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Chord · Reference entry

C♯ Augmented

Augmented · C♯ – E♯ – G♯♯ · intervals P1-M3-A5

The C♯ Augmented chord (C♯aug) contains the notes C♯, E♯, and G♯♯. Its interval formula is R-M3-A5. Two stacked major thirds — symmetrical and dreamlike, often used to modulate between keys.

D♭ Augmented
This is the same chord as D♭ Augmented — the same keys on the keyboard, spelled with flats.

At the keyboard

C# · E# · G##
Flashcards · Chord
Three questions on C♯ Augmented
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C♯+

The C♯ Augmented chord is a three-note chord made up of C♯, E♯, and G♯♯. It is built from a root, major third, and augmented fifth.

Construction

C♯ Augmented = Root + Major 3rd + Minor 6th = C♯ · E♯ · G♯♯
NoteIntervalDegree
C♯Root1
E♯Major 3rd3
G♯♯Minor 6th♯5

C♯ Augmented Inversions

C# Augmented piano chord, 1st inversion — E♯, Gx, C♯
The C# Augmented chord, 1st inversion, on a piano keyboard.
C# Augmented piano chord, 2nd inversion — Gx, C♯, E♯
The C# Augmented chord, 2nd inversion, on a piano keyboard.
PositionNotes
Root PositionC♯ – E♯ – G♯♯
1st InversionE♯ – G♯♯ – C♯
2nd InversionG♯♯ – C♯ – E♯

Key Signature

A Augmented chord is built from symmetrical or ambiguous intervals, so it doesn’t belong to a single key and has no key signature of its own.

Same Notes, Other Names

The notes C♯ – E♯ – G♯♯ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

C♯ Augmented — Frequently Asked Questions

What is the C♯ Augmented chord on piano?
The C♯ Augmented chord contains the notes C♯ – E♯ – G♯♯. On piano, play these notes together to sound the chord.
What notes are in the C# Augmented chord?
The C# Augmented chord contains three notes: C# (root), E# (major third), and G## (augmented fifth — one semitone higher than a perfect fifth). The augmented fifth is what gives this chord its tense, unresolved quality.
How does the C# Augmented chord differ from C# Major?
The only difference between C# Augmented and C# Major is the fifth: C# Major has a perfect fifth, while C# Augmented raises it by one semitone to an augmented fifth (G##). This single change transforms a stable, resolved chord into one full of tension and forward motion.
What is the symbol for the C# Augmented chord?
The C# Augmented chord is written as C#aug or C#+. The "aug" or "+" symbol indicates the augmented fifth. In lead sheets and chord charts, both notations are common — C#aug appears in classical and jazz contexts while C#+ is common in pop and rock.
How do I use the C# Augmented chord in music?
Augmented chords create tension and a sense of motion. The most common uses are: (1) as a chromatic passing chord between the I and IV chords (e.g., C# → C#aug → IV), (2) over a chromatic bass line moving upward, and (3) in jazz as a substitute for dominant chords. The augmented fifth wants to resolve up by one semitone.
What are the inversions of the C# Augmented chord?
The C# Augmented chord has a unique property: all three of its inversions are enharmonically equivalent. Because each note is separated by exactly 4 semitones (a major third), rotating the notes always produces the same interval structure. C#aug in root position, first inversion, and second inversion all sound the same quality.
What songs use augmented chords?
Augmented chords appear in Oh! Darling (Beatles), which uses Aaug as a chromatic passing chord, and in many jazz standards as chromatic dominant substitutes. Stevie Wonder and Elton John frequently use augmented chords for their characteristic tension-building quality.

Related Tools

Chord FinderLook up any chord — see the notes, hear it, and play along.Chord DrillTimed drills to build speed and recognition across all chord types.Practice RoomPlug in a MIDI keyboard and get real-time feedback on every chord and scale.Circle of FifthsVisualize key relationships, relative minors, and key signatures.MIDI MonitorLive MIDI message stream with note names, velocity, and a scrolling staff.

References & Further Reading

The note names, intervals, fingering, and harmony on this chord page are grounded in the following sources. Public domain treatises and scores are linked to their full text; primary data is piano.org's own interval-derived reference dataset — continuously maintained and human-verified, with no fixed publication date.

  1. 1

    Prout, Ebenezer(1889)

    Harmony: Its Theory and Practice

    Public domain treatise
  2. 2

    Goetschius, Percy(1889)

    The Material Used in Musical Composition

    Public domain treatise
  3. 3

    Beethoven, Ludwig van(1802)

    Piano Sonata No. 14 in C♯ minor, Op. 27 No. 2 ("Moonlight"), i

    Public domain score
  4. 4

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