reference dataset — continuously maintained and human-verified, with no fixed publication date.

  1. 1

    Goetschius, Percy(1889)

    The Material Used in Musical Composition

    Public domain treatise
  2. 2

    Riemann, Hugo(1896)

    Harmony Simplified (English translation)

    Public domain treatise
  3. 3

    J. S. Bach(1723)

    Two-Part Invention in F major, BWV 779

    Public domain score
  4. 4

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