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F♯ Augmented

Notes: F♯ - A♯ - C♯♯ | Degrees: 1 - 3 - ♯5 | Written: F♯aug, F♯+

Construction: Root, Major 3rd, Augmented 5th

It is formed by two stacked major thirds: F# to A# (4 semitones) and A# to D (4 semitones)

Fingering: RH 2-3-5, LH 5-3-2

Inversions: Root F♯aug - 1st F♯aug/A♯ - 2nd F♯aug/C♯♯

G♭ Augmented
This is the same chord as G♭ Augmented: the same keys on the keyboard, spelled with flats.
Related boards
F♯aug8 st, 110.0 mmRoot position, figured bass 5/3

F♯3, A♯3, C×4

Fingerings

Root position: either hand, fingers low note to high
HandNotesFingers
RightF♯, A♯, C×1-3-5
LeftF♯, A♯, C×5-3-1

Close-position standard fingering: either hand takes the whole shape. Thumb is 1, little finger is 5.

F♯ Augmented: notes and degrees

F♯aug contains F♯, A♯ and C×. Two stacked major thirds.

Scale degree, note, and interval measured from the root.
DegreeNoteInterval from rootSemitones
1F♯Perfect unison0
3A♯Major third4
♯5Minor sixth8

F♯ and A♯ are black keys; C× is white.

Construction

F♯ Augmented = Root + Major 3rd + Minor 6th = F♯, A♯, C♯♯
NoteIntervalDegree
F♯Root1
A♯Major 3rd3
C♯♯Minor 6th♯5

Fingering

NoteKey colorRight handLeft hand
F♯blackthumb (1)little finger (5)
A♯blackmiddle finger (3)middle finger (3)
C♯♯whitelittle finger (5)thumb (1)

Right hand: thumb (1) on F♯, middle finger (3) on A♯, little finger (5) on C♯♯.

Left hand: little finger (5) on F♯, middle finger (3) on A♯, thumb (1) on C♯♯.

F♯ Augmented Inversions

  • Root position
    F♯ – A♯ – C♯♯
  • 1st inversion (F♯aug/A♯)
    A♯ – C♯♯ – F♯
  • 2nd inversion (F♯aug/C♯♯)
    C♯♯ – F♯ – A♯

Key Signature

A Augmented chord is built from symmetrical or ambiguous intervals, so it doesn't belong to a single key and has no key signature of its own.

Chords in the Key of F♯ Major

These are the triads built on each degree of F♯ Major:

C1C2C3C4C5C6C7C8F♯A♯C♯
IF♯ Major (major)
DegreeNumeralChordQuality
1IF♯ MajorMajor
2iiG♯ MinorMinor
3iiiA♯ MinorMinor
4IVB MajorMajor
5VC♯ MajorMajor
6viD♯ MinorMinor
7vii°E♯ DiminishedDiminished

Same Notes, Other Names

The notes F♯ – A♯ – C♯♯ aren’t exclusive to this chord. Depending on which note is the bass and how the chord functions, the same pitches also spell the following:

F♯ Augmented : Frequently Asked Questions

What notes are in F♯aug?
F♯aug contains F♯, A♯ and C×. The formula is 1, 3, ♯5.
How do you play F♯aug on piano?
Play F♯, A♯ and C× together. Right hand fingers 1, 3, 5; left hand 5, 3, 1. F♯ and A♯ are black keys; C× is white.
What are the inversions of F♯aug?
3 positions: root position F♯ A♯ C×, F♯aug/A♯, F♯aug/C×.
What is the difference between F♯aug and F♯aug7?
Adds E. 3 of the notes are shared.
What is an easy F♯aug for small hands?
The root and third only voicing, F♯3 A♯3, spans 4 semitones or about 55 mm.
What are the frequencies of F♯aug?
From F♯3 at A440 in 12-TET: 185.00, 233.08, 293.66 Hz.
What is the set class of F♯aug?
Prime form (048), Forte 3-12, interval vector <000300>.
How do I transpose F♯aug to another key?
Keep the 1, 3, ♯5 formula on the new root. Caug is C, E, G♯; D♭aug is D♭, F, A.
Is G♭aug the same as F♯aug?
Enharmonically yes: the same piano keys and the same sound, spelled differently.

F♯ Augmented in detail

Exact

Every pitch class is present and nothing outside the chord is added.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Close, root positionF♯3 A♯3 C×48110 mmnoneidentical
Close, first inversionA♯3 C×4 F♯48110 mmnoneidentical
Close, second inversionC×4 F♯4 A♯48110 mmnoneidentical
Open, fifth on topF♯2 C×3 A♯316220 mmnoneidentical

Reduced

A subset of the pitch classes: the identity is incomplete rather than altered.

TypeNotesSemitonesSpanOmissions and additionsSet relationFit
Root and third onlyF♯3 A♯3455 mmomits C×subset

Spans are measured centre to centre at a 165 mm octave (standard keyboard geometry).

Change one note

Chords a single note away, and what moving that note does.

ChordChangeFormulaCommon tones
F♯aug7adds E1 3 ♯5 ♭73
F♯C× becomes C♯1 3 52
F♯maj7C× becomes C♯, E♯1 3 5 72
F♯7C× becomes C♯, E1 3 5 ♭72
F♯6C× becomes C♯, D♯1 3 5 62
F♯add9C× becomes C♯, G♯1 3 5 92
F♯mA♯, C× becomes A, C♯1 ♭3 51
F♯dimA♯, C× becomes A, C1 ♭3 ♭51
F♯sus2A♯, C× becomes G♯, C♯1 2 51
F♯sus4A♯, C× becomes B, C♯1 4 51

Frequencies

NoteMIDIFrequency
F♯354185.00 Hz
A♯358233.08 Hz
C×462293.66 Hz

Reference pitch A440, 12-TET, close root position.

Set theory: prime form, Forte number, interval vector
Absolute pitch class set
{6, 10, 2}
Normal order
[2, 6, 10]
Prime form
(048)
Forte number
3-12
Interval vector
<000300>
PairIntervalSemitonesInterval class
F♯ to A♯Major third44
F♯ to C×Minor sixth84
A♯ to C×Major third44

Where these facts come from

Every value on this page is derived from the note formula for a augmented applied to the root F♯, using standard music theory. Nothing here is hand-entered per chord, so the notes, intervals, inversions and frequencies cannot drift out of agreement with each other. Pitches assume 12-TET at A440.

References and further reading

The visible claims on this chord page are grounded in these verified sources.

  1. 1. Salomon Jadassohn (1883)

    A Manual of Harmony

    Public domain treatise
  2. 2. Percy Goetschius (1889)

    The Material Used in Musical Composition

    Public domain treatise
  3. 3. Ebenezer Prout (1889)

    Harmony: Its Theory and Practice

    Public domain treatise
  4. 4. piano.org

    piano.org chord note dataset: 43 chord types × 18 keys, derived from interval construction rules

    Primary data