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G♯ Augmented

Notes: G♯ - B♯ - D♯♯ | Degrees: 1 - 3 - ♯5 | Written: G♯aug, G♯+

Construction: Root, Major 3rd, Augmented 5th

It is formed by two stacked major thirds: G# to C (4 semitones) and C to E (4 semitones)

Fingering: RH 2-3-5, LH 5-3-2

Inversions: Root G♯aug - 1st G♯aug/B♯ - 2nd G♯aug/D♯♯

A♭ Augmented
This is the same chord as A♭ Augmented: the same keys on the keyboard, spelled with flats.
Related boards
G♯aug8 st, 110.0 mmRoot position, figured bass 5/3

G♯3, B♯4, D×4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightG♯, B♯, D×1-3-5
LeftG♯, B♯, D×5-3-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

G♯ Augmented: notes and degrees

G♯aug contains G♯, B♯ and D×. Two stacked major thirds.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1G♯Perfect unison0
3B♯Major third4
♯5Minor sixth8

G♯ is a black key; B♯ and D× are white.

Construction

G♯ Augmented = Root + Major 3rd + Minor 6th = G♯, B♯, D♯♯
NoteIntervalDegree
G♯Root1
B♯Major 3rd3
D♯♯Minor 6th♯5

Fingering

NoteKey colorRight handLeft hand
G♯blackthumb (1)little finger (5)
B♯whitemiddle finger (3)middle finger (3)
D♯♯whitelittle finger (5)thumb (1)

Right hand: thumb (1) on G♯, middle finger (3) on B♯, little finger (5) on D♯♯.

Left hand: little finger (5) on G♯, middle finger (3) on B♯, thumb (1) on D♯♯.

G♯ Augmented Inversions

  • Root position
    G♯ – B♯ – D♯♯
  • 1st inversion (G♯aug/B♯)
    B♯ – D♯♯ – G♯
  • 2nd inversion (G♯aug/D♯♯)
    D♯♯ – G♯ – B♯

Key Signature

A Augmented chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of G♯ Major

These are the triads built on each degree of G♯ Major:

C1C2C3C4B♯C6C7C8G♯D♯
IG♯ Major (major)
DegreeNumeralChordQuality
1IG♯ MajorMajor
2iiA♯ MinorMinor
3iiiB♯ MinorMinor
4IVC♯ MajorMajor
5VD♯ MajorMajor
6viE♯ MinorMinor
7vii°F♯♯ DiminishedDiminished

Same Notes, Other Names

The notes G♯ – B♯ – D♯♯ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

G♯ Augmented : Frequently Asked Questions

What notes are in G♯aug?
G♯aug contains G♯, B♯ and D×. The formula is 1, 3, ♯5.
How do you play G♯aug on piano?
Play G♯, B♯ and D× together. Right hand fingers 1, 3, 5; left hand 5, 3, 1. G♯ is a black key; B♯ and D× are white.
What are the inversions of G♯aug?
3 positions: root position G♯ B♯ D×, G♯aug/B♯, G♯aug/D×.
What is the difference between G♯aug and G♯aug7?
Adds F♯. 3 of the notes are shared.
What is an easy G♯aug for small hands?
The root and third only voicing, G♯3 B♯4, spans 4 semitones or about 55 mm.
What are the frequencies of G♯aug?
From G♯3 at A440 in 12-TET: 207.65, 261.63, 329.63 Hz.
What is the set class of G♯aug?
Prime form (048), Forte 3-12, interval vector <000300>.
How do I transpose G♯aug to another key?
Keep the 1, 3, ♯5 formula on the new root. Caug is C, E, G♯; D♭aug is D♭, F, A.
Is A♭aug the same as G♯aug?
Enharmonically yes: the same piano keys and the same sound, spelled differently.

G♯ Augmented in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionG♯3 B♯4 D×48110 mmnoneidentical
Close, first inversionB♯4 D×4 G♯48110 mmnoneidentical
Close, second inversionD×4 G♯4 B♯58110 mmnoneidentical
Open, fifth on topG♯2 D×3 B♯416220 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Root and third onlyG♯3 B♯4455 mmomits D×subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
G♯aug7adds F♯1 3 ♯5 ♭73
G♯D× becomes D♯1 3 52
G♯maj7D× becomes D♯, F×1 3 5 72
G♯7D× becomes D♯, F♯1 3 5 ♭72
G♯6D× becomes D♯, E♯1 3 5 62
G♯add9D× becomes D♯, A♯1 3 5 92
G♯mB♯, D× becomes B, D♯1 ♭3 51
G♯dimB♯, D× becomes B, D1 ♭3 ♭51
G♯sus2B♯, D× becomes A♯, D♯1 2 51
G♯sus4B♯, D× becomes C♯, D♯1 4 51

Frequencies

NoteMIDIFrequency
G♯356207.65 Hz
B♯460261.63 Hz
D×464329.63 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{8, 0, 4}
Normal order
[0, 4, 8]
Prime form
(048)
Forte number
3-12
Interval vector
<000300>
PairIntervalSemitonesInterval class
G♯ to B♯Major third44
G♯ to D×Minor sixth84
B♯ to D×Major third44

Where these facts come from

Every value on this page is derived from the note formula for a augmented applied to the root G♯, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. James Francis Cooke (1913)

    Mastering the Scales and Arpeggios, Lesson IV, "Fingering of the Scales"; scale tables pp. 16-25

    Public domain treatise
  2. 2. Karl W. Gehrkens (1914)

    Music Notation and Terminology

    Public domain treatise
  3. 3. A. Eaglefield Hull (1915)

    Modern Harmony: Its Explanation and Application, Whole-tone scale, pp. 69, 192 and glossary p. 219

    Public domain treatise
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data