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D♭ Augmented

Notes: D♭ - F - A | Degrees: 1 - 3 - ♯5 | Written: D♭aug, D♭+

Construction: Root, Major 3rd, Augmented 5th

It is formed by two stacked major thirds: Db to F (4 semitones) and F to A (4 semitones)

Fingering: RH 2-3-5, LH 5-3-2

Inversions: Root D♭aug - 1st D♭aug/F - 2nd D♭aug/A

C♯ Augmented
This is the same chord as C♯ Augmented: the same keys on the keyboard, spelled with sharps.
Related boards
D♭aug8 st, 110.0 mmRoot position, figured bass 5/3

D♭3, F3, A3

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightD♭, F, A1-3-5
LeftD♭, F, A5-3-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

D♭ Augmented: notes and degrees

D♭aug contains D♭, F and A. Two stacked major thirds.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1D♭Perfect unison0
3FMajor third4
♯5AMinor sixth8

D♭ is a black key; F and A are white.

Construction

D♭ Augmented = Root + Major 3rd + Minor 6th = D♭, F, A
NoteIntervalDegree
D♭Root1
FMajor 3rd3
AMinor 6th♯5

Fingering

NoteKey colorRight handLeft hand
D♭blackthumb (1)little finger (5)
Fwhitemiddle finger (3)middle finger (3)
Awhitelittle finger (5)thumb (1)

Right hand: thumb (1) on D♭, middle finger (3) on F, little finger (5) on A.

Left hand: little finger (5) on D♭, middle finger (3) on F, thumb (1) on A.

D♭ Augmented Inversions

  • Root position
    D♭ – F – A
  • 1st inversion (D♭aug/F)
    F – A – D♭
  • 2nd inversion (D♭aug/A)
    A – D♭ – F

Key Signature

A Augmented chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of D♭ Major

These are the triads built on each degree of D♭ Major:

C1C2C3C4FC5C6C7C8D♭A♭
ID♭ Major (major)
DegreeNumeralChordQuality
1ID♭ MajorMajor
2iiE♭ MinorMinor
3iiiF MinorMinor
4IVG♭ MajorMajor
5VA♭ MajorMajor
6viB♭ MinorMinor
7vii°C DiminishedDiminished

Same Notes, Other Names

The notes D♭ – F – A aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

D♭ Augmented : Frequently Asked Questions

What notes are in D♭aug?
D♭aug contains D♭, F and A. The formula is 1, 3, ♯5.
How do you play D♭aug on piano?
Play D♭, F and A together. Right hand fingers 1, 3, 5; left hand 5, 3, 1. D♭ is a black key; F and A are white.
What are the inversions of D♭aug?
3 positions: root position D♭ F A, D♭aug/F, D♭aug/A.
What is the difference between D♭aug and D♭aug7?
Adds C♭. 3 of the notes are shared.
What is an easy D♭aug for small hands?
The root and third only voicing, D♭3 F3, spans 4 semitones or about 55 mm.
What are the frequencies of D♭aug?
From D♭3 at A440 in 12-TET: 138.59, 174.61, 220.00 Hz.
What is the set class of D♭aug?
Prime form (048), Forte 3-12, interval vector <000300>.
How do I transpose D♭aug to another key?
Keep the 1, 3, ♯5 formula on the new root. Caug is C, E, G♯; Daug is D, F♯, A♯.
Is C♯aug the same as D♭aug?
Enharmonically yes: the same piano keys and the same sound, spelled differently.

D♭ Augmented in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionD♭3 F3 A38110 mmnoneidentical
Close, first inversionF3 A3 D♭48110 mmnoneidentical
Close, second inversionA3 D♭4 F48110 mmnoneidentical
Open, fifth on topD♭2 A2 F316220 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Root and third onlyD♭3 F3455 mmomits Asubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
D♭aug7adds C♭1 3 ♯5 ♭73
D♭A becomes A♭1 3 52
D♭maj7A becomes A♭, C1 3 5 72
D♭7A becomes A♭, C♭1 3 5 ♭72
D♭6A becomes A♭, B♭1 3 5 62
D♭add9A becomes A♭, E♭1 3 5 92
D♭mF, A becomes F♭, A♭1 ♭3 51
D♭dimF, A becomes F♭, A♭♭1 ♭3 ♭51
D♭sus2F, A becomes E♭, A♭1 2 51
D♭sus4F, A becomes G♭, A♭1 4 51

Frequencies

NoteMIDIFrequency
D♭349138.59 Hz
F353174.61 Hz
A357220.00 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{1, 5, 9}
Normal order
[1, 5, 9]
Prime form
(048)
Forte number
3-12
Interval vector
<000300>
PairIntervalSemitonesInterval class
D♭ to FMajor third44
D♭ to AMinor sixth84
F to AMajor third44

Where these facts come from

Every value on this page is derived from the note formula for a augmented applied to the root D♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. A. Eaglefield Hull (1915)

    Modern Harmony: Its Explanation and Application, Whole-tone scale, pp. 69, 192 and glossary p. 219

    Public domain treatise
  2. 2. Salomon Jadassohn (1883)

    A Manual of Harmony

    Public domain treatise
  3. 3. Ludwig van Beethoven (1802)

    Piano Sonata No. 14 in C♯ minor, Op. 27 No. 2 ("Moonlight"), i

    Public domain score
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data