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G♭ Augmented

Notes: G♭ - B♭ - D | Degrees: 1 - 3 - ♯5 | Written: G♭aug, G♭+

Construction: Root, Major 3rd, Augmented 5th

It is formed by two stacked major thirds: Gb to Bb (4 semitones) and Bb to D (4 semitones)

Fingering: RH 2-3-5, LH 5-3-2

Inversions: Root G♭aug - 1st G♭aug/B♭ - 2nd G♭aug/D

F♯ Augmented
This is the same chord as F♯ Augmented: the same keys on the keyboard, spelled with sharps.
Related boards
G♭aug8 st, 110.0 mmRoot position, figured bass 5/3

G♭3, B♭3, D4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightG♭, B♭, D1-3-5
LeftG♭, B♭, D5-3-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

G♭ Augmented: notes and degrees

G♭aug contains G♭, B♭ and D. Two stacked major thirds.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1G♭Perfect unison0
3B♭Major third4
♯5DMinor sixth8

G♭ and B♭ are black keys; D is white.

Construction

G♭ Augmented = Root + Major 3rd + Minor 6th = G♭, B♭, D
NoteIntervalDegree
G♭Root1
B♭Major 3rd3
DMinor 6th♯5

Fingering

NoteKey colorRight handLeft hand
G♭blackthumb (1)little finger (5)
B♭blackmiddle finger (3)middle finger (3)
Dwhitelittle finger (5)thumb (1)

Right hand: thumb (1) on G♭, middle finger (3) on B♭, little finger (5) on D.

Left hand: little finger (5) on G♭, middle finger (3) on B♭, thumb (1) on D.

G♭ Augmented Inversions

  • Root position
    G♭ – B♭ – D
  • 1st inversion (G♭aug/B♭)
    B♭ – D – G♭
  • 2nd inversion (G♭aug/D)
    D – G♭ – B♭

Key Signature

A Augmented chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of G♭ Major

These are the triads built on each degree of G♭ Major:

C1C2C3C4C5C6C7C8G♭B♭D♭
IG♭ Major (major)
DegreeNumeralChordQuality
1IG♭ MajorMajor
2iiA♭ MinorMinor
3iiiB♭ MinorMinor
4IVC♭ MajorMajor
5VD♭ MajorMajor
6viE♭ MinorMinor
7vii°F DiminishedDiminished

Same Notes, Other Names

The notes G♭ – B♭ – D aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

G♭ Augmented : Frequently Asked Questions

What notes are in G♭aug?
G♭aug contains G♭, B♭ and D. The formula is 1, 3, ♯5.
How do you play G♭aug on piano?
Play G♭, B♭ and D together. Right hand fingers 1, 3, 5; left hand 5, 3, 1. G♭ and B♭ are black keys; D is white.
What are the inversions of G♭aug?
3 positions: root position G♭ B♭ D, G♭aug/B♭, G♭aug/D.
What is the difference between G♭aug and G♭aug7?
Adds F♭. 3 of the notes are shared.
What is an easy G♭aug for small hands?
The root and third only voicing, G♭3 B♭3, spans 4 semitones or about 55 mm.
What are the frequencies of G♭aug?
From G♭3 at A440 in 12-TET: 185.00, 233.08, 293.66 Hz.
What is the set class of G♭aug?
Prime form (048), Forte 3-12, interval vector <000300>.
How do I transpose G♭aug to another key?
Keep the 1, 3, ♯5 formula on the new root. Caug is C, E, G♯; D♭aug is D♭, F, A.
Is F♯aug the same as G♭aug?
Enharmonically yes: the same piano keys and the same sound, spelled differently.

G♭ Augmented in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionG♭3 B♭3 D48110 mmnoneidentical
Close, first inversionB♭3 D4 G♭48110 mmnoneidentical
Close, second inversionD4 G♭4 B♭48110 mmnoneidentical
Open, fifth on topG♭2 D3 B♭316220 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Root and third onlyG♭3 B♭3455 mmomits Dsubset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
G♭aug7adds F♭1 3 ♯5 ♭73
G♭D becomes D♭1 3 52
G♭maj7D becomes D♭, F1 3 5 72
G♭7D becomes D♭, F♭1 3 5 ♭72
G♭6D becomes D♭, E♭1 3 5 62
G♭add9D becomes D♭, A♭1 3 5 92
G♭mB♭, D becomes B♭♭, D♭1 ♭3 51
G♭dimB♭, D becomes B♭♭, D♭♭1 ♭3 ♭51
G♭sus2B♭, D becomes A♭, D♭1 2 51
G♭sus4B♭, D becomes C♭, D♭1 4 51

Frequencies

NoteMIDIFrequency
G♭354185.00 Hz
B♭358233.08 Hz
D462293.66 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{6, 10, 2}
Normal order
[2, 6, 10]
Prime form
(048)
Forte number
3-12
Interval vector
<000300>
PairIntervalSemitonesInterval class
G♭ to B♭Major third44
G♭ to DMinor sixth84
B♭ to DMajor third44

Where these facts come from

Every value on this page is derived from the note formula for a augmented applied to the root G♭, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. Ferruccio Busoni (1911)

    Sketch of a New Esthetic of Music, The 113 seven-tone scales, p. 29

    Public domain treatise
  2. 2. Carl E. Gardner (1912)

    Essentials of Music Theory, Elementary volume

    Public domain treatise
  3. 3. Franz Schubert (1827)

    Impromptu in G♭ major, Op. 90 No. 3 (D. 899)

    Public domain score
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data