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Chord · Reference entry

G♯ Augmented

Augmented · G♯ – B♯ – D♯♯ · intervals P1-M3-A5

The G♯ Augmented chord (G♯aug) contains the notes G♯, B♯, and D♯♯. Its interval formula is R-M3-A5. Two stacked major thirds — symmetrical and dreamlike, often used to modulate between keys.

A♭ Augmented
This is the same chord as A♭ Augmented — the same keys on the keyboard, spelled with flats.

At the keyboard

G# · B# · D##
Flashcards · Chord
Three questions on G♯ Augmented
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G♯+

The G♯ Augmented chord is a three-note chord made up of G♯, B♯, and D♯♯. It is built from a root, major third, and augmented fifth.

Construction

G♯ Augmented = Root + Major 3rd + Minor 6th = G♯ · B♯ · D♯♯
NoteIntervalDegree
G♯Root1
B♯Major 3rd3
D♯♯Minor 6th♯5

G♯ Augmented Inversions

G# Augmented piano chord, 1st inversion — B♯, Dx, G♯
The G# Augmented chord, 1st inversion, on a piano keyboard.
G# Augmented piano chord, 2nd inversion — Dx, G♯, B♯
The G# Augmented chord, 2nd inversion, on a piano keyboard.
PositionNotes
Root PositionG♯ – B♯ – D♯♯
1st InversionB♯ – D♯♯ – G♯
2nd InversionD♯♯ – G♯ – B♯

Key Signature

A Augmented chord is built from symmetrical or ambiguous intervals, so it doesn’t belong to a single key and has no key signature of its own.

Same Notes, Other Names

The notes G♯ – B♯ – D♯♯ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

G♯ Augmented — Frequently Asked Questions

What is the G♯ Augmented chord on piano?
The G♯ Augmented chord contains the notes G♯ – B♯ – D♯♯. On piano, play these notes together to sound the chord.
What notes are in the G# Augmented chord?
The G# Augmented chord contains three notes: G# (root), B# (major third), and D## (augmented fifth — one semitone higher than a perfect fifth). The augmented fifth is what gives this chord its tense, unresolved quality.
How does the G# Augmented chord differ from G# Major?
The only difference between G# Augmented and G# Major is the fifth: G# Major has a perfect fifth, while G# Augmented raises it by one semitone to an augmented fifth (D##). This single change transforms a stable, resolved chord into one full of tension and forward motion.
What is the symbol for the G# Augmented chord?
The G# Augmented chord is written as G#aug or G#+. The "aug" or "+" symbol indicates the augmented fifth. In lead sheets and chord charts, both notations are common — G#aug appears in classical and jazz contexts while G#+ is common in pop and rock.
How do I use the G# Augmented chord in music?
Augmented chords create tension and a sense of motion. The most common uses are: (1) as a chromatic passing chord between the I and IV chords (e.g., G# → G#aug → IV), (2) over a chromatic bass line moving upward, and (3) in jazz as a substitute for dominant chords. The augmented fifth wants to resolve up by one semitone.
What are the inversions of the G# Augmented chord?
The G# Augmented chord has a unique property: all three of its inversions are enharmonically equivalent. Because each note is separated by exactly 4 semitones (a major third), rotating the notes always produces the same interval structure. G#aug in root position, first inversion, and second inversion all sound the same quality.
What songs use augmented chords?
Augmented chords appear in Oh! Darling (Beatles), which uses Aaug as a chromatic passing chord, and in many jazz standards as chromatic dominant substitutes. Stevie Wonder and Elton John frequently use augmented chords for their characteristic tension-building quality.

Related Tools

Chord FinderLook up any chord — see the notes, hear it, and play along.Chord DrillTimed drills to build speed and recognition across all chord types.Practice RoomPlug in a MIDI keyboard and get real-time feedback on every chord and scale.Circle of FifthsVisualize key relationships, relative minors, and key signatures.MIDI MonitorLive MIDI message stream with note names, velocity, and a scrolling staff.

References & Further Reading

The note names, intervals, fingering, and harmony on this chord page are grounded in the following sources. Public domain treatises and scores are linked to their full text; primary data is piano.org's own interval-derived reference dataset — continuously maintained and human-verified, with no fixed publication date.

  1. 1

    Jadassohn, Salomon(1883)

    A Manual of Harmony

    Public domain treatise
  2. 2

    Prout, Ebenezer(1889)

    Harmony: Its Theory and Practice

    Public domain treatise
  3. 3

    Goetschius, Percy(1889)

    The Material Used in Musical Composition

    Public domain treatise
  4. 4

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