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E Augmented 7th

Notes: E - G♯ - B♯ - D | Degrees: 1 - 3 - ♯5 - ♭7 | Written: Eaug7, E7♯5, E+7

Construction: Root, Major 3rd, Augmented 5th, Minor 7th

It is an augmented triad with an added minor 7th, giving it a bright, tense, and unresolved character with a strong upward pull

Fingering: RH 1-2-3-5, LH 5-3-2-1

Inversions: Root Eaug7 - 1st Eaug7/G♯ - 2nd Eaug7/B♯ - 3rd Eaug7/D

Related boards
Eaug710 st, 138.0 mmRoot position, figured bass 7

E3, G♯3, B♯4, D4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightE, G♯, B♯, D1-2-3-5
LeftE, G♯, B♯, D5-3-2-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

E Augmented 7th: notes and degrees

Eaug7 contains E, G♯, B♯ and D. An augmented triad with the minor seventh added on top.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1EPerfect unison0
3G♯Major third4
♯5B♯Minor sixth8
♭7DMinor seventh10

G♯ is a black key; E, B♯ and D are white.

Construction

E Augmented 7th = Root + Major 3rd + Minor 6th + Minor 7th = E, G♯, B♯, D
NoteIntervalDegree
ERoot1
G♯Major 3rd3
B♯Minor 6th♯5
DMinor 7th♭7

Fingering

NoteKey colorRight handLeft hand
Ewhitethumb (1)little finger (5)
G♯blackindex finger (2)middle finger (3)
B♯whitemiddle finger (3)index finger (2)
Dwhitelittle finger (5)thumb (1)

Right hand: thumb (1) on E, index finger (2) on G♯, middle finger (3) on B♯, little finger (5) on D.

Left hand: little finger (5) on E, middle finger (3) on G♯, index finger (2) on B♯, thumb (1) on D.

E Augmented 7th Inversions

  • Root position
    E – G♯ – B♯ – D
  • 1st inversion (Eaug7/G♯)
    G♯ – B♯ – D – E
  • 2nd inversion (Eaug7/B♯)
    B♯ – D – E – G♯
  • 3rd inversion (Eaug7/D)
    D – E – G♯ – B♯

Key Signature

A Augmented 7th chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of E Major

These are the triads built on each degree of E Major:

C1C2C3C4EBC5C6C7C8G♯
IE Major (major)
DegreeNumeralChordQuality
1IE MajorMajor
2iiF♯ MinorMinor
3iiiG♯ MinorMinor
4IVA MajorMajor
5VB MajorMajor
6viC♯ MinorMinor
7vii°D♯ DiminishedDiminished

Same Notes, Other Names

The notes E – G♯ – B♯ – D aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell:

E Augmented 7th : Frequently Asked Questions

What is the E Augmented 7th chord on piano?
The E Augmented 7th chord contains the notes E – G♯ – B♯ – D. On piano, play these notes together to sound the chord.
What notes are in the E Augmented 7th chord?
The E Augmented 7th chord (E+7) contains four notes: E (root), G# (major third), B# (augmented fifth, enharmonically C), and D (minor seventh). It combines an augmented triad with a minor seventh.
How does E Augmented 7th differ from E Dominant 7th?
Both contain E, G#, and D. E+7 has B# (augmented fifth) while E7 has B (perfect fifth). The raised fifth adds extra chromatic tension.
How is E Augmented 7th used in music?
E+7 is an altered dominant resolving to A Major. The B#/C pulls up to C# while D pulls down to C#: converging on the third of A. Common in blues, jazz, and rock.
What genres use Augmented 7th chords?
Augmented 7th chords are common in jazz, gospel, blues, and R&B. E+7 appears frequently in blues-influenced music where E is the I or V chord.
What songs use Augmented 7th chords?
Augmented 7th chords appear in jazz standards and blues. E+7 resolves to A Major, appearing in blues-rock and jazz contexts.
What is the difference between +7 and 7#5?
They are the same chord. E+7, E7#5, and Eaug7 all refer to E Augmented 7th.

E Augmented 7th in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionE3 G♯3 B♯4 D410138 mmnoneidentical
Close, first inversionG♯3 B♯4 D4 E48110 mmnoneidentical
Close, second inversionB♯4 D4 E4 G♯48110 mmnoneidentical
Close, third inversionD4 E4 G♯4 B♯510138 mmnoneidentical
Drop 2B♯3 E3 G♯3 D414193 mmnoneidentical
Drop 3G♯2 E3 B♯4 D418248 mmnoneidentical
Drop 2 and 4E2 B♯3 G♯3 D422303 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Shell, root ♭7 3E2 D3 G♯316220 mmomits B♯subset
Guide tones, 3 and ♭7G♯3 D4683 mmomits E and B♯subset
Rootless closeG♯3 B♯4 D4683 mmomits Esubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
Eaugdrops D1 3 ♯53
E7B♯ becomes B1 3 5 ♭73
E9B♯ becomes B, F♯1 3 5 ♭7 93
EB♯, D becomes B1 3 52
Emaj7B♯, D becomes B, D♯1 3 5 72
Em7G♯, B♯ becomes G, B1 ♭3 5 ♭72
Em7♭5G♯, B♯ becomes G, B♭1 ♭3 ♭5 ♭72
E7sus4G♯, B♯ becomes A, B1 4 5 ♭72
E6B♯, D becomes B, C♯1 3 5 62
Eadd9B♯, D becomes B, F♯1 3 5 92

Frequencies

NoteMIDIFrequency
E352164.81 Hz
G♯356207.65 Hz
B♯460261.63 Hz
D462293.66 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{4, 8, 0, 2}
Normal order
[0, 2, 4, 8]
Prime form
(0248)
Forte number
4-24
Interval vector
<020301>
PairIntervalSemitonesInterval class
E to G♯Major third44
E to B♯Minor sixth84
E to DMinor seventh102
G♯ to B♯Major third44
G♯ to DTritone66
B♯ to DMajor second22

Where these facts come from

Every value on this page is derived from the note formula for a augmented 7th applied to the root E, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.